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Beschreibung
This book gives new insights into the flowering of radical abstraction after 1945, focussing on the creative interplay between painters in the wider orbit of Abstract Expressionism and Art Informel.
Following World War II, Western painting went in completely new directions. A young generation of artists turned their backs on the dominant styles of the interwar period: Instead of figurative representation or geometric abstraction, painters in the orbit of Abstract Expressionism in the US and Art Informel in Western Europe pursued a radically impulsive approach to form, color, and material. As an expression of individual freedom, the spontaneous artistic gesture gained symbolic significance. Large-scale color-field compositions created a meditative space for ruminating the fundamental questions of human existence. The exhibition and catalogue examine the two sister movements against the background of a vibrant transatlantic exchange, from the 1940s through to the end of the Cold War. The lavishly illustrated volume brings together works by more than 60 artists, amongst them Sam Francis, Helen Frankenthaler, K. O. Götz, Franz Kline, Lee Krasner, Georges Mathieu, Joan Mitchell, Ernst-Wilhelm Nay, Barnett Newman, Jackson Pollock, Judit Reigl, Mark Rothko, and Clyfford Still.
Following World War II, Western painting went in completely new directions. A young generation of artists turned their backs on the dominant styles of the interwar period: Instead of figurative representation or geometric abstraction, painters in the orbit of Abstract Expressionism in the US and Art Informel in Western Europe pursued a radically impulsive approach to form, color, and material. As an expression of individual freedom, the spontaneous artistic gesture gained symbolic significance. Large-scale color-field compositions created a meditative space for ruminating the fundamental questions of human existence. The exhibition and catalogue examine the two sister movements against the background of a vibrant transatlantic exchange, from the 1940s through to the end of the Cold War. The lavishly illustrated volume brings together works by more than 60 artists, amongst them Sam Francis, Helen Frankenthaler, K. O. Götz, Franz Kline, Lee Krasner, Georges Mathieu, Joan Mitchell, Ernst-Wilhelm Nay, Barnett Newman, Jackson Pollock, Judit Reigl, Mark Rothko, and Clyfford Still.
This book gives new insights into the flowering of radical abstraction after 1945, focussing on the creative interplay between painters in the wider orbit of Abstract Expressionism and Art Informel.
Following World War II, Western painting went in completely new directions. A young generation of artists turned their backs on the dominant styles of the interwar period: Instead of figurative representation or geometric abstraction, painters in the orbit of Abstract Expressionism in the US and Art Informel in Western Europe pursued a radically impulsive approach to form, color, and material. As an expression of individual freedom, the spontaneous artistic gesture gained symbolic significance. Large-scale color-field compositions created a meditative space for ruminating the fundamental questions of human existence. The exhibition and catalogue examine the two sister movements against the background of a vibrant transatlantic exchange, from the 1940s through to the end of the Cold War. The lavishly illustrated volume brings together works by more than 60 artists, amongst them Sam Francis, Helen Frankenthaler, K. O. Götz, Franz Kline, Lee Krasner, Georges Mathieu, Joan Mitchell, Ernst-Wilhelm Nay, Barnett Newman, Jackson Pollock, Judit Reigl, Mark Rothko, and Clyfford Still.
Following World War II, Western painting went in completely new directions. A young generation of artists turned their backs on the dominant styles of the interwar period: Instead of figurative representation or geometric abstraction, painters in the orbit of Abstract Expressionism in the US and Art Informel in Western Europe pursued a radically impulsive approach to form, color, and material. As an expression of individual freedom, the spontaneous artistic gesture gained symbolic significance. Large-scale color-field compositions created a meditative space for ruminating the fundamental questions of human existence. The exhibition and catalogue examine the two sister movements against the background of a vibrant transatlantic exchange, from the 1940s through to the end of the Cold War. The lavishly illustrated volume brings together works by more than 60 artists, amongst them Sam Francis, Helen Frankenthaler, K. O. Götz, Franz Kline, Lee Krasner, Georges Mathieu, Joan Mitchell, Ernst-Wilhelm Nay, Barnett Newman, Jackson Pollock, Judit Reigl, Mark Rothko, and Clyfford Still.
Über den Autor
ORTRUD WESTHEIDER is director of the Museum Barberini in Potsdam, Germany. MICHAEL PHILIPP is chief curator of the Museum Barberini in Potsdam, Germany. DANIEL ZAMANI is curator at the Museum Barberini in Potsdam, Germany.
Zusammenfassung
Exhibition Itinerary: Museum Barberini, Potsdam, June 4-September 25, 2022, and Albertina Modern, Vienna, October 16 2022-February 12, 2023
Details
Erscheinungsjahr: | 2022 |
---|---|
Genre: | Geisteswissenschaften, Kunst, Musik |
Rubrik: | Kunst & Musik |
Medium: | Buch |
Inhalt: |
256 S.
43 s/w Illustr. 172 farbige Illustr. |
ISBN-13: | 9783791379487 |
ISBN-10: | 3791379488 |
Sprache: | Englisch |
Einband: | Gebunden |
Redaktion: |
Westheider, Ortrud
Philipp, Michael Zamani, Daniel |
Herausgeber: | Ortrud Westheider/Michael Philipp/Daniel Zamani |
Hersteller: |
Prestel
Prestel Verlag |
Verantwortliche Person für die EU: | Penguin Random House Verlagsgruppe GmbH, Neumarkter Straße 28, D-81673 München, produktsicherheit@penguinrandomhouse.de |
Abbildungen: | 200 farbige Abbildungen |
Maße: | 308 x 250 x 30 mm |
Von/Mit: | Ortrud Westheider (u. a.) |
Erscheinungsdatum: | 08.06.2022 |
Gewicht: | 1,83 kg |
Über den Autor
ORTRUD WESTHEIDER is director of the Museum Barberini in Potsdam, Germany. MICHAEL PHILIPP is chief curator of the Museum Barberini in Potsdam, Germany. DANIEL ZAMANI is curator at the Museum Barberini in Potsdam, Germany.
Zusammenfassung
Exhibition Itinerary: Museum Barberini, Potsdam, June 4-September 25, 2022, and Albertina Modern, Vienna, October 16 2022-February 12, 2023
Details
Erscheinungsjahr: | 2022 |
---|---|
Genre: | Geisteswissenschaften, Kunst, Musik |
Rubrik: | Kunst & Musik |
Medium: | Buch |
Inhalt: |
256 S.
43 s/w Illustr. 172 farbige Illustr. |
ISBN-13: | 9783791379487 |
ISBN-10: | 3791379488 |
Sprache: | Englisch |
Einband: | Gebunden |
Redaktion: |
Westheider, Ortrud
Philipp, Michael Zamani, Daniel |
Herausgeber: | Ortrud Westheider/Michael Philipp/Daniel Zamani |
Hersteller: |
Prestel
Prestel Verlag |
Verantwortliche Person für die EU: | Penguin Random House Verlagsgruppe GmbH, Neumarkter Straße 28, D-81673 München, produktsicherheit@penguinrandomhouse.de |
Abbildungen: | 200 farbige Abbildungen |
Maße: | 308 x 250 x 30 mm |
Von/Mit: | Ortrud Westheider (u. a.) |
Erscheinungsdatum: | 08.06.2022 |
Gewicht: | 1,83 kg |
Sicherheitshinweis