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The Theatre in Life
Taschenbuch von Nikolai Evreinov (u. a.)
Sprache: Englisch

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Beschreibung
2013 Reprint of 1927 Edition. Exact facsimile of the original edition, not reproduced with Optical Recognition Software. Evreinov argued that the role of theatre was to ape and mimic nature. In his estimation, theatre is everything around us. He pointed out that nature is full of theatrical conventions: desert flowers mimicking the stones; mouse feigning death in order to escape a cat's claws; complicated dances of birds, etc. He viewed theatre as a universal symbol of existence. Evreinov promoted an underlying aesthetic:
"To make a theatre of life is the duty of every artist. ... the stage must not borrow so much from life as life borrows from the stage."
The director sought to reinvigorate the theatre (and through it life itself) through the rediscovery of the origin of theatre in play. He was influenced by the philosophies of Schopenhauer, Nietzsche and Bergson, and, like Meyerhold, the aesthetics of symbolism and the commedia dell'arte (particularly in its use of mask and spontaneity). Evreinov developed his theatrical theories in An Introduction to Monodrama (1909), The Theatre as Such (1912), The Theatre for Oneself, and Pro Scena Sua (1915).
2013 Reprint of 1927 Edition. Exact facsimile of the original edition, not reproduced with Optical Recognition Software. Evreinov argued that the role of theatre was to ape and mimic nature. In his estimation, theatre is everything around us. He pointed out that nature is full of theatrical conventions: desert flowers mimicking the stones; mouse feigning death in order to escape a cat's claws; complicated dances of birds, etc. He viewed theatre as a universal symbol of existence. Evreinov promoted an underlying aesthetic:
"To make a theatre of life is the duty of every artist. ... the stage must not borrow so much from life as life borrows from the stage."
The director sought to reinvigorate the theatre (and through it life itself) through the rediscovery of the origin of theatre in play. He was influenced by the philosophies of Schopenhauer, Nietzsche and Bergson, and, like Meyerhold, the aesthetics of symbolism and the commedia dell'arte (particularly in its use of mask and spontaneity). Evreinov developed his theatrical theories in An Introduction to Monodrama (1909), The Theatre as Such (1912), The Theatre for Oneself, and Pro Scena Sua (1915).
Details
Erscheinungsjahr: 2013
Genre: Importe, Romane & Erzählungen
Rubrik: Belletristik
Medium: Taschenbuch
ISBN-13: 9781614274223
ISBN-10: 1614274223
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Evreinov, Nikolai
Evreinoff, Nicholas
Hersteller: Martino Fine Books
Verantwortliche Person für die EU: Books on Demand GmbH, In de Tarpen 42, D-22848 Norderstedt, info@bod.de
Maße: 229 x 152 x 19 mm
Von/Mit: Nikolai Evreinov (u. a.)
Erscheinungsdatum: 03.04.2013
Gewicht: 0,506 kg
Artikel-ID: 105980172
Details
Erscheinungsjahr: 2013
Genre: Importe, Romane & Erzählungen
Rubrik: Belletristik
Medium: Taschenbuch
ISBN-13: 9781614274223
ISBN-10: 1614274223
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Evreinov, Nikolai
Evreinoff, Nicholas
Hersteller: Martino Fine Books
Verantwortliche Person für die EU: Books on Demand GmbH, In de Tarpen 42, D-22848 Norderstedt, info@bod.de
Maße: 229 x 152 x 19 mm
Von/Mit: Nikolai Evreinov (u. a.)
Erscheinungsdatum: 03.04.2013
Gewicht: 0,506 kg
Artikel-ID: 105980172
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