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Beschreibung
Kobena Mercer is Professor of History of Art and African American Studies at Yale University. He is author of Welcome to the Jungle: New Positions in Black Cultural Studies, editor of Cosmopolitan Modernisms, among other titles, and an inaugural recipient of the 2006 Clark Prize for Excellence in Arts Writing.
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Kobena Mercer is Professor of History of Art and African American Studies at Yale University. He is author of Welcome to the Jungle: New Positions in Black Cultural Studies, editor of Cosmopolitan Modernisms, among other titles, and an inaugural recipient of the 2006 Clark Prize for Excellence in Arts Writing.
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Über den Autor
Kobena Mercer
Inhaltsverzeichnis
List of Illustrations ix
Acknowledgments xiii
Introduction 1
Part I. Art's Critique of Representation 37
1. The Fragile Inheritors 39
2. Busy in the Ruins of Wretched Phantasia 50
Part II. Differential Proliferations 87
3. Marronage of the Wandering Eye: Keith Piper 89
4. Mortal Coil: Eros and Diaspora in the Photographs of Rotimi Fani-Kayode 97
5. Avid Iconographies: Isaac Julien 129
6. Art That Is Ethnic is Inverted Commas: Yinka Shonibare 147
Part III. Global Modernities 155
7. Home from Home: Portraits from Places in Between 157
8. African Photography in Contemporary Visual Culture 170
9. Ethnicity and Internationality: New British Art and Diaspora-Based Blackness 186
10. Documenta 11 207
Part IV. Detours and Returns 215
11. A Sociography of Diaspora 217
12. Diaspora Aesthetics and Visual Culture 227
13. Art History after Globalization: Formations of the Colonial Modern 248
14. The Cross-Cultural and the Contemporary 262
Part V. Journeying 277
15. Postcolonial Trauerspiel: Black Audio Film Collective 279
16. Archive and Dépaysement in the Art of Renée Green 294
17. Kerry James Marshall: The Painter of Afro-Modern Life 310
18. Hew Locke's Postcolonial Baroque 321
Bibliography 347
Index 357
Acknowledgments xiii
Introduction 1
Part I. Art's Critique of Representation 37
1. The Fragile Inheritors 39
2. Busy in the Ruins of Wretched Phantasia 50
Part II. Differential Proliferations 87
3. Marronage of the Wandering Eye: Keith Piper 89
4. Mortal Coil: Eros and Diaspora in the Photographs of Rotimi Fani-Kayode 97
5. Avid Iconographies: Isaac Julien 129
6. Art That Is Ethnic is Inverted Commas: Yinka Shonibare 147
Part III. Global Modernities 155
7. Home from Home: Portraits from Places in Between 157
8. African Photography in Contemporary Visual Culture 170
9. Ethnicity and Internationality: New British Art and Diaspora-Based Blackness 186
10. Documenta 11 207
Part IV. Detours and Returns 215
11. A Sociography of Diaspora 217
12. Diaspora Aesthetics and Visual Culture 227
13. Art History after Globalization: Formations of the Colonial Modern 248
14. The Cross-Cultural and the Contemporary 262
Part V. Journeying 277
15. Postcolonial Trauerspiel: Black Audio Film Collective 279
16. Archive and Dépaysement in the Art of Renée Green 294
17. Kerry James Marshall: The Painter of Afro-Modern Life 310
18. Hew Locke's Postcolonial Baroque 321
Bibliography 347
Index 357
Details
Erscheinungsjahr: | 2016 |
---|---|
Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Thema: | Kunstgeschichte |
Medium: | Taschenbuch |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9780822360940 |
ISBN-10: | 0822360942 |
Sprache: |
Englisch
Spanisch |
Einband: | Kartoniert / Broschiert |
Autor: | Mercer, Kobena |
Hersteller: | Duke University Press |
Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
Maße: | 233 x 177 x 25 mm |
Von/Mit: | Kobena Mercer |
Erscheinungsdatum: | 29.04.2016 |
Gewicht: | 0,862 kg |
Über den Autor
Kobena Mercer
Inhaltsverzeichnis
List of Illustrations ix
Acknowledgments xiii
Introduction 1
Part I. Art's Critique of Representation 37
1. The Fragile Inheritors 39
2. Busy in the Ruins of Wretched Phantasia 50
Part II. Differential Proliferations 87
3. Marronage of the Wandering Eye: Keith Piper 89
4. Mortal Coil: Eros and Diaspora in the Photographs of Rotimi Fani-Kayode 97
5. Avid Iconographies: Isaac Julien 129
6. Art That Is Ethnic is Inverted Commas: Yinka Shonibare 147
Part III. Global Modernities 155
7. Home from Home: Portraits from Places in Between 157
8. African Photography in Contemporary Visual Culture 170
9. Ethnicity and Internationality: New British Art and Diaspora-Based Blackness 186
10. Documenta 11 207
Part IV. Detours and Returns 215
11. A Sociography of Diaspora 217
12. Diaspora Aesthetics and Visual Culture 227
13. Art History after Globalization: Formations of the Colonial Modern 248
14. The Cross-Cultural and the Contemporary 262
Part V. Journeying 277
15. Postcolonial Trauerspiel: Black Audio Film Collective 279
16. Archive and Dépaysement in the Art of Renée Green 294
17. Kerry James Marshall: The Painter of Afro-Modern Life 310
18. Hew Locke's Postcolonial Baroque 321
Bibliography 347
Index 357
Acknowledgments xiii
Introduction 1
Part I. Art's Critique of Representation 37
1. The Fragile Inheritors 39
2. Busy in the Ruins of Wretched Phantasia 50
Part II. Differential Proliferations 87
3. Marronage of the Wandering Eye: Keith Piper 89
4. Mortal Coil: Eros and Diaspora in the Photographs of Rotimi Fani-Kayode 97
5. Avid Iconographies: Isaac Julien 129
6. Art That Is Ethnic is Inverted Commas: Yinka Shonibare 147
Part III. Global Modernities 155
7. Home from Home: Portraits from Places in Between 157
8. African Photography in Contemporary Visual Culture 170
9. Ethnicity and Internationality: New British Art and Diaspora-Based Blackness 186
10. Documenta 11 207
Part IV. Detours and Returns 215
11. A Sociography of Diaspora 217
12. Diaspora Aesthetics and Visual Culture 227
13. Art History after Globalization: Formations of the Colonial Modern 248
14. The Cross-Cultural and the Contemporary 262
Part V. Journeying 277
15. Postcolonial Trauerspiel: Black Audio Film Collective 279
16. Archive and Dépaysement in the Art of Renée Green 294
17. Kerry James Marshall: The Painter of Afro-Modern Life 310
18. Hew Locke's Postcolonial Baroque 321
Bibliography 347
Index 357
Details
Erscheinungsjahr: | 2016 |
---|---|
Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Thema: | Kunstgeschichte |
Medium: | Taschenbuch |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9780822360940 |
ISBN-10: | 0822360942 |
Sprache: |
Englisch
Spanisch |
Einband: | Kartoniert / Broschiert |
Autor: | Mercer, Kobena |
Hersteller: | Duke University Press |
Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
Maße: | 233 x 177 x 25 mm |
Von/Mit: | Kobena Mercer |
Erscheinungsdatum: | 29.04.2016 |
Gewicht: | 0,862 kg |
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