Anna Dezeuze is Lecturer in Art History at the Ecole Supérieure d'Art et de Design Marseille-Méditerranée in Marseilles

Contents
1. Anna Dezeuze: An introduction to 'do-it-yourself'' artwork
PART I: SITUATING PARTICIPATION
2. Guy Brett: 3 Pioneers
3. Anna Dezeuze: "Open work," "do-it-yourself artwork," and bricolage
4. Judith Rodenbeck: "Creative acts of consumption" or, death in Venice
5. Arnauld Pierre: Instability: the visual/bodily perception of space in kinetic environments
PART II: PERFORMING PARTICIPATION
6. Catherine Wood: The rules of engagement: Displaced figuration in Robert Morris's sculpture
7. Frazer Ward: Marina Abramovic: Approaching zero
8. Amelia Jones: Space, body and the self in the work of Bruce Nauman
9. Janet Kraynak: Tiravanija's liability
10. Jennifer Gonzalez: The face and the public: Race, secrecy and digital art practice
PART III: THEORISING PARTICIPATION
11. Anna Dezeuze: Play, ritual and politics: Transitional artworks in the 1960s
12. Miwon Kwon: Exchange and reciprocity in some art of the 1960s and after
13. Christian Kravagna: Working on the community: Models of participatory practice
14. Claire Bishop: Antagonism and Relational Aesthetics
15. Beryl Graham: What kind of participative system? Critical vocabularies from new media art
Index