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The Universal Machine
Taschenbuch von Fred Moten
Sprache: Englisch

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Beschreibung
"Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis."-Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary Imagination

In The Universal Machine-the concluding volume to his landmark trilogy consent not to be a single being-Fred Moten presents a suite of three essays on Emmanuel Levinas, Hannah Arendt, and Frantz Fanon, in which he explores questions of freedom, capture, and selfhood. In trademark style, Moten considers these thinkers alongside artists and musicians such as William Kentridge and Curtis Mayfield while interrogating the relation between blackness and phenomenology. Whether using Levinas's idea of escape in unintended ways, examining Arendt's antiblackness through Mayfield's virtuosic falsetto and Anthony Braxton's musical language, or showing how Fanon's form of phenomenology enables black social life, Moten formulates blackness as a way of being in the world that evades regulation. Throughout The Universal Machine-and the trilogy as a whole-Moten's theorizations of blackness will have a lasting and profound impact.
"Taken as a trilogy, consent not to be a single being is a monumental accomplishment: a brilliant theoretical intervention that might be best described as a powerful case for blackness as a category of analysis."-Brent Hayes Edwards, author of Epistrophies: Jazz and the Literary Imagination

In The Universal Machine-the concluding volume to his landmark trilogy consent not to be a single being-Fred Moten presents a suite of three essays on Emmanuel Levinas, Hannah Arendt, and Frantz Fanon, in which he explores questions of freedom, capture, and selfhood. In trademark style, Moten considers these thinkers alongside artists and musicians such as William Kentridge and Curtis Mayfield while interrogating the relation between blackness and phenomenology. Whether using Levinas's idea of escape in unintended ways, examining Arendt's antiblackness through Mayfield's virtuosic falsetto and Anthony Braxton's musical language, or showing how Fanon's form of phenomenology enables black social life, Moten formulates blackness as a way of being in the world that evades regulation. Throughout The Universal Machine-and the trilogy as a whole-Moten's theorizations of blackness will have a lasting and profound impact.
Über den Autor
Fred Moten
Inhaltsverzeichnis
Acknowledgments vii
Preface ix
1. There Is No Racism Intended 1
2. Refuge, Refuse, Refrain 65
3. Chromatic Saturation 140
Notes 247
Works Cited 271
Index 281
Details
Erscheinungsjahr: 2018
Genre: Importe, Philosophie
Jahrhundert: 20. & 21. Jahrhundert
Rubrik: Geisteswissenschaften
Medium: Taschenbuch
Inhalt: Kartoniert / Broschiert
ISBN-13: 9780822370550
ISBN-10: 0822370557
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Moten, Fred
Hersteller: Duke University Press
Verantwortliche Person für die EU: Books on Demand GmbH, In de Tarpen 42, D-22848 Norderstedt, info@bod.de
Maße: 229 x 152 x 17 mm
Von/Mit: Fred Moten
Erscheinungsdatum: 06.08.2018
Gewicht: 0,446 kg
Artikel-ID: 109052492
Über den Autor
Fred Moten
Inhaltsverzeichnis
Acknowledgments vii
Preface ix
1. There Is No Racism Intended 1
2. Refuge, Refuse, Refrain 65
3. Chromatic Saturation 140
Notes 247
Works Cited 271
Index 281
Details
Erscheinungsjahr: 2018
Genre: Importe, Philosophie
Jahrhundert: 20. & 21. Jahrhundert
Rubrik: Geisteswissenschaften
Medium: Taschenbuch
Inhalt: Kartoniert / Broschiert
ISBN-13: 9780822370550
ISBN-10: 0822370557
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Moten, Fred
Hersteller: Duke University Press
Verantwortliche Person für die EU: Books on Demand GmbH, In de Tarpen 42, D-22848 Norderstedt, info@bod.de
Maße: 229 x 152 x 17 mm
Von/Mit: Fred Moten
Erscheinungsdatum: 06.08.2018
Gewicht: 0,446 kg
Artikel-ID: 109052492
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