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- Foreword by Michelle Moog-Koussa
- Preface
- About the Companion Website
- 1. Trendsetting All-Stars
- 2. Acoustics and Synthesis Basics
- Real-World Acoustics
- Types of Synthesis
- Audio Sources: Oscillators, Noise, and More
- VCAs, Envelopes, and LFOs
- Envelope Followers and Pitch-to-Voltage Converters
- Filters
- EQs and Filter Banks
- Analog Sequencers
- Arpeggiators
- Reverb
- Analog Delay
- Digital Delay
- Loopers
- Other Effects
- 3. Choosing Your Synthesizer(s)
- What's Your Budget?
- Musical Tastes and Goals
- Hardware vs. Software
- Portability and Power
- Programmability: Pros and Cons
- Expandability
- As Others Have Done
- Perspective
- Modular Synthesizers in the 21st Century
- An Overview
- Modular Synth Shopping
- More on Eurorack Modular
- More on FracRak Modular
- More on Serge Modular
- Connectivity
- Convincing Analog and MIDI Synths to Coexist
- MIDI-to-CV Conversion
- CV-to-MIDI Conversion
- Controllers
- Synths and Controllers with Keyboards
- Alternative Controllers
- Wind Controllers
- Touch Controllers
- Hand-Held Controllers
- Struck Controllers
- Controllers for Microtonal Tunings
- 4. Composition, Programming, and Performance Techniques
- Composition
- Scoring to Picture
- Composing for Living Art
- Following Through on a Thought
- Sage Advice from a Master
- Scoring with Intent, Even When Intimidated
- Patching, a.k.a. Programming
- Encouraging Synthesists' Creativity
- When and How to Experiment with Sounds
- The Good and Bad of Non-Programmability
- Programming for Progress
- Fun with Modular Synths
- Layering Synth Sounds
- Programming for Expression
- Performance
- Tools of the Trade
- Dependence on the Tried and True, but Moving Forward
- Modular Apparitions
- Defying the Dependence on Visuals
- 5. Recording the Synthesizer
- As It Was and How It's Become for the Switched-On Innovator
- Serial vs. Random-Access Media
- Strategies for Recording Film and TV Scores
- Harnessing the Power of Modular Synths with Ableton Live
- Automated Mixing
- Outboard Processing: Preparing Audio for Recording
- Recording Direct and Expanding for Surround-Sound
- Appendix: Selected Bibliography, Museums and Films, Manufacturers, Blogs, Dealers and Stores
- Index
| Erscheinungsjahr: | 2014 |
|---|---|
| Genre: | Importe, Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Theater & Film |
| Medium: | Taschenbuch |
| Inhalt: | Buch |
| ISBN-13: | 9780195394894 |
| ISBN-10: | 0195394895 |
| Sprache: | Englisch |
| Ausstattung / Beilage: | Paperback |
| Einband: | Kartoniert / Broschiert |
| Autor: | Vail, Mark |
| Komponist: | Mark Vail |
| Hersteller: | Oxford University Press |
| Verantwortliche Person für die EU: | Deutsche Bibelgesellschaft, Postfach:81 03 40, D-70567 Stuttgart, vertrieb@dbg.de |
| Maße: | 280 x 216 x 23 mm |
| Von/Mit: | Mark Vail |
| Erscheinungsdatum: | 01.02.2014 |
| Gewicht: | 1,07 kg |
- Foreword by Michelle Moog-Koussa
- Preface
- About the Companion Website
- 1. Trendsetting All-Stars
- 2. Acoustics and Synthesis Basics
- Real-World Acoustics
- Types of Synthesis
- Audio Sources: Oscillators, Noise, and More
- VCAs, Envelopes, and LFOs
- Envelope Followers and Pitch-to-Voltage Converters
- Filters
- EQs and Filter Banks
- Analog Sequencers
- Arpeggiators
- Reverb
- Analog Delay
- Digital Delay
- Loopers
- Other Effects
- 3. Choosing Your Synthesizer(s)
- What's Your Budget?
- Musical Tastes and Goals
- Hardware vs. Software
- Portability and Power
- Programmability: Pros and Cons
- Expandability
- As Others Have Done
- Perspective
- Modular Synthesizers in the 21st Century
- An Overview
- Modular Synth Shopping
- More on Eurorack Modular
- More on FracRak Modular
- More on Serge Modular
- Connectivity
- Convincing Analog and MIDI Synths to Coexist
- MIDI-to-CV Conversion
- CV-to-MIDI Conversion
- Controllers
- Synths and Controllers with Keyboards
- Alternative Controllers
- Wind Controllers
- Touch Controllers
- Hand-Held Controllers
- Struck Controllers
- Controllers for Microtonal Tunings
- 4. Composition, Programming, and Performance Techniques
- Composition
- Scoring to Picture
- Composing for Living Art
- Following Through on a Thought
- Sage Advice from a Master
- Scoring with Intent, Even When Intimidated
- Patching, a.k.a. Programming
- Encouraging Synthesists' Creativity
- When and How to Experiment with Sounds
- The Good and Bad of Non-Programmability
- Programming for Progress
- Fun with Modular Synths
- Layering Synth Sounds
- Programming for Expression
- Performance
- Tools of the Trade
- Dependence on the Tried and True, but Moving Forward
- Modular Apparitions
- Defying the Dependence on Visuals
- 5. Recording the Synthesizer
- As It Was and How It's Become for the Switched-On Innovator
- Serial vs. Random-Access Media
- Strategies for Recording Film and TV Scores
- Harnessing the Power of Modular Synths with Ableton Live
- Automated Mixing
- Outboard Processing: Preparing Audio for Recording
- Recording Direct and Expanding for Surround-Sound
- Appendix: Selected Bibliography, Museums and Films, Manufacturers, Blogs, Dealers and Stores
- Index
| Erscheinungsjahr: | 2014 |
|---|---|
| Genre: | Importe, Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Theater & Film |
| Medium: | Taschenbuch |
| Inhalt: | Buch |
| ISBN-13: | 9780195394894 |
| ISBN-10: | 0195394895 |
| Sprache: | Englisch |
| Ausstattung / Beilage: | Paperback |
| Einband: | Kartoniert / Broschiert |
| Autor: | Vail, Mark |
| Komponist: | Mark Vail |
| Hersteller: | Oxford University Press |
| Verantwortliche Person für die EU: | Deutsche Bibelgesellschaft, Postfach:81 03 40, D-70567 Stuttgart, vertrieb@dbg.de |
| Maße: | 280 x 216 x 23 mm |
| Von/Mit: | Mark Vail |
| Erscheinungsdatum: | 01.02.2014 |
| Gewicht: | 1,07 kg |
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