Martie Cook has over three decades of experience as a respected writer and producer of television and film. She has worked for all four major networks and PBS as well as for Warner Bros., 20th Century Fox, Columbia Pictures and Universal Studios. A member of the Writers Guild of America West, Cook has written for hit television shows such as the top-ten Nielsen rated Full House, and the cult classic, Charles in Charge. She has served as a writer/producer for Entertainment Tonight, America's Most Wanted, and the PBS Emmy Award-winning children's show Zoom. Cook currently teaches Television Writing at Emerson College in Boston, MA, where she also serves as the director of the BFA in Comedic Arts and the Founding Director of the Center for Comedic Arts.

PREFACE, ACKNOWLEDGMENTS, INTRODUCTION, PART I How Hollywood Works, Chapter 1 FROM DINOSUAR TO DIGITAL: AN OVERVIEW OF THE TV INDUSTRY, Chapter 2 THE LAY OF THE LAND, Chapter 3 THE SPECTACULAR SPEC, Chapter 4 GETTING YOUR SCRIPTS READ, PART II Comedy, Chapter 5 WRITING FOR LAUGHS, Chapter 6 DEVELOPING YOUR COMEDIC STORY, Chapter 7 COMEDIC STRUCTURE, Chapter 8 OUTLINING YOUR COMEDIC STORY, Chapter 9 SCRIPTING YOUR COMEDY, Chapter 10 OTHER KINDS OF TV COMEDY, PART III Drama, Chapter 11 PLOT-DRIVEN DRAMA, Chapter 12 CHARACTER-DRIVEN DRAMA, Chapter 13 FORMATTING FOR DRAMA, Chapter 14 DRAMADIES, PART IV Creating Original Series, Chapter 15 THE MECHANICS OF A TELEVISION PILOT, Chapter 16 BUILDING YOUR SERIES FROM THE GROUND UP, Chapter 17 SELLING AN ORIGINAL IDEA, PART V Characters, Chapter 18 CREATING COMPLEX AND COMPELLING CHARACTERS, PART VI Dialogue, Chapter 19 WRITING DIALOGUE THAT DANCES ONTHE PAGE, PART VII Rewriting: a Necessary Evil, Chapter 20 REWRITE THE HECK OUT OF IT, PART VIII Pitch Perfect: How to Pitch Stories and Series, Chapter 21 ESSENSIALS OF A PROFESSIONAL PITCH, Chapter 22 PITCHING IDEAS FOR EXISITING SERIES, Chapter 23 PITCHING PILOTS, PART IX Niche Can Be Nice, Chapter 24 WRITING FOR FRAGMENTED AUDIENCES, PART X Thinking Out of the Box, Chapter 25 WEB SERIES AND PODCASTS, PART XI The Business Side of Television, Chapter 26 THE WRITERS GUILD OF AMERICA, Chapter 27 AGENTS, MANAGERS, AND ENTERTAINMENT ATTORNEYS, Chapter 28 WRITING TEAMS, PART XII How to Get Your Foot in the Door, Chapter 29 HOW TO GET WORK AS A TELEVISION WRITER, Chapter 30 GETTING THE INTERVIEW, Chapter 31 CONGRATULATIONS, YOU'VE GOT THE JOB ... NOW WHAT?, Chapter 32 THE POWER OF NETWORKING, Chapter 33 OTHER THINGS THAT CAN HELP YOU SUCCEED, Chapter 34 WELCOME TO THE ROOM!, Chapter 35 SOME FINAL THOUGHTS Index