Nicola Streeten is an anthropologist-turned-illustrator and comics scholar. She is the author of Billy, Me & You (Myriad, 2011), an acclaimed graphic memoir about her bereavement following the death of her two-year old son. It was initially serialised in Liquorice Magazine, a comic Nicola produced with her daughter, and it received Highly Commended in the Popular Medicine category of the 2012 British Medical Association Medical Book Awards.

Streeten is co-founder (with artist Sarah Lightman) of Laydeez do Comics, a graphic novel forum with a focus on the new wave of comic work based on the drama of everyday life, which has been called `a combination between a book club and a series of TED talks¿ (Julie Davis, A Woman¿s Art Magazine, 2013).

In 2013 she was awarded an Arts and Humanities Research Council Scholarship from the University of Sussex to undertake a research doctorate on British women¿s comics from 1970 to the present. She continues to work on commercial illustration commissions. Every Friday, she adds to a regular cartoon strip series #ayearat50 on her blog.

Nicola Streeten is co-editor with Cath Tate of The Inking Woman, published by Myriad in March 2018.

Cath Tate is co-author with Nicola Streeten of The Inking Woman, published by Myriad in March 2018. She set up Cath Tate Cards in the early 1980s initially to produce political (anti-Thatcher) and feminist postcards. Her popular series of thematic gift books, `The wit and wisdom of Cath Tate¿, is based on her collection of vintage photographs. During the 1980s and 90s she published cards showing the work of many of the feminist cartoonists active at the time and conceived the idea of an exhibition and a book showing the work of women cartoonists.

In the early 1990s she collaborated with Carol Bennett producing the FANNY and Dykes Delight comics which showed the work of women comic artists. In 2017 she helped to curate `The Inking Woman¿ exhibition at the Cartoon Museum in London with Kate Charlesworth, Anita O¿Brien and Corinne Pearlman. Both the book and the exhibition have been made possible thanks to the support of Cath Tate Cards.