Michael Neill is Emeritus Professor of English at the University of Auckland. He is the author of Issues of Death (1997) and Putting History to the Question (2000). He has edited a number of early modern plays, including Anthony and Cleopatra (1994) and Othello (2006) for the Oxford Shakespeare, and (most recently) The Renegado (2010) for Arden Early Modern Drama, as well as The Spanish Tragedy (2014) and The Duchess of Malfi (2015) for Norton Critical Editions.

David Schalkwyk is Professor in Shakespeare Studies at Queen Mary University of London and Director of the Centre for Global Shakespeare. He was formerly Director of Research at the Folger Shakespeare Library in Washington DC and editor of Shakespeare Quarterly. Before that he was Professor of English at the University of Cape Town, where he held the positions of Head of Department and Deputy Dean in the faculty of the Humanities. His books include Speech and Performance in Shakespeare's Sonnets and Plays (Cambridge, 2002), Literature and the Touch of the Real (Delaware, 2004), and Shakespeare, Love and Service (Cambridge, 2008). His most recent book is Hamlet's Dreams: The Robben Island Shakespeare, published in 2013 by the Arden Shakespeare. He has just completed a monograph on love in Shakespeare.

• Part I: Genre


• 1: Paul A. Kottman: What is Shakespearean Tragedy?


• 2: Richard Halpern: The Classical Inheritance


• 3: Rory Loughnane: The Medieval Inheritance


• 4: Edward Pechter: The Romantic Inheritance


• 5: Tzachi Zamir: Ethics and Shakespearean Tragedy


• 6: Emma Smith: Character in Shakespearean Tragedy


• 7: Philip Armstrong: Preposterous Nature in Shakespeare's Tragedies


• 8: Lynne Magnusson: Shakespearean Tragedy and the Language of Lament


• 9: David Hillman: The Pity of It: Shakespearean Tragedy and Affect


• 10: Steven Mullaney: 'Do You See This?' The Politics of Attention in Shakespearean Tragedy


• 11: Peter Lake: Tragedy and Religion: Religion and Revenge in Titus Andronicus and Hamlet


• 12: Richard Sugg: Shakespeare's Anatomies of Death


• 13: Gail Kern Paster: 'Minded Like the Weather': The Tragic Body and its Passions


• 14: Andrew Hadfield: Shakespeare's Tragedy and English History


• 15: Tom Bishop: Shakespeare's Tragedy and Roman History


• 16: Hester Lees-Jeffries: Tragedy and the Satiric Voice


• 17: Subha Mukherji: 'The action of my life': Tragedy, Tragicomedy, and Shakespeare's Mimetic Experiments


• 18: Lee Edelman and Madhavi Menon: Queer Tragedy, or Two Meditations on Cause


• Part II: Textual Issues


• 19: Paul Werstine: Authorial Revision in the Tragedies


• 20: Michael Witmore, Jonathan Hope and Michael Gleicher: Digital Approaches to the Language of Shakespearean Tragedy


• Pert III: Reading the Tragedies


• 21: Michael Neill: 'Romaine Tragedie': The Designs of Titus Andronicus


• 22: Crystal Bartolovich: Romeo and Juliet as Event


• 23: Emily C. Bartels: Julius Caesar: Making History


• 24: Catherine Belsey: The Question of Hamlet


• 25: Ian Smith: Seeing Blackness, Reading Race in Othello


• 26: Leah S. Marcus: King Lear and the Death of the World


• 27: Andrew J. Power: 'O horror! horror! horror!' Macbeth and Fear


• 28: Bernhard Klein: Antony and Cleopatra


• 29: David Schalkwyk: Coriolanus: A Tragedy of Language


• Part IV: Stage and Screen


• 30: Tiffany Stern: Early Modern Tragedy and Performance


• 31: Peter Holland: Performing Shakespearean Tragedy, 1660-1780


• 32: Russell Jackson: Staging Shakespearean Tragedy: The Nineteenth Century


• 33: Bridget Escolme: Tragedy in Twentieth and Twenty-first Century Theatre Production: Hamlet, Lear, and the Politics of Intimacy


• 34: Courtney Lehmann: Ontological Shivers: The Cinematic Afterlives of Shakespeare's Romeo and Juliet


• 35: Douglas Lanier: Hamlet: Tragedy and Film Adaptation


• 36: Sujata Iyengar: Intermediated Bodies and Bodies of Media: Screen Othellos


• 37: Macdonald P. Jackson: Screening the Tragedies King Lear


• 38: Katherine Rowe: Macbeth on Changing Screens


• 39: Sarah Hatchuel and Nathalie Vienne-Guerrin: The Roman Plays on Screen: Autonomy, Serialization, Conflation


• 40: Peter Byrne: 'The Bowe of Ulysses': Reworking the Tragedies of Shakespeare


• 41: William Germano: Shakespeare's Tragedies on the Operatic Stage


• Part V: The Tragedies Worldwide:


• (I) European Responses


• 42: Shaul Bassi: The Tragedies in Italy


• 43: Andreas Höfele: The Tragedies in Germany


• 44: Pascale Drouet and Nathalie Rivère de Carles: French Receptions of Shakespearean Tragedy: Between Liberty And Memory


• 45: Pavel Drábek: Shakesperean Tragedy in Eastern Europe


• 46: John Givens: Shakespearean Tragedy in Russia: In Equal Scale Weighing Delight and Dole


• (II) The Wider World


• 47: Gay Smith: Shakespearean Tragedy in the Nineteenth-Century United States: The Case of Julius Caesar


• 48: Mark Houlahan: Unsettling the Bard: Australasia and the Pacific


• 49: Colette Gordon, Daniel Roux and David Schalkwyk: Shakespeare's Tragedies in Southern Africa


• 50: Araham Oz: In Blood Stepped in: Tragedy and the Modern Israelites


• 51: Khalid Amine: Shakespeare's Tragedies in North Africa and the Arab World


• 52: Alfredo Michel Modenessi and Margarida Gandara Rauen: Shakespearean Tragedy in Latin America and the Caribbean


• 53: Poonam Trivedi: Shakespearean Tragedy in India: Politics of Genre - or How Newness Entered Indian Literary Culture


• 54: Alexa Huang: 'It is the East': Shakespearean Tragedies in East Asia