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Willem de Kooning Nonstop
Cherchez la femme
Buch von Rosalind E. Krauss
Sprache: Englisch

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Beschreibung
This image-rich essay offers a radical rethinking of the ab-ex painter Willem de Kooning by one of the greatest American art critics. Many have written about de Kooning s startling canvases of monstrous women, but none have approached them this way. In prose as energetic as her subject, Rosalind Krauss demonstrates how de Kooning could never stop reworking the same subject. Deploying one telling image after another, she shows that, from the early days of his career, de Kooning nearly always (1) worked with a tripartite vertical structure, (2) projected his own figure and point of view as the (male) artist into the painting, and (3) was compelled to produce the female figure, legs splayed obscenely or knees projected into the viewer s space in practically everything he made. Hidden in plain sight even in paintings of highways, boats, and landscapes, Woman is always there. How could we have missed this?"
This image-rich essay offers a radical rethinking of the ab-ex painter Willem de Kooning by one of the greatest American art critics. Many have written about de Kooning s startling canvases of monstrous women, but none have approached them this way. In prose as energetic as her subject, Rosalind Krauss demonstrates how de Kooning could never stop reworking the same subject. Deploying one telling image after another, she shows that, from the early days of his career, de Kooning nearly always (1) worked with a tripartite vertical structure, (2) projected his own figure and point of view as the (male) artist into the painting, and (3) was compelled to produce the female figure, legs splayed obscenely or knees projected into the viewer s space in practically everything he made. Hidden in plain sight even in paintings of highways, boats, and landscapes, Woman is always there. How could we have missed this?"
Über den Autor
Rosalind E. Krauss is University Professor at Columbia University, where she was previously the Meyer Schapiro Professor of Modern Art and Theory in the Department of Art History and Archaeology. She is the cofounder of October and has written many essays and books. She has also curated many exhibitions at leading museums.
Details
Erscheinungsjahr: 2016
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Bildende Kunst
Medium: Buch
Inhalt: Gebunden
ISBN-13: 9780226267449
ISBN-10: 022626744X
Sprache: Englisch
Einband: Gebunden
Autor: Krauss, Rosalind E.
Hersteller: The University of Chicago Press
Verantwortliche Person für die EU: Produktsicherheitsverantwortliche/r, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 249 x 182 x 22 mm
Von/Mit: Rosalind E. Krauss
Erscheinungsdatum: 01.03.2016
Gewicht: 0,666 kg
Artikel-ID: 104811224
Über den Autor
Rosalind E. Krauss is University Professor at Columbia University, where she was previously the Meyer Schapiro Professor of Modern Art and Theory in the Department of Art History and Archaeology. She is the cofounder of October and has written many essays and books. She has also curated many exhibitions at leading museums.
Details
Erscheinungsjahr: 2016
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Bildende Kunst
Medium: Buch
Inhalt: Gebunden
ISBN-13: 9780226267449
ISBN-10: 022626744X
Sprache: Englisch
Einband: Gebunden
Autor: Krauss, Rosalind E.
Hersteller: The University of Chicago Press
Verantwortliche Person für die EU: Produktsicherheitsverantwortliche/r, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 249 x 182 x 22 mm
Von/Mit: Rosalind E. Krauss
Erscheinungsdatum: 01.03.2016
Gewicht: 0,666 kg
Artikel-ID: 104811224
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