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Cover: 9781848225503 | Decentring the Museum | Nina Montmann | Buch | Gebunden | Englisch
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Decentring the Museum
Contemporary Art Institutions and Colonial Legacies
Buch von Nina Montmann
Sprache: Englisch

43,15 €*

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Beschreibung
Nina Möntmann's timely book extends the decolonisation debate to the institutions of contemporary art. In a thoughtfully articulated text, illustrated with pertinent examples of best practice, she argues that to play a crucial role within increasingly diverse societies museums and galleries of contemporary art have a responsibility to 'decentre' their institutions, removing from their collections, exhibition policies and infrastructures a deeply embedded Euro-centric cultural focus with roots in the history of colonialism. In this, she argues, they can learn from the example both of anthropological museums (such as the Rautenstrauch-Joest-Museum in Cologne), which are engaged in debates about the colonial histories of their collections, about trauma and repair, and of small-scale art spaces (such as La Colonie, Paris, ANO, Institute of Arts and Knowledge, Accra or Savvy Contemporary, Berlin), which have the flexibility, based on informal infrastructures, to initiate different kinds of conversation and collective knowledge production in collaboration with indigenous or local diasporic communities from the Global South. For the first time, this book identifies the influence that anthropological museums and small art spaces can exert on museums of contemporary art to initiate a process of decentring.
Nina Möntmann's timely book extends the decolonisation debate to the institutions of contemporary art. In a thoughtfully articulated text, illustrated with pertinent examples of best practice, she argues that to play a crucial role within increasingly diverse societies museums and galleries of contemporary art have a responsibility to 'decentre' their institutions, removing from their collections, exhibition policies and infrastructures a deeply embedded Euro-centric cultural focus with roots in the history of colonialism. In this, she argues, they can learn from the example both of anthropological museums (such as the Rautenstrauch-Joest-Museum in Cologne), which are engaged in debates about the colonial histories of their collections, about trauma and repair, and of small-scale art spaces (such as La Colonie, Paris, ANO, Institute of Arts and Knowledge, Accra or Savvy Contemporary, Berlin), which have the flexibility, based on informal infrastructures, to initiate different kinds of conversation and collective knowledge production in collaboration with indigenous or local diasporic communities from the Global South. For the first time, this book identifies the influence that anthropological museums and small art spaces can exert on museums of contemporary art to initiate a process of decentring.
Über den Autor
Nina Mö ntmann is Professor of Art Theory at the University of Cologne, and curator, writer and PI at the Global South Study Center (GSSC) at the University of Cologne. Her previous publications include Kunst als Sozialer Raum and the edited volumes Brave New Work: A Reader on Harun Farocki's film 'A New Product', Scandalous: A Reader on Art & Ethics, New Communities and Art and Its Institutions. Paul Goodwin is a curator, researcher and educator whose research focuses on Black British Art and African diaspora art since 1980 and transnationalism in contemporary art production. He is Professor of Contemporary Art & Urbanism and Director of the Research Centre for Transnational Art, Identity and Nation (TrAIN) at University of the Arts London.
Details
Erscheinungsjahr: 2023
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Kunstgeschichte
Medium: Buch
Inhalt: Gebunden
ISBN-13: 9781848225503
ISBN-10: 1848225504
Sprache: Englisch
Einband: Gebunden
Autor: Montmann, Nina
Hersteller: Lund Humphries Publishers Ltd
Verantwortliche Person für die EU: preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de
Maße: 205 x 135 x 17 mm
Von/Mit: Nina Montmann
Erscheinungsdatum: 01.09.2023
Gewicht: 0,288 kg
Artikel-ID: 125751982
Über den Autor
Nina Mö ntmann is Professor of Art Theory at the University of Cologne, and curator, writer and PI at the Global South Study Center (GSSC) at the University of Cologne. Her previous publications include Kunst als Sozialer Raum and the edited volumes Brave New Work: A Reader on Harun Farocki's film 'A New Product', Scandalous: A Reader on Art & Ethics, New Communities and Art and Its Institutions. Paul Goodwin is a curator, researcher and educator whose research focuses on Black British Art and African diaspora art since 1980 and transnationalism in contemporary art production. He is Professor of Contemporary Art & Urbanism and Director of the Research Centre for Transnational Art, Identity and Nation (TrAIN) at University of the Arts London.
Details
Erscheinungsjahr: 2023
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Kunstgeschichte
Medium: Buch
Inhalt: Gebunden
ISBN-13: 9781848225503
ISBN-10: 1848225504
Sprache: Englisch
Einband: Gebunden
Autor: Montmann, Nina
Hersteller: Lund Humphries Publishers Ltd
Verantwortliche Person für die EU: preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de
Maße: 205 x 135 x 17 mm
Von/Mit: Nina Montmann
Erscheinungsdatum: 01.09.2023
Gewicht: 0,288 kg
Artikel-ID: 125751982
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