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"Bridging is the major motif of Ringgold's life. . . . She is a bridge between the Harlem Renaissance and the civil rights era. She is a bridge between her mother's applied art of fashion design and her own fine art of painting and story quilts. She is a bridge between the black power movement and the women's movement. And she is a bridge between the abstract art that dominated the '60s and the issue-oriented art that connected with viewers' hearts--and lives."--Carrie Rickey, "Philadelphia Inquirer"
"Bridging is the major motif of Ringgold's life. . . . She is a bridge between the Harlem Renaissance and the civil rights era. She is a bridge between her mother's applied art of fashion design and her own fine art of painting and story quilts. She is a bridge between the black power movement and the women's movement. And she is a bridge between the abstract art that dominated the '60s and the issue-oriented art that connected with viewers' hearts--and lives."--Carrie Rickey, "Philadelphia Inquirer"
Über den Autor
Faith Ringgold
Inhaltsverzeichnis
Preface xi
Acknowledgments
Introduction
Part I: Harlem Born and Bred
1. From the Cradle to the Classroom in the 1930s 3
2. Growing Up on Sugar Hill in the 1940s 25
Part II: Men, Marriage, and Motherhood
3. Men and Marriage in the 1950s and 1960s 39
4. My Mother Was Perfect, or So She Said 67
5. Parental Politics: My Daughters and Me 81
Color Plates 97
Part III: Making Art, Making Waves, and Making Money
6. A European Trip Ends with a Death in the Family 131
7. The 1960s: Is There a Black Art? 143
8. The End of the 1960s: Out of the Studio and into the Streets 165
9. The 1970s: Is There a Women's Art? 173
10. Teaching Art: Those Who Can Should 217
11. We Flew over the Bridge: Performance Art, Story Quilts, and Tar Beach 237
Appendix: Matisse's Chapel 273
Faith Ringgold Chronology 275
Public and Private Collections 283
Index 285
Acknowledgments
Introduction
Part I: Harlem Born and Bred
1. From the Cradle to the Classroom in the 1930s 3
2. Growing Up on Sugar Hill in the 1940s 25
Part II: Men, Marriage, and Motherhood
3. Men and Marriage in the 1950s and 1960s 39
4. My Mother Was Perfect, or So She Said 67
5. Parental Politics: My Daughters and Me 81
Color Plates 97
Part III: Making Art, Making Waves, and Making Money
6. A European Trip Ends with a Death in the Family 131
7. The 1960s: Is There a Black Art? 143
8. The End of the 1960s: Out of the Studio and into the Streets 165
9. The 1970s: Is There a Women's Art? 173
10. Teaching Art: Those Who Can Should 217
11. We Flew over the Bridge: Performance Art, Story Quilts, and Tar Beach 237
Appendix: Matisse's Chapel 273
Faith Ringgold Chronology 275
Public and Private Collections 283
Index 285
Details
Erscheinungsjahr: | 2005 |
---|---|
Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Medium: | Taschenbuch |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9780822335641 |
ISBN-10: | 0822335646 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Ringgold, Faith |
Hersteller: | Duke University Press |
Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
Maße: | 230 x 194 x 17 mm |
Von/Mit: | Faith Ringgold |
Erscheinungsdatum: | 11.03.2005 |
Gewicht: | 0,621 kg |
Über den Autor
Faith Ringgold
Inhaltsverzeichnis
Preface xi
Acknowledgments
Introduction
Part I: Harlem Born and Bred
1. From the Cradle to the Classroom in the 1930s 3
2. Growing Up on Sugar Hill in the 1940s 25
Part II: Men, Marriage, and Motherhood
3. Men and Marriage in the 1950s and 1960s 39
4. My Mother Was Perfect, or So She Said 67
5. Parental Politics: My Daughters and Me 81
Color Plates 97
Part III: Making Art, Making Waves, and Making Money
6. A European Trip Ends with a Death in the Family 131
7. The 1960s: Is There a Black Art? 143
8. The End of the 1960s: Out of the Studio and into the Streets 165
9. The 1970s: Is There a Women's Art? 173
10. Teaching Art: Those Who Can Should 217
11. We Flew over the Bridge: Performance Art, Story Quilts, and Tar Beach 237
Appendix: Matisse's Chapel 273
Faith Ringgold Chronology 275
Public and Private Collections 283
Index 285
Acknowledgments
Introduction
Part I: Harlem Born and Bred
1. From the Cradle to the Classroom in the 1930s 3
2. Growing Up on Sugar Hill in the 1940s 25
Part II: Men, Marriage, and Motherhood
3. Men and Marriage in the 1950s and 1960s 39
4. My Mother Was Perfect, or So She Said 67
5. Parental Politics: My Daughters and Me 81
Color Plates 97
Part III: Making Art, Making Waves, and Making Money
6. A European Trip Ends with a Death in the Family 131
7. The 1960s: Is There a Black Art? 143
8. The End of the 1960s: Out of the Studio and into the Streets 165
9. The 1970s: Is There a Women's Art? 173
10. Teaching Art: Those Who Can Should 217
11. We Flew over the Bridge: Performance Art, Story Quilts, and Tar Beach 237
Appendix: Matisse's Chapel 273
Faith Ringgold Chronology 275
Public and Private Collections 283
Index 285
Details
Erscheinungsjahr: | 2005 |
---|---|
Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Medium: | Taschenbuch |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9780822335641 |
ISBN-10: | 0822335646 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Ringgold, Faith |
Hersteller: | Duke University Press |
Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
Maße: | 230 x 194 x 17 mm |
Von/Mit: | Faith Ringgold |
Erscheinungsdatum: | 11.03.2005 |
Gewicht: | 0,621 kg |
Sicherheitshinweis