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The Beethoven Syndrome
Hearing Music as Autobiography
Buch von Mark Evan Bonds
Sprache: Englisch

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Beschreibung
The Beethoven Syndrome: Hearing Music as Autobiography traces the rise, fall, and persistence of a radical new mode of listening from the middle of the eighteenth century to the present.
The Beethoven Syndrome: Hearing Music as Autobiography traces the rise, fall, and persistence of a radical new mode of listening from the middle of the eighteenth century to the present.
Über den Autor
Mark Evan Bonds is the Cary C. Boshamer Distinguished Professor of Music at the University of North Carolina at Chapel Hill, where he has taught since 1992. He has served as editor-in-chief of Beethoven Forum and has published widely on music, aesthetics, and the philosophy of music.
Inhaltsverzeichnis
  • Introduction: The Instrumental Self

  • Part 1: The Paradigm of Objective Expression: 1770-1830

  • Chapter 1: The Framework of Rhetoric

  • Chapter 2: Toward Subjective Expression

  • Chapter 3: The Composer in the Work

  • Part 2: The Paradigm of Subjective Expression: 1830-1920

  • Chapter 4: The Framework of Hermeneutics

  • Chapter 5: First-Person Beethoven

  • Chapter 6: After Beethoven

  • Part 3: Dual Paradigms: Since 1920

  • Chapter 7: The Return of Objectivity

  • Chapter 8: The Endurance of Subjectivity

  • Conclusion: Tracking Comets

  • Bibliography

Details
Erscheinungsjahr: 2020
Genre: Importe, Musik
Rubrik: Kunst & Musik
Thema: Allg. Handbücher & Lexika
Medium: Buch
Inhalt: Buch Gebunden
ISBN-13: 9780190068479
ISBN-10: 0190068477
Sprache: Englisch
Einband: Gebunden
Autor: Bonds, Mark Evan
Komponist: Mark Evan Bonds
Hersteller: Oxford University Press Inc
Verantwortliche Person für die EU: Deutsche Bibelgesellschaft, Postfach:81 03 40, D-70567 Stuttgart, vertrieb@dbg.de
Maße: 241 x 159 x 35 mm
Von/Mit: Mark Evan Bonds
Erscheinungsdatum: 30.01.2020
Gewicht: 0,604 kg
Artikel-ID: 121089672
Über den Autor
Mark Evan Bonds is the Cary C. Boshamer Distinguished Professor of Music at the University of North Carolina at Chapel Hill, where he has taught since 1992. He has served as editor-in-chief of Beethoven Forum and has published widely on music, aesthetics, and the philosophy of music.
Inhaltsverzeichnis
  • Introduction: The Instrumental Self

  • Part 1: The Paradigm of Objective Expression: 1770-1830

  • Chapter 1: The Framework of Rhetoric

  • Chapter 2: Toward Subjective Expression

  • Chapter 3: The Composer in the Work

  • Part 2: The Paradigm of Subjective Expression: 1830-1920

  • Chapter 4: The Framework of Hermeneutics

  • Chapter 5: First-Person Beethoven

  • Chapter 6: After Beethoven

  • Part 3: Dual Paradigms: Since 1920

  • Chapter 7: The Return of Objectivity

  • Chapter 8: The Endurance of Subjectivity

  • Conclusion: Tracking Comets

  • Bibliography

Details
Erscheinungsjahr: 2020
Genre: Importe, Musik
Rubrik: Kunst & Musik
Thema: Allg. Handbücher & Lexika
Medium: Buch
Inhalt: Buch Gebunden
ISBN-13: 9780190068479
ISBN-10: 0190068477
Sprache: Englisch
Einband: Gebunden
Autor: Bonds, Mark Evan
Komponist: Mark Evan Bonds
Hersteller: Oxford University Press Inc
Verantwortliche Person für die EU: Deutsche Bibelgesellschaft, Postfach:81 03 40, D-70567 Stuttgart, vertrieb@dbg.de
Maße: 241 x 159 x 35 mm
Von/Mit: Mark Evan Bonds
Erscheinungsdatum: 30.01.2020
Gewicht: 0,604 kg
Artikel-ID: 121089672
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