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Bringing together 18 case studies, written by authors from the United States, the United Kingdom, Canada, Brazil, Norway, India, South Africa, Australia and New Zealand, the book questions how design functions to produce heritage. Including provocative case studies of objects that reinterpret visual symbols of cultural identity and buildings and monuments that evoke feelings of national pride and historical memory, as well as landscapes embedded with trauma, contributors consider how we can work to develop adequate shared conceptual models of heritage and apply them to design and its histories. Exploring the distinction between tangible and intangible heritages, the chapters consider what these categories mean for design history and heritage. Finally, the book questions whether it might be possible to promote a truly equitable understanding of heritage that illuminates the social, cultural and economic roles of design.
Design and Heritage demonstrates that design historical methods of inquiry contribute significantly to critical heritage studies. Academics, researchers and students engaged in the study of heritage, design history, material culture, folklore, art history, architectural history and social and cultural history will find much to interest them within the pages of the book.
Bringing together 18 case studies, written by authors from the United States, the United Kingdom, Canada, Brazil, Norway, India, South Africa, Australia and New Zealand, the book questions how design functions to produce heritage. Including provocative case studies of objects that reinterpret visual symbols of cultural identity and buildings and monuments that evoke feelings of national pride and historical memory, as well as landscapes embedded with trauma, contributors consider how we can work to develop adequate shared conceptual models of heritage and apply them to design and its histories. Exploring the distinction between tangible and intangible heritages, the chapters consider what these categories mean for design history and heritage. Finally, the book questions whether it might be possible to promote a truly equitable understanding of heritage that illuminates the social, cultural and economic roles of design.
Design and Heritage demonstrates that design historical methods of inquiry contribute significantly to critical heritage studies. Academics, researchers and students engaged in the study of heritage, design history, material culture, folklore, art history, architectural history and social and cultural history will find much to interest them within the pages of the book.
Grace Lees-Maffei is Professor of Design History and Programme Director for DHeritage, the Professional Doctorate in Heritage, at the University of Hertfordshire, UK, and Chair of the Editorial Board of the Journal of Design History. She researches the mediation of design, design discourse, domesticity, national identity and globalization in design and the interplay of design and heritage.
Rebecca Houze is Professor of Art and Design History at Northern Illinois University, USA and General Editor of the Bloomsbury Design Library. Her research examines cultures of collection and display in the late nineteenth and early twentieth centuries. She writes about the built environment in Europe and North America with a focus on women designers, international exhibitions, and national parks.
Introduction: Design (History) and Heritage (Studies): An Introduction
Grace Lees-Maffei
Part I. Monuments and Memorials
- Wellington Monument and the Uses of Heritage: Changing Purpose, New Meanings, Multiple Identities
- Marginalised Heritage and Invisible History: The Silvertown War Memorial
- The India-Pakistan Border as Site for the Production of National Identity: Heritage by Design
- Indigenous Living ['Heritage'] Designing Tenets: Kulin ways of Singing, Designing, Nurturing and Nourishing Terrains of Identity
- Hopi House and the Design of Heritage at Grand Canyon National Park
- The Design Heritage of the Wintergardens at the Auckland Domain: Spectacular Enchantment
- Toward a Typology of Designed Heritage in Southeast Ohio: Mound, Marker, Mine
- Dürer, Goethe, and the Poetics of Richard Riemerschmid's Modern Wooden Furniture
- Royal Copenhagen vs. Porsgrund: Negotiating Ceramic Design Heritage in the Age of Copyright
- Lifestyle Branding, Nostalgia, and Hong Kong's Contested Heritage
- Reclaiming Heritage Narratives: Reweaving the Story of a Royal Wedding Dress
- A Canadian Maple Leaf Quilt: Design History and Natural Heritage
- Design, Politics, and Croatian Folk Heritage: Gingerbread and Lace
- South African Heritage Postcards: The Same Old Story?
- Modernist Graphics, New Typography, and the Design of Identity in the First Czechoslovak Republic
- Typography and Lettering as Design Heritage in Brazil
- Recontextualizing Burmese Colonial Photographs as Contemporary Fashion Accessories at Yangoods: 'To Revitalize Myanmar's Heritage'
- Designing Absence at the Anne Frank House Museum, Amsterdam, and the Secret Annex Online: Exhibition Design, Virtual Reality and Historic Preservation
Barbara Wood
Louise Purbrick
Suchitra Balasubrahmanyan
Part II. Landscape, Place and Visitor Experience Design
Mandy Nicholson and David S. Jones
Rebecca Houze
Jacqueline Naismith
Samuel Dodd
Part III. Craft and Industrial Design
Freyja Hartzell
Peder Valle
Daniel J. Huppatz
Part IV. Textiles and Dress
Zoë Hendon
Vanessa Nicholas
Heidi Cook
Part V. Graphic Design, Information Design and Typography
Jeanne van Eeden
Benjamin Benus
Priscila Farias
Part VI. Digitisation and Online User Experience Design
Carmín Berchiolly
Sarah Lichtman
Erscheinungsjahr: | 2021 |
---|---|
Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Medium: | Taschenbuch |
ISBN-13: | 9780367540487 |
ISBN-10: | 0367540487 |
Sprache: | Englisch |
Ausstattung / Beilage: | Paperback |
Einband: | Kartoniert / Broschiert |
Redaktion: | Lees-Maffei, Grace |
Hersteller: | Routledge |
Verantwortliche Person für die EU: | Books on Demand GmbH, In de Tarpen 42, D-22848 Norderstedt, info@bod.de |
Maße: | 234 x 156 x 17 mm |
Von/Mit: | Grace Lees-Maffei |
Erscheinungsdatum: | 30.12.2021 |
Gewicht: | 0,477 kg |
Grace Lees-Maffei is Professor of Design History and Programme Director for DHeritage, the Professional Doctorate in Heritage, at the University of Hertfordshire, UK, and Chair of the Editorial Board of the Journal of Design History. She researches the mediation of design, design discourse, domesticity, national identity and globalization in design and the interplay of design and heritage.
Rebecca Houze is Professor of Art and Design History at Northern Illinois University, USA and General Editor of the Bloomsbury Design Library. Her research examines cultures of collection and display in the late nineteenth and early twentieth centuries. She writes about the built environment in Europe and North America with a focus on women designers, international exhibitions, and national parks.
Introduction: Design (History) and Heritage (Studies): An Introduction
Grace Lees-Maffei
Part I. Monuments and Memorials
- Wellington Monument and the Uses of Heritage: Changing Purpose, New Meanings, Multiple Identities
- Marginalised Heritage and Invisible History: The Silvertown War Memorial
- The India-Pakistan Border as Site for the Production of National Identity: Heritage by Design
- Indigenous Living ['Heritage'] Designing Tenets: Kulin ways of Singing, Designing, Nurturing and Nourishing Terrains of Identity
- Hopi House and the Design of Heritage at Grand Canyon National Park
- The Design Heritage of the Wintergardens at the Auckland Domain: Spectacular Enchantment
- Toward a Typology of Designed Heritage in Southeast Ohio: Mound, Marker, Mine
- Dürer, Goethe, and the Poetics of Richard Riemerschmid's Modern Wooden Furniture
- Royal Copenhagen vs. Porsgrund: Negotiating Ceramic Design Heritage in the Age of Copyright
- Lifestyle Branding, Nostalgia, and Hong Kong's Contested Heritage
- Reclaiming Heritage Narratives: Reweaving the Story of a Royal Wedding Dress
- A Canadian Maple Leaf Quilt: Design History and Natural Heritage
- Design, Politics, and Croatian Folk Heritage: Gingerbread and Lace
- South African Heritage Postcards: The Same Old Story?
- Modernist Graphics, New Typography, and the Design of Identity in the First Czechoslovak Republic
- Typography and Lettering as Design Heritage in Brazil
- Recontextualizing Burmese Colonial Photographs as Contemporary Fashion Accessories at Yangoods: 'To Revitalize Myanmar's Heritage'
- Designing Absence at the Anne Frank House Museum, Amsterdam, and the Secret Annex Online: Exhibition Design, Virtual Reality and Historic Preservation
Barbara Wood
Louise Purbrick
Suchitra Balasubrahmanyan
Part II. Landscape, Place and Visitor Experience Design
Mandy Nicholson and David S. Jones
Rebecca Houze
Jacqueline Naismith
Samuel Dodd
Part III. Craft and Industrial Design
Freyja Hartzell
Peder Valle
Daniel J. Huppatz
Part IV. Textiles and Dress
Zoë Hendon
Vanessa Nicholas
Heidi Cook
Part V. Graphic Design, Information Design and Typography
Jeanne van Eeden
Benjamin Benus
Priscila Farias
Part VI. Digitisation and Online User Experience Design
Carmín Berchiolly
Sarah Lichtman
Erscheinungsjahr: | 2021 |
---|---|
Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Medium: | Taschenbuch |
ISBN-13: | 9780367540487 |
ISBN-10: | 0367540487 |
Sprache: | Englisch |
Ausstattung / Beilage: | Paperback |
Einband: | Kartoniert / Broschiert |
Redaktion: | Lees-Maffei, Grace |
Hersteller: | Routledge |
Verantwortliche Person für die EU: | Books on Demand GmbH, In de Tarpen 42, D-22848 Norderstedt, info@bod.de |
Maße: | 234 x 156 x 17 mm |
Von/Mit: | Grace Lees-Maffei |
Erscheinungsdatum: | 30.12.2021 |
Gewicht: | 0,477 kg |