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The One and the Many
Contemporary Collaborative Art in a Global Context
Taschenbuch von Grant H Kester
Sprache: Englisch

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Beschreibung
Examines questions of agency, artisanship, and identity in relation to collaborative art practice.
Examines questions of agency, artisanship, and identity in relation to collaborative art practice.
Über den Autor

Grant H. Kester is Professor of Art History and Chair of Visual Arts at the University of California, San Diego. He is the author of Conversation Pieces: Community and Communication in Modern Art and the editor of Art, Activism, and Oppositionality: Essays from Afterimage, also published by Duke University Press.

Inhaltsverzeichnis
Acknowledgments ix

Introduction 1

1. The Semantics of Collaboration

2. Art Practice and the Intellectual Baroque

Chapter 1: Autonomy, Antagonism, and the Aesthetic 19

1. From Text to Action

2. Park Fiction, Ala Plastica, and Dialogue

3. Relational Antagonism

4. The Risk of Diversity

5. Programmatic Multiplicity

6. Art Theory and the Post-structuralist Canon

Chapter Two: The Genius of the Place 67

1. Lessons in Futility

2. Enclosure Acts

3. The Twelfth Seat and the Mirrored Ceiling

4. The Atelier as Workshop

5. Labor, Praxis, and Representation

6. The Divided and Incomplete Subject of Yesterday

7. Memories of Development

8. The Limits of Ethical Capitalism

9. The Art of the Locality

Chapter Three: Eminent Domain: Art and Urban Space 155

1. Blindness and Insight

2. The Invention of the Public

3. The Boulevards of the Inner City

4. Park Fiction: Desire, Resistance, and Complicity

5. A Culture of Needles: Project Row Houses in Houston

Notes 229

References 281

Index 295
Details
Erscheinungsjahr: 2011
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Kunstgeschichte
Medium: Taschenbuch
ISBN-13: 9780822349877
ISBN-10: 0822349876
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Kester, Grant H
Hersteller: Duke University Press
Verantwortliche Person für die EU: Produktsicherheitsverantwortliche/r, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 233 x 154 x 22 mm
Von/Mit: Grant H Kester
Erscheinungsdatum: 16.08.2011
Gewicht: 0,492 kg
Artikel-ID: 107933300
Über den Autor

Grant H. Kester is Professor of Art History and Chair of Visual Arts at the University of California, San Diego. He is the author of Conversation Pieces: Community and Communication in Modern Art and the editor of Art, Activism, and Oppositionality: Essays from Afterimage, also published by Duke University Press.

Inhaltsverzeichnis
Acknowledgments ix

Introduction 1

1. The Semantics of Collaboration

2. Art Practice and the Intellectual Baroque

Chapter 1: Autonomy, Antagonism, and the Aesthetic 19

1. From Text to Action

2. Park Fiction, Ala Plastica, and Dialogue

3. Relational Antagonism

4. The Risk of Diversity

5. Programmatic Multiplicity

6. Art Theory and the Post-structuralist Canon

Chapter Two: The Genius of the Place 67

1. Lessons in Futility

2. Enclosure Acts

3. The Twelfth Seat and the Mirrored Ceiling

4. The Atelier as Workshop

5. Labor, Praxis, and Representation

6. The Divided and Incomplete Subject of Yesterday

7. Memories of Development

8. The Limits of Ethical Capitalism

9. The Art of the Locality

Chapter Three: Eminent Domain: Art and Urban Space 155

1. Blindness and Insight

2. The Invention of the Public

3. The Boulevards of the Inner City

4. Park Fiction: Desire, Resistance, and Complicity

5. A Culture of Needles: Project Row Houses in Houston

Notes 229

References 281

Index 295
Details
Erscheinungsjahr: 2011
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Kunstgeschichte
Medium: Taschenbuch
ISBN-13: 9780822349877
ISBN-10: 0822349876
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Kester, Grant H
Hersteller: Duke University Press
Verantwortliche Person für die EU: Produktsicherheitsverantwortliche/r, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 233 x 154 x 22 mm
Von/Mit: Grant H Kester
Erscheinungsdatum: 16.08.2011
Gewicht: 0,492 kg
Artikel-ID: 107933300
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