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"Walt Disney Feature Animation Florida opened in Orlando at the dawn of the Disney Renaissance. As a member of the crew, Mary E. Lescher witnessed the small studio's rise and fall during a transformative era in company and movie history. Her in-depth interviews with fellow artists, administrators, and support personnel reveal the human dimension of a technological revolution: the dramatic shift from hand-drawn cel animation to the digital format that eclipsed it in less than a decade. She also traces the Florida Studio's parallel existence as a part of The Magic of Disney Animation, a living theme park attraction where Lescher and her colleagues worked in full view of Walt Disney World guests eager to experience the magic of the company's legendary animation process. A ground-level look at the entertainment giant, The Disney Animation Renaissance profiles the people and purpose behind a little-known studio during a historic era"--
"Walt Disney Feature Animation Florida opened in Orlando at the dawn of the Disney Renaissance. As a member of the crew, Mary E. Lescher witnessed the small studio's rise and fall during a transformative era in company and movie history. Her in-depth interviews with fellow artists, administrators, and support personnel reveal the human dimension of a technological revolution: the dramatic shift from hand-drawn cel animation to the digital format that eclipsed it in less than a decade. She also traces the Florida Studio's parallel existence as a part of The Magic of Disney Animation, a living theme park attraction where Lescher and her colleagues worked in full view of Walt Disney World guests eager to experience the magic of the company's legendary animation process. A ground-level look at the entertainment giant, The Disney Animation Renaissance profiles the people and purpose behind a little-known studio during a historic era"--
Über den Autor
Mary E. Lescher
Inhaltsverzeichnis
Acknowledgments
Introduction
- A Theme Park Attraction (1989-1990)
- Traditional or Digital: It’s All Hand-Drawn (1989-1990)
- B Unit to the Blockbusters (1991-1997)
- The Little Studio That Could (1998-1999)
- Shutting Down the Studio (2000-2004)
Notes
Animation Glossary
Filmography
Bibliography
Index
Details
Erscheinungsjahr: | 2022 |
---|---|
Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Thema: | Theater & Film |
Medium: | Taschenbuch |
ISBN-13: | 9780252086861 |
ISBN-10: | 0252086864 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Lescher, Mary E. |
Hersteller: | University of Illinois Press |
Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
Maße: | 152 x 227 x 19 mm |
Von/Mit: | Mary E. Lescher |
Erscheinungsdatum: | 22.11.2022 |
Gewicht: | 0,418 kg |
Über den Autor
Mary E. Lescher
Inhaltsverzeichnis
Acknowledgments
Introduction
- A Theme Park Attraction (1989-1990)
- Traditional or Digital: It’s All Hand-Drawn (1989-1990)
- B Unit to the Blockbusters (1991-1997)
- The Little Studio That Could (1998-1999)
- Shutting Down the Studio (2000-2004)
Notes
Animation Glossary
Filmography
Bibliography
Index
Details
Erscheinungsjahr: | 2022 |
---|---|
Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Thema: | Theater & Film |
Medium: | Taschenbuch |
ISBN-13: | 9780252086861 |
ISBN-10: | 0252086864 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Lescher, Mary E. |
Hersteller: | University of Illinois Press |
Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
Maße: | 152 x 227 x 19 mm |
Von/Mit: | Mary E. Lescher |
Erscheinungsdatum: | 22.11.2022 |
Gewicht: | 0,418 kg |
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