The Editor: Tracey L. Walters is Associate Professor of Literature at Stony Brook University. She received her Ph.D. in English from Howard University. She has published a number of essays on Black British literature and culture and has also published essays on Zadie Smith. Her first book, Writing the Classics Black: The Poetic and Political Function of Classical Revision in African American Women¿s Writing, was published in 2007.

Exklusives Verkaufsrecht für: Gesamte Welt.

Contents: Tracey L. Walters: Introduction - Matthew Paproth: The Flipping Coin: The Modernist and Postmodernist Zadie Smith - Ulka Anjaria: On Beauty and Being Postcolonial: Aesthetics and Form in Zadie Smith - Urszula Terentowicz-Fotyga: The Impossible Self and the Poetics of the Urban Hyperreal in Zadie Smith's The Autograph Man - Maeve Tynan: «Only Connect»: Intertextuality and Identity in Zadie Smith's On Beauty - Raphael Dalleo: Colonization in Reverse: White Teeth as Caribbean Novel - Susan Alice Fischer: «Gimme Shelter»: Zadie Smith's On Beauty - Tracey L. Walters: Still Mammies and Hos: Stereotypical Images of Black Women in Zadie Smith's Novels - Sharon Raynor: From the Dispossessed to the Decolonized: From Samuel Selvon's The Lonely Londoners to Zadie Smith's «Hanwell in Hell» - Lexi Stuckey: Red and Yellow, Black and White: Color-Blindness as Disillusionment in Zadie Smith's «Hanwell in Hell» - Kris Knauer: The Root Canals of Zadie Smith: London's Intergenerational Adaptation - Z. Esra Mirze: Fundamental Differences in Zadie Smith's White Teeth - Katarzyna Jakubiak: Simulated Optimism: The International Marketing of White Teeth.