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The Beethoven Syndrome: Hearing Music as Autobiography traces the rise, fall, and persistence of a radical new mode of listening from the middle of the eighteenth century to the present.
The Beethoven Syndrome: Hearing Music as Autobiography traces the rise, fall, and persistence of a radical new mode of listening from the middle of the eighteenth century to the present.
Über den Autor
Mark Evan Bonds is the Cary C. Boshamer Distinguished Professor of Music at the University of North Carolina at Chapel Hill, where he has taught since 1992. He has served as editor-in-chief of Beethoven Forum and has published widely on music, aesthetics, and the philosophy of music.
Inhaltsverzeichnis
- Introduction: The Instrumental Self
- Part 1: The Paradigm of Objective Expression: 1770-1830
- Chapter 1: The Framework of Rhetoric
- Chapter 2: Toward Subjective Expression
- Chapter 3: The Composer in the Work
- Part 2: The Paradigm of Subjective Expression: 1830-1920
- Chapter 4: The Framework of Hermeneutics
- Chapter 5: First-Person Beethoven
- Chapter 6: After Beethoven
- Part 3: Dual Paradigms: Since 1920
- Chapter 7: The Return of Objectivity
- Chapter 8: The Endurance of Subjectivity
- Conclusion: Tracking Comets
- Bibliography
Details
Erscheinungsjahr: | 2020 |
---|---|
Genre: | Importe, Musik |
Rubrik: | Kunst & Musik |
Thema: | Allg. Handbücher & Lexika |
Medium: | Buch |
Inhalt: | Buch Gebunden |
ISBN-13: | 9780190068479 |
ISBN-10: | 0190068477 |
Sprache: | Englisch |
Einband: | Gebunden |
Autor: | Bonds, Mark Evan |
Komponist: | Mark Evan Bonds |
Hersteller: | Oxford University Press Inc |
Verantwortliche Person für die EU: | Deutsche Bibelgesellschaft, Postfach:81 03 40, D-70567 Stuttgart, vertrieb@dbg.de |
Maße: | 241 x 159 x 35 mm |
Von/Mit: | Mark Evan Bonds |
Erscheinungsdatum: | 30.01.2020 |
Gewicht: | 0,604 kg |
Über den Autor
Mark Evan Bonds is the Cary C. Boshamer Distinguished Professor of Music at the University of North Carolina at Chapel Hill, where he has taught since 1992. He has served as editor-in-chief of Beethoven Forum and has published widely on music, aesthetics, and the philosophy of music.
Inhaltsverzeichnis
- Introduction: The Instrumental Self
- Part 1: The Paradigm of Objective Expression: 1770-1830
- Chapter 1: The Framework of Rhetoric
- Chapter 2: Toward Subjective Expression
- Chapter 3: The Composer in the Work
- Part 2: The Paradigm of Subjective Expression: 1830-1920
- Chapter 4: The Framework of Hermeneutics
- Chapter 5: First-Person Beethoven
- Chapter 6: After Beethoven
- Part 3: Dual Paradigms: Since 1920
- Chapter 7: The Return of Objectivity
- Chapter 8: The Endurance of Subjectivity
- Conclusion: Tracking Comets
- Bibliography
Details
Erscheinungsjahr: | 2020 |
---|---|
Genre: | Importe, Musik |
Rubrik: | Kunst & Musik |
Thema: | Allg. Handbücher & Lexika |
Medium: | Buch |
Inhalt: | Buch Gebunden |
ISBN-13: | 9780190068479 |
ISBN-10: | 0190068477 |
Sprache: | Englisch |
Einband: | Gebunden |
Autor: | Bonds, Mark Evan |
Komponist: | Mark Evan Bonds |
Hersteller: | Oxford University Press Inc |
Verantwortliche Person für die EU: | Deutsche Bibelgesellschaft, Postfach:81 03 40, D-70567 Stuttgart, vertrieb@dbg.de |
Maße: | 241 x 159 x 35 mm |
Von/Mit: | Mark Evan Bonds |
Erscheinungsdatum: | 30.01.2020 |
Gewicht: | 0,604 kg |
Sicherheitshinweis