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Jazz Piano Fundamentals (Book 2) is master-teacher Jeremy Siskind's welcoming, clear, and detailed guide to intermediate jazz piano study.
Jazz Piano Fundamentals (Book 2) guides intermediate jazz students through six months (or more) of jazz piano instruction by providing clear, thoughtful, and progressive lessons, improvisation exercises, rote exercises, written exercises, listening guides, transcription projects, and practice plans. Every unit includes frequently asked questions and exclusive video content to ensure that all subjects are presented clearly and with sufficient depth.
Subjects include scale patterns, improvising with non-chord tones, improvising in minor keys, motivic development, advanced comping styles, closed-position and drop two voicings, shout-chorus voicings, rhythm changes, playing intros and endings, shell voicings, ballad playing, walking basslines, upper structures, and much more.
In the five guided transcription projects, students are coached through completing their own transcriptions of solos by Miles Davis, Hank Mobley, Illinois Jacquet, Horace Silver, and Bud Powell. Then, they are shown how to assimilate elements of these masters' styles into their own improvisations.
This book is designed to be used in conjunction with The Real Book, Volume 6.
Praise for Jazz Piano Fundamentals, Book 1
"I love this book - and plan on using it in at my own school. A must for any beginning jazz piano student!"
- Martin Bejerano, jazz pianist/composer and professor, Frost School of Music, University of Miami
"Jeremy Siskind's book creates a methodology and answers questions in a way that I have almost never seen done in a jazz educational tome. He breaks down the practice of improvisation to its smallest building blocks, and is careful to relate each lesson to real-life examples from the jazz canon....This book will be excellent for jazz beginners, players of other instruments who wish to bone up on their piano skills, and advanced improvisers may find ways to fill in gaps in their skill sets "
- Mark Shilansky, pianist/composer, professor, Berklee College of Music
"Jeremy's book is a reflection on who he is as a pianist - a true artist who has done his homework. Behind the meticulous attention to detail is a respect for jazz tradition and a desire to help pianists explore their own creativity."
- Aimee Nolte, jazz pianist/vocalist and YouTube Star
"Jeremy's book is not only perfect to start this wonderful journey called Jazz Piano, but also one to come back to... Thank you!!"
- Otmaro Ruiz, Grammy-nominated jazz pianist and professor, UCLA
Jazz Piano Fundamentals (Book 2) guides intermediate jazz students through six months (or more) of jazz piano instruction by providing clear, thoughtful, and progressive lessons, improvisation exercises, rote exercises, written exercises, listening guides, transcription projects, and practice plans. Every unit includes frequently asked questions and exclusive video content to ensure that all subjects are presented clearly and with sufficient depth.
Subjects include scale patterns, improvising with non-chord tones, improvising in minor keys, motivic development, advanced comping styles, closed-position and drop two voicings, shout-chorus voicings, rhythm changes, playing intros and endings, shell voicings, ballad playing, walking basslines, upper structures, and much more.
In the five guided transcription projects, students are coached through completing their own transcriptions of solos by Miles Davis, Hank Mobley, Illinois Jacquet, Horace Silver, and Bud Powell. Then, they are shown how to assimilate elements of these masters' styles into their own improvisations.
This book is designed to be used in conjunction with The Real Book, Volume 6.
Praise for Jazz Piano Fundamentals, Book 1
"I love this book - and plan on using it in at my own school. A must for any beginning jazz piano student!"
- Martin Bejerano, jazz pianist/composer and professor, Frost School of Music, University of Miami
"Jeremy Siskind's book creates a methodology and answers questions in a way that I have almost never seen done in a jazz educational tome. He breaks down the practice of improvisation to its smallest building blocks, and is careful to relate each lesson to real-life examples from the jazz canon....This book will be excellent for jazz beginners, players of other instruments who wish to bone up on their piano skills, and advanced improvisers may find ways to fill in gaps in their skill sets "
- Mark Shilansky, pianist/composer, professor, Berklee College of Music
"Jeremy's book is a reflection on who he is as a pianist - a true artist who has done his homework. Behind the meticulous attention to detail is a respect for jazz tradition and a desire to help pianists explore their own creativity."
- Aimee Nolte, jazz pianist/vocalist and YouTube Star
"Jeremy's book is not only perfect to start this wonderful journey called Jazz Piano, but also one to come back to... Thank you!!"
- Otmaro Ruiz, Grammy-nominated jazz pianist and professor, UCLA
Jazz Piano Fundamentals (Book 2) is master-teacher Jeremy Siskind's welcoming, clear, and detailed guide to intermediate jazz piano study.
Jazz Piano Fundamentals (Book 2) guides intermediate jazz students through six months (or more) of jazz piano instruction by providing clear, thoughtful, and progressive lessons, improvisation exercises, rote exercises, written exercises, listening guides, transcription projects, and practice plans. Every unit includes frequently asked questions and exclusive video content to ensure that all subjects are presented clearly and with sufficient depth.
Subjects include scale patterns, improvising with non-chord tones, improvising in minor keys, motivic development, advanced comping styles, closed-position and drop two voicings, shout-chorus voicings, rhythm changes, playing intros and endings, shell voicings, ballad playing, walking basslines, upper structures, and much more.
In the five guided transcription projects, students are coached through completing their own transcriptions of solos by Miles Davis, Hank Mobley, Illinois Jacquet, Horace Silver, and Bud Powell. Then, they are shown how to assimilate elements of these masters' styles into their own improvisations.
This book is designed to be used in conjunction with The Real Book, Volume 6.
Praise for Jazz Piano Fundamentals, Book 1
"I love this book - and plan on using it in at my own school. A must for any beginning jazz piano student!"
- Martin Bejerano, jazz pianist/composer and professor, Frost School of Music, University of Miami
"Jeremy Siskind's book creates a methodology and answers questions in a way that I have almost never seen done in a jazz educational tome. He breaks down the practice of improvisation to its smallest building blocks, and is careful to relate each lesson to real-life examples from the jazz canon....This book will be excellent for jazz beginners, players of other instruments who wish to bone up on their piano skills, and advanced improvisers may find ways to fill in gaps in their skill sets "
- Mark Shilansky, pianist/composer, professor, Berklee College of Music
"Jeremy's book is a reflection on who he is as a pianist - a true artist who has done his homework. Behind the meticulous attention to detail is a respect for jazz tradition and a desire to help pianists explore their own creativity."
- Aimee Nolte, jazz pianist/vocalist and YouTube Star
"Jeremy's book is not only perfect to start this wonderful journey called Jazz Piano, but also one to come back to... Thank you!!"
- Otmaro Ruiz, Grammy-nominated jazz pianist and professor, UCLA
Jazz Piano Fundamentals (Book 2) guides intermediate jazz students through six months (or more) of jazz piano instruction by providing clear, thoughtful, and progressive lessons, improvisation exercises, rote exercises, written exercises, listening guides, transcription projects, and practice plans. Every unit includes frequently asked questions and exclusive video content to ensure that all subjects are presented clearly and with sufficient depth.
Subjects include scale patterns, improvising with non-chord tones, improvising in minor keys, motivic development, advanced comping styles, closed-position and drop two voicings, shout-chorus voicings, rhythm changes, playing intros and endings, shell voicings, ballad playing, walking basslines, upper structures, and much more.
In the five guided transcription projects, students are coached through completing their own transcriptions of solos by Miles Davis, Hank Mobley, Illinois Jacquet, Horace Silver, and Bud Powell. Then, they are shown how to assimilate elements of these masters' styles into their own improvisations.
This book is designed to be used in conjunction with The Real Book, Volume 6.
Praise for Jazz Piano Fundamentals, Book 1
"I love this book - and plan on using it in at my own school. A must for any beginning jazz piano student!"
- Martin Bejerano, jazz pianist/composer and professor, Frost School of Music, University of Miami
"Jeremy Siskind's book creates a methodology and answers questions in a way that I have almost never seen done in a jazz educational tome. He breaks down the practice of improvisation to its smallest building blocks, and is careful to relate each lesson to real-life examples from the jazz canon....This book will be excellent for jazz beginners, players of other instruments who wish to bone up on their piano skills, and advanced improvisers may find ways to fill in gaps in their skill sets "
- Mark Shilansky, pianist/composer, professor, Berklee College of Music
"Jeremy's book is a reflection on who he is as a pianist - a true artist who has done his homework. Behind the meticulous attention to detail is a respect for jazz tradition and a desire to help pianists explore their own creativity."
- Aimee Nolte, jazz pianist/vocalist and YouTube Star
"Jeremy's book is not only perfect to start this wonderful journey called Jazz Piano, but also one to come back to... Thank you!!"
- Otmaro Ruiz, Grammy-nominated jazz pianist and professor, UCLA
Über den Autor
Pianist-composer JEREMY SISKIND is "a genuine visionary" (Indianapolis Star) who "seems to defy all boundaries" (JazzInk) with music "rich in texture and nuance" (Downbeat). A top finisher in several national and international jazz piano competitions, Siskind is a two-time laureate of the American Pianists Association and the winner of the Nottingham International Jazz Piano Competition. Since making his professional debut juxtaposing Debussy's Etudes with jazz standards at Carnegie Hall's Weill Hall, Siskind has established himself as one of the nation's most innovative and virtuosic modern pianists.
Siskind's multifaceted career often finds him combining musical styles and breaking aesthetic norms. As the leader of "The Housewarming Project," Siskind has not only created "a shining example of chamber jazz" (Downbeat) whose albums often land on critics' "best of the year" lists. He's also established himself as a pioneer of the in-home concert movement by presenting well over 100 in-home concerts in 26 states. In 2020, the Housewarming Project was a winner of a [...] grant from Chamber Music America's New Jazz Works program (supported by the Doris Duke Foundation).
On a 2020 duo album, Impressions of Debussy, Siskind explores Debussy's Preludes through improvisation with saxophonist Andrew Rathbun. Similarly, his 2019 book-CD project, Perpetual Motion Etudes for Piano, blurs the line between classical, through-composed, piano etudes and jazz-based improvisations and invites other pianists to do the same through a beautifully self-published work that includes "Optional Improvisation Instructions" for each piece. Siskind has been experimenting with performing the pieces in collaboration with classical pianists, including Grammy-winner Angelin Chang, and through university residencies. Other projects include writing concert arrangements for rising star soprano Julia Bullock, composing the theme song for the 2017 Obie Awards, and serving as musical director for noted comediennes Lea DeLaria and Sandra Bernhard.
A highly-respected educator, Siskind has written 13 publications with Hal Leonard, including the landmark instructional books Jazz Band Pianist, First Lessons in Piano Improv, and Playing Solo Jazz Piano. He currently teaches at California's Fullerton College, chairs the National Conference for Keyboard Pedagogy's "Creativity Track," and spreads peace through music in places like Lebanon, Tunisia, and Thailand with the non-profit organization, Jazz Education Abroad. Jeremy Siskind is a Yamaha artist.
Siskind's multifaceted career often finds him combining musical styles and breaking aesthetic norms. As the leader of "The Housewarming Project," Siskind has not only created "a shining example of chamber jazz" (Downbeat) whose albums often land on critics' "best of the year" lists. He's also established himself as a pioneer of the in-home concert movement by presenting well over 100 in-home concerts in 26 states. In 2020, the Housewarming Project was a winner of a [...] grant from Chamber Music America's New Jazz Works program (supported by the Doris Duke Foundation).
On a 2020 duo album, Impressions of Debussy, Siskind explores Debussy's Preludes through improvisation with saxophonist Andrew Rathbun. Similarly, his 2019 book-CD project, Perpetual Motion Etudes for Piano, blurs the line between classical, through-composed, piano etudes and jazz-based improvisations and invites other pianists to do the same through a beautifully self-published work that includes "Optional Improvisation Instructions" for each piece. Siskind has been experimenting with performing the pieces in collaboration with classical pianists, including Grammy-winner Angelin Chang, and through university residencies. Other projects include writing concert arrangements for rising star soprano Julia Bullock, composing the theme song for the 2017 Obie Awards, and serving as musical director for noted comediennes Lea DeLaria and Sandra Bernhard.
A highly-respected educator, Siskind has written 13 publications with Hal Leonard, including the landmark instructional books Jazz Band Pianist, First Lessons in Piano Improv, and Playing Solo Jazz Piano. He currently teaches at California's Fullerton College, chairs the National Conference for Keyboard Pedagogy's "Creativity Track," and spreads peace through music in places like Lebanon, Tunisia, and Thailand with the non-profit organization, Jazz Education Abroad. Jeremy Siskind is a Yamaha artist.
Details
| Erscheinungsjahr: | 2022 |
|---|---|
| Genre: | Importe, Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Allg. Handbücher & Lexika |
| Medium: | Taschenbuch |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9781735169576 |
| ISBN-10: | 1735169579 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Siskind, Jeremy |
| Hersteller: | Jeremy Siskind |
| Verantwortliche Person für die EU: | Produktsicherheitsverantwortliche/r, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 280 x 216 x 15 mm |
| Von/Mit: | Jeremy Siskind |
| Erscheinungsdatum: | 03.09.2022 |
| Gewicht: | 0,673 kg |
Über den Autor
Pianist-composer JEREMY SISKIND is "a genuine visionary" (Indianapolis Star) who "seems to defy all boundaries" (JazzInk) with music "rich in texture and nuance" (Downbeat). A top finisher in several national and international jazz piano competitions, Siskind is a two-time laureate of the American Pianists Association and the winner of the Nottingham International Jazz Piano Competition. Since making his professional debut juxtaposing Debussy's Etudes with jazz standards at Carnegie Hall's Weill Hall, Siskind has established himself as one of the nation's most innovative and virtuosic modern pianists.
Siskind's multifaceted career often finds him combining musical styles and breaking aesthetic norms. As the leader of "The Housewarming Project," Siskind has not only created "a shining example of chamber jazz" (Downbeat) whose albums often land on critics' "best of the year" lists. He's also established himself as a pioneer of the in-home concert movement by presenting well over 100 in-home concerts in 26 states. In 2020, the Housewarming Project was a winner of a [...] grant from Chamber Music America's New Jazz Works program (supported by the Doris Duke Foundation).
On a 2020 duo album, Impressions of Debussy, Siskind explores Debussy's Preludes through improvisation with saxophonist Andrew Rathbun. Similarly, his 2019 book-CD project, Perpetual Motion Etudes for Piano, blurs the line between classical, through-composed, piano etudes and jazz-based improvisations and invites other pianists to do the same through a beautifully self-published work that includes "Optional Improvisation Instructions" for each piece. Siskind has been experimenting with performing the pieces in collaboration with classical pianists, including Grammy-winner Angelin Chang, and through university residencies. Other projects include writing concert arrangements for rising star soprano Julia Bullock, composing the theme song for the 2017 Obie Awards, and serving as musical director for noted comediennes Lea DeLaria and Sandra Bernhard.
A highly-respected educator, Siskind has written 13 publications with Hal Leonard, including the landmark instructional books Jazz Band Pianist, First Lessons in Piano Improv, and Playing Solo Jazz Piano. He currently teaches at California's Fullerton College, chairs the National Conference for Keyboard Pedagogy's "Creativity Track," and spreads peace through music in places like Lebanon, Tunisia, and Thailand with the non-profit organization, Jazz Education Abroad. Jeremy Siskind is a Yamaha artist.
Siskind's multifaceted career often finds him combining musical styles and breaking aesthetic norms. As the leader of "The Housewarming Project," Siskind has not only created "a shining example of chamber jazz" (Downbeat) whose albums often land on critics' "best of the year" lists. He's also established himself as a pioneer of the in-home concert movement by presenting well over 100 in-home concerts in 26 states. In 2020, the Housewarming Project was a winner of a [...] grant from Chamber Music America's New Jazz Works program (supported by the Doris Duke Foundation).
On a 2020 duo album, Impressions of Debussy, Siskind explores Debussy's Preludes through improvisation with saxophonist Andrew Rathbun. Similarly, his 2019 book-CD project, Perpetual Motion Etudes for Piano, blurs the line between classical, through-composed, piano etudes and jazz-based improvisations and invites other pianists to do the same through a beautifully self-published work that includes "Optional Improvisation Instructions" for each piece. Siskind has been experimenting with performing the pieces in collaboration with classical pianists, including Grammy-winner Angelin Chang, and through university residencies. Other projects include writing concert arrangements for rising star soprano Julia Bullock, composing the theme song for the 2017 Obie Awards, and serving as musical director for noted comediennes Lea DeLaria and Sandra Bernhard.
A highly-respected educator, Siskind has written 13 publications with Hal Leonard, including the landmark instructional books Jazz Band Pianist, First Lessons in Piano Improv, and Playing Solo Jazz Piano. He currently teaches at California's Fullerton College, chairs the National Conference for Keyboard Pedagogy's "Creativity Track," and spreads peace through music in places like Lebanon, Tunisia, and Thailand with the non-profit organization, Jazz Education Abroad. Jeremy Siskind is a Yamaha artist.
Details
| Erscheinungsjahr: | 2022 |
|---|---|
| Genre: | Importe, Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Allg. Handbücher & Lexika |
| Medium: | Taschenbuch |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9781735169576 |
| ISBN-10: | 1735169579 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Siskind, Jeremy |
| Hersteller: | Jeremy Siskind |
| Verantwortliche Person für die EU: | Produktsicherheitsverantwortliche/r, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 280 x 216 x 15 mm |
| Von/Mit: | Jeremy Siskind |
| Erscheinungsdatum: | 03.09.2022 |
| Gewicht: | 0,673 kg |
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