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How is art criticism to be understood within an expanding artistic field? A look at its history and its manifestations within globalized conditions shows the variety of the genre, of the criteria and of the styles of writing. This reader is an attempt to bring a diverse range of art-critical voices and perspectives into conversation with each other, without claiming to be a comprehensive history of art critique.
The editors Beate Söntgen and Julia Voss would like to show the wealth and range of art criticism. They have therefore invited colleagues from various geographical and intellectual backgrounds to present and discuss the art critics of their choice, choosing one example from their respective bodies of work to comment upon. How have these writers approached art criticism? Which styles do they employ? What makes them extraordinary? What can we learn from their writings today, and why is it important in its contemporary context? Examples range from the 18th century to the present, from Denis Diderot and Ananda Kentish Coomaraswamy to Bertha Zuckerkandl and Patrick Mudekereza. Each text is accompanied by a short introduction, written by outstanding scholars in their fields such as Juli Carson, Yuriko Furuhata, Isabelle Graw, Angela Harutyunyan, Monica Juneja, Wolfgang Kemp, Florencia Malbran, Yvette Mutumba, Azu Nwagbogu, Sarah Wilson, and many more.
How is art criticism to be understood within an expanding artistic field? A look at its history and its manifestations within globalized conditions shows the variety of the genre, of the criteria and of the styles of writing. This reader is an attempt to bring a diverse range of art-critical voices and perspectives into conversation with each other, without claiming to be a comprehensive history of art critique.
The editors Beate Söntgen and Julia Voss would like to show the wealth and range of art criticism. They have therefore invited colleagues from various geographical and intellectual backgrounds to present and discuss the art critics of their choice, choosing one example from their respective bodies of work to comment upon. How have these writers approached art criticism? Which styles do they employ? What makes them extraordinary? What can we learn from their writings today, and why is it important in its contemporary context? Examples range from the 18th century to the present, from Denis Diderot and Ananda Kentish Coomaraswamy to Bertha Zuckerkandl and Patrick Mudekereza. Each text is accompanied by a short introduction, written by outstanding scholars in their fields such as Juli Carson, Yuriko Furuhata, Isabelle Graw, Angela Harutyunyan, Monica Juneja, Wolfgang Kemp, Florencia Malbran, Yvette Mutumba, Azu Nwagbogu, Sarah Wilson, and many more.
Foreword
Why Art Criticism? An Introduction
Passion, Performance, and Soberness: Denis Diderot - Beate Söntgen
In Conversation: Clemens Brentano, Achim von Arnim - Johannes Grave
Emotional Collectivities: Julius Meier-Graefe - Stephanie Marchal
The Leak: Berta Zuckerkandl - Julia Voss
Crafts and the Spiritual: Ananda K. Coomaraswamy - Monica Juneja
Practical Formalist: Roger Fry - Beate Söntgen
Agitation: Sergei Tretyakov - Valerija Kuzema
Snapshot: Alexander Rodchenko - Margarete Vöhringer
Decomposition: Georges Bataille - Malte Rauch
Decolonizing Art History: Ananda K. Coomaraswamy - Parul Dave Mukherji
Advocating the Collective: Luis Vidales - Camilo Sarmiento Jaramillo
Materialism and Proximity: Francis Ponge - Isabelle Graw
Censorship and the Authorial "I": Lothar Lang - Valerie Hortolani and Valerija Kuzema
Trespasser of Gatekeeping: Oscar Masotta - Juli Carson
Embedded Chronicler: Victor Hakim - Monique Bellan
Undisciplined: Peter Gorsen - Thorsten Schneider
In Drag: Mary Josephson - Astrid Mania
Self-Reflective Connectivity: Lawrence Alloway - Beatrice von Bismarck
Vulnerability and Resistance: Marta Traba - Florencia Malbrán
Fellow-Feeling: Roland Barthes - Sarah Wilson
Documentation as Dialogue: Allan Sekula - Michael F. Zimmermann
Deculturization: Annemarie Sauzeau-Boetti - Sabeth Buchmann
Coming Together: Demas Nwoko and New Culture - Azu Nwagbogu
Gathering Voices, Feeling Relations: Arlene Raven - Oona Lochner
Drawing Another Line: Jea Denegri - Maja and Reuben Fowkes
Chronopolitical Intervention: Mark Sinker - Ana Teixeira Pinto
A Drifting Mind: Lynne Tillman - Isabel Mehl
Criteria Against All Odds: Stefan Germer - Peter Geimer
Decentering: Igor Zabel - Maja and Reuben Fowkes
Tactics of Alienation: Walid Sadek - Ghalya Saadawi
Art Historiography: Vardan Azatyan - Angela Harutyunyan
Hatchet Job: Julia Voss - Wolfgang Kemp
Bridging Borders: Helia Darabi - Anita Hosseini
Through the Digital Looking Glass: Hito Steyerl - Ying Sze Pek
The Cultural Logic of Financialization: Melanie Gilligan - Holger Kuhn
Camp and Credit Cards: Takashi Kashima - Yuriko Furuhata
Nearly Unbiased: Patrick Mudekereza - Julia Grosse
Retroactivity: Peter Richter - Andreas Beyer
Troll: Anonymous - Miriam Rasch
Queering: Adwait Singh - Rebecca John
Culture and Capital: Claire Bishop - Anna Kipke
Merging: Enos Nyamor - Yvette Mutumba
Follow the Money: Aruna D'Souza - David Mielecke
Reviews from 4Columns - Aruna D'Souza
The Series: Jennifer Higgie - Julia Voss
Biographies
Bibliography
Index of Names
Colophon and credits
| Erscheinungsjahr: | 2022 |
|---|---|
| Genre: | Geisteswissenschaften, Kunst, Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Allgemeine Kunst |
| Medium: | Taschenbuch |
| Reihe: | Zeitgenössische Kunst |
| Inhalt: |
472 S.
30 Fotos |
| ISBN-13: | 9783775750745 |
| ISBN-10: | 3775750746 |
| Sprache: | Englisch |
| Herstellernummer: | 0005074 |
| Einband: | Klappenbroschur |
| Autor: | Coomaraswamy, Ananda Kentish/Diderot, Denis/Kashima, Takashi et al |
| Redaktion: | Voss, Julia |
| Herausgeber: | Beate Söntgen/Julia Voss/Juli Carson et al |
| Zusammengestellt: |
Carson, Juli
Graw, Isabelle Harutyunyan, Angela Juneja, Monica Kemp, Wolfgang Malbran, Florencia Mutumba, Yvette Nwagbogu, Azu Wilson, Sarah Furuhata, Yuriko |
| Hersteller: | Hatje Cantz Verlag GmbH |
| Verantwortliche Person für die EU: | Hatje Cantz Verlag GmbH, Mommsenstr. 27, D-10629 Berlin, berlin@hatjecantz.de |
| Maße: | 210 x 143 x 37 mm |
| Von/Mit: | Julia Voss |
| Erscheinungsdatum: | 20.04.2022 |
| Gewicht: | 0,646 kg |
Foreword
Why Art Criticism? An Introduction
Passion, Performance, and Soberness: Denis Diderot - Beate Söntgen
In Conversation: Clemens Brentano, Achim von Arnim - Johannes Grave
Emotional Collectivities: Julius Meier-Graefe - Stephanie Marchal
The Leak: Berta Zuckerkandl - Julia Voss
Crafts and the Spiritual: Ananda K. Coomaraswamy - Monica Juneja
Practical Formalist: Roger Fry - Beate Söntgen
Agitation: Sergei Tretyakov - Valerija Kuzema
Snapshot: Alexander Rodchenko - Margarete Vöhringer
Decomposition: Georges Bataille - Malte Rauch
Decolonizing Art History: Ananda K. Coomaraswamy - Parul Dave Mukherji
Advocating the Collective: Luis Vidales - Camilo Sarmiento Jaramillo
Materialism and Proximity: Francis Ponge - Isabelle Graw
Censorship and the Authorial "I": Lothar Lang - Valerie Hortolani and Valerija Kuzema
Trespasser of Gatekeeping: Oscar Masotta - Juli Carson
Embedded Chronicler: Victor Hakim - Monique Bellan
Undisciplined: Peter Gorsen - Thorsten Schneider
In Drag: Mary Josephson - Astrid Mania
Self-Reflective Connectivity: Lawrence Alloway - Beatrice von Bismarck
Vulnerability and Resistance: Marta Traba - Florencia Malbrán
Fellow-Feeling: Roland Barthes - Sarah Wilson
Documentation as Dialogue: Allan Sekula - Michael F. Zimmermann
Deculturization: Annemarie Sauzeau-Boetti - Sabeth Buchmann
Coming Together: Demas Nwoko and New Culture - Azu Nwagbogu
Gathering Voices, Feeling Relations: Arlene Raven - Oona Lochner
Drawing Another Line: Jea Denegri - Maja and Reuben Fowkes
Chronopolitical Intervention: Mark Sinker - Ana Teixeira Pinto
A Drifting Mind: Lynne Tillman - Isabel Mehl
Criteria Against All Odds: Stefan Germer - Peter Geimer
Decentering: Igor Zabel - Maja and Reuben Fowkes
Tactics of Alienation: Walid Sadek - Ghalya Saadawi
Art Historiography: Vardan Azatyan - Angela Harutyunyan
Hatchet Job: Julia Voss - Wolfgang Kemp
Bridging Borders: Helia Darabi - Anita Hosseini
Through the Digital Looking Glass: Hito Steyerl - Ying Sze Pek
The Cultural Logic of Financialization: Melanie Gilligan - Holger Kuhn
Camp and Credit Cards: Takashi Kashima - Yuriko Furuhata
Nearly Unbiased: Patrick Mudekereza - Julia Grosse
Retroactivity: Peter Richter - Andreas Beyer
Troll: Anonymous - Miriam Rasch
Queering: Adwait Singh - Rebecca John
Culture and Capital: Claire Bishop - Anna Kipke
Merging: Enos Nyamor - Yvette Mutumba
Follow the Money: Aruna D'Souza - David Mielecke
Reviews from 4Columns - Aruna D'Souza
The Series: Jennifer Higgie - Julia Voss
Biographies
Bibliography
Index of Names
Colophon and credits
| Erscheinungsjahr: | 2022 |
|---|---|
| Genre: | Geisteswissenschaften, Kunst, Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Allgemeine Kunst |
| Medium: | Taschenbuch |
| Reihe: | Zeitgenössische Kunst |
| Inhalt: |
472 S.
30 Fotos |
| ISBN-13: | 9783775750745 |
| ISBN-10: | 3775750746 |
| Sprache: | Englisch |
| Herstellernummer: | 0005074 |
| Einband: | Klappenbroschur |
| Autor: | Coomaraswamy, Ananda Kentish/Diderot, Denis/Kashima, Takashi et al |
| Redaktion: | Voss, Julia |
| Herausgeber: | Beate Söntgen/Julia Voss/Juli Carson et al |
| Zusammengestellt: |
Carson, Juli
Graw, Isabelle Harutyunyan, Angela Juneja, Monica Kemp, Wolfgang Malbran, Florencia Mutumba, Yvette Nwagbogu, Azu Wilson, Sarah Furuhata, Yuriko |
| Hersteller: | Hatje Cantz Verlag GmbH |
| Verantwortliche Person für die EU: | Hatje Cantz Verlag GmbH, Mommsenstr. 27, D-10629 Berlin, berlin@hatjecantz.de |
| Maße: | 210 x 143 x 37 mm |
| Von/Mit: | Julia Voss |
| Erscheinungsdatum: | 20.04.2022 |
| Gewicht: | 0,646 kg |
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