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'The most controversial book in Britain''Urgent and vivid ... A serious, writerly, self-critical account of what it means to feel that, despite love and hope and good intentions, you have failed as a parent, and that the child you bore (while still eerily, painfully familiar) is lost to you.' Daily Telegraph'An aching, empty-nest memoir: a mother mourning for her uncomplicated little children, now grown, whom she could care for, write about without comeback, love - and control' The Times
One bleak, late winter's day, Julie Myerson finds herself in a graveyard, looking for traces of a young woman who died nearly two centuries before. As a child in Regency England, Mary Yelloly painted an exquisite album of watercolours that uniquely reflected the world she lived in. But Mary died at the age of twenty-one, and when Julie comes across this album, she is haunted by the potential never realised, the barely-lived life cut short.
And most of all, she is reminded of her own child.
Because only days earlier, Julie and her husband locked their eldest son out of the family home. He was just seventeen. How could it have come to this? After a happy growing-up, it had taken only a matter of months for this bright, sweet, good-humoured boy to completely lose his way and propel his family into daily chaos.
He had discovered cannabis and was now smoking it everyday - and nothing they could say or do, no help they could offer, seemed to reach him. And Julie - whose emotionally fragile relationship with her own father had left her determined to love her children better - had to accept that she was, for the moment at least, powerless to bring back the boy she had known.
Honest, warm and often profoundly upsetting, this is the parallel story of a girl and a boy separated by centuries. The circumstances are very different, but the questions remain terrifyingly the same. What happens when a child disappears from a family? What will survive of any of us in memory or in history? And how is a mother to cope when love - however absolute, however unconditional - is not enough to save her child?
One bleak, late winter's day, Julie Myerson finds herself in a graveyard, looking for traces of a young woman who died nearly two centuries before. As a child in Regency England, Mary Yelloly painted an exquisite album of watercolours that uniquely reflected the world she lived in. But Mary died at the age of twenty-one, and when Julie comes across this album, she is haunted by the potential never realised, the barely-lived life cut short.
And most of all, she is reminded of her own child.
Because only days earlier, Julie and her husband locked their eldest son out of the family home. He was just seventeen. How could it have come to this? After a happy growing-up, it had taken only a matter of months for this bright, sweet, good-humoured boy to completely lose his way and propel his family into daily chaos.
He had discovered cannabis and was now smoking it everyday - and nothing they could say or do, no help they could offer, seemed to reach him. And Julie - whose emotionally fragile relationship with her own father had left her determined to love her children better - had to accept that she was, for the moment at least, powerless to bring back the boy she had known.
Honest, warm and often profoundly upsetting, this is the parallel story of a girl and a boy separated by centuries. The circumstances are very different, but the questions remain terrifyingly the same. What happens when a child disappears from a family? What will survive of any of us in memory or in history? And how is a mother to cope when love - however absolute, however unconditional - is not enough to save her child?
'The most controversial book in Britain''Urgent and vivid ... A serious, writerly, self-critical account of what it means to feel that, despite love and hope and good intentions, you have failed as a parent, and that the child you bore (while still eerily, painfully familiar) is lost to you.' Daily Telegraph'An aching, empty-nest memoir: a mother mourning for her uncomplicated little children, now grown, whom she could care for, write about without comeback, love - and control' The Times
One bleak, late winter's day, Julie Myerson finds herself in a graveyard, looking for traces of a young woman who died nearly two centuries before. As a child in Regency England, Mary Yelloly painted an exquisite album of watercolours that uniquely reflected the world she lived in. But Mary died at the age of twenty-one, and when Julie comes across this album, she is haunted by the potential never realised, the barely-lived life cut short.
And most of all, she is reminded of her own child.
Because only days earlier, Julie and her husband locked their eldest son out of the family home. He was just seventeen. How could it have come to this? After a happy growing-up, it had taken only a matter of months for this bright, sweet, good-humoured boy to completely lose his way and propel his family into daily chaos.
He had discovered cannabis and was now smoking it everyday - and nothing they could say or do, no help they could offer, seemed to reach him. And Julie - whose emotionally fragile relationship with her own father had left her determined to love her children better - had to accept that she was, for the moment at least, powerless to bring back the boy she had known.
Honest, warm and often profoundly upsetting, this is the parallel story of a girl and a boy separated by centuries. The circumstances are very different, but the questions remain terrifyingly the same. What happens when a child disappears from a family? What will survive of any of us in memory or in history? And how is a mother to cope when love - however absolute, however unconditional - is not enough to save her child?
One bleak, late winter's day, Julie Myerson finds herself in a graveyard, looking for traces of a young woman who died nearly two centuries before. As a child in Regency England, Mary Yelloly painted an exquisite album of watercolours that uniquely reflected the world she lived in. But Mary died at the age of twenty-one, and when Julie comes across this album, she is haunted by the potential never realised, the barely-lived life cut short.
And most of all, she is reminded of her own child.
Because only days earlier, Julie and her husband locked their eldest son out of the family home. He was just seventeen. How could it have come to this? After a happy growing-up, it had taken only a matter of months for this bright, sweet, good-humoured boy to completely lose his way and propel his family into daily chaos.
He had discovered cannabis and was now smoking it everyday - and nothing they could say or do, no help they could offer, seemed to reach him. And Julie - whose emotionally fragile relationship with her own father had left her determined to love her children better - had to accept that she was, for the moment at least, powerless to bring back the boy she had known.
Honest, warm and often profoundly upsetting, this is the parallel story of a girl and a boy separated by centuries. The circumstances are very different, but the questions remain terrifyingly the same. What happens when a child disappears from a family? What will survive of any of us in memory or in history? And how is a mother to cope when love - however absolute, however unconditional - is not enough to save her child?
Über den Autor
Julie Myerson is the author of seven novels, including the bestselling Something Might Happen, andtwo works of non-fiction, including Home: The Story of Everyone Who Ever Lived In Our House, which was dramatised on BBC Radio 4. Her latest novel Out of Breath was published by Cape in February 2008. She lives in London and Suffolk with her husband and teenage children.
Zusammenfassung
Press advertising will encourage readers to judge the book upon reading
This is a deeply personal and beautifully written, and will appeal to fans of The Year of Magical Thinking by Joan Didion and Bad Blood by Lorna Sage
Details
Erscheinungsjahr: | 2009 |
---|---|
Genre: | Importe, Romane & Erzählungen |
Rubrik: | Belletristik |
Medium: | Taschenbuch |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9781408800775 |
ISBN-10: | 1408800772 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Myerson, Julie |
Hersteller: |
Bloomsbury Publishing
Bloomsbury Publishing PLC |
Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
Maße: | 198 x 129 x 24 mm |
Von/Mit: | Julie Myerson |
Erscheinungsdatum: | 06.07.2009 |
Gewicht: | 0,227 kg |
Über den Autor
Julie Myerson is the author of seven novels, including the bestselling Something Might Happen, andtwo works of non-fiction, including Home: The Story of Everyone Who Ever Lived In Our House, which was dramatised on BBC Radio 4. Her latest novel Out of Breath was published by Cape in February 2008. She lives in London and Suffolk with her husband and teenage children.
Zusammenfassung
Press advertising will encourage readers to judge the book upon reading
This is a deeply personal and beautifully written, and will appeal to fans of The Year of Magical Thinking by Joan Didion and Bad Blood by Lorna Sage
Details
Erscheinungsjahr: | 2009 |
---|---|
Genre: | Importe, Romane & Erzählungen |
Rubrik: | Belletristik |
Medium: | Taschenbuch |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9781408800775 |
ISBN-10: | 1408800772 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Myerson, Julie |
Hersteller: |
Bloomsbury Publishing
Bloomsbury Publishing PLC |
Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
Maße: | 198 x 129 x 24 mm |
Von/Mit: | Julie Myerson |
Erscheinungsdatum: | 06.07.2009 |
Gewicht: | 0,227 kg |
Sicherheitshinweis