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All the great classical dramatists took their inspiration from the mythologies of their respective environments...
Thus, the tale, like the classical theatre, deals with the universal feelings of humanity: love, emotion, passion, bravery and all the vices and virtues. Classical theatre, like the fairy tale, exalts virtues and ridicules shortcomings. Both aim at the same goal: to instruct and perfect the young candidates for life. To put the misguided spirits back on the right track.
However, to remain educational, the tale must remain, above all, attractive, like all teaching. A good tale combines the useful with the pleasant. It must therefore entertain as well as instruct.
I have translated the following tales, without any pretence or literary elegance: they have enough moral force in themselves. They are, the starting point of our literature which, however oral it may be, isn't less, a living expression, an effective communication means or transmission of the truth.
Thus, the tale, like the classical theatre, deals with the universal feelings of humanity: love, emotion, passion, bravery and all the vices and virtues. Classical theatre, like the fairy tale, exalts virtues and ridicules shortcomings. Both aim at the same goal: to instruct and perfect the young candidates for life. To put the misguided spirits back on the right track.
However, to remain educational, the tale must remain, above all, attractive, like all teaching. A good tale combines the useful with the pleasant. It must therefore entertain as well as instruct.
I have translated the following tales, without any pretence or literary elegance: they have enough moral force in themselves. They are, the starting point of our literature which, however oral it may be, isn't less, a living expression, an effective communication means or transmission of the truth.
All the great classical dramatists took their inspiration from the mythologies of their respective environments...
Thus, the tale, like the classical theatre, deals with the universal feelings of humanity: love, emotion, passion, bravery and all the vices and virtues. Classical theatre, like the fairy tale, exalts virtues and ridicules shortcomings. Both aim at the same goal: to instruct and perfect the young candidates for life. To put the misguided spirits back on the right track.
However, to remain educational, the tale must remain, above all, attractive, like all teaching. A good tale combines the useful with the pleasant. It must therefore entertain as well as instruct.
I have translated the following tales, without any pretence or literary elegance: they have enough moral force in themselves. They are, the starting point of our literature which, however oral it may be, isn't less, a living expression, an effective communication means or transmission of the truth.
Thus, the tale, like the classical theatre, deals with the universal feelings of humanity: love, emotion, passion, bravery and all the vices and virtues. Classical theatre, like the fairy tale, exalts virtues and ridicules shortcomings. Both aim at the same goal: to instruct and perfect the young candidates for life. To put the misguided spirits back on the right track.
However, to remain educational, the tale must remain, above all, attractive, like all teaching. A good tale combines the useful with the pleasant. It must therefore entertain as well as instruct.
I have translated the following tales, without any pretence or literary elegance: they have enough moral force in themselves. They are, the starting point of our literature which, however oral it may be, isn't less, a living expression, an effective communication means or transmission of the truth.
Über den Autor
Born in Congo-Brazzaville (1929-1976). Between 1950 and 1960, he took part in Congolese literary movements, notably in Liaison (magazine of AEF cultural circles) which he directed in its last year. He co-founded the Institute of Congolese Studies (1960) and the Congolese Theatre Centre (1964). He was responsible for the cultural service of Brazzaville City until 1976.
Details
Erscheinungsjahr: | 2021 |
---|---|
Genre: | Importe, Märchen & Sagen |
Rubrik: | Belletristik |
Medium: | Taschenbuch |
Reihe: | Tales and Legends Kôngo |
ISBN-13: | 9782322400928 |
ISBN-10: | 2322400920 |
Sprache: | Englisch |
Ausstattung / Beilage: | Paperback |
Einband: | Kartoniert / Broschiert |
Autor: | Lhoni, Patrice Joseph |
Hersteller: |
Books on Demand GmbH
BoD - Books on Demand Tales and Legends Kôngo |
Verantwortliche Person für die EU: | Books on Demand GmbH, In de Tarpen 42, D-22848 Norderstedt, info@bod.de |
Maße: | 220 x 155 x 11 mm |
Von/Mit: | Patrice Joseph Lhoni |
Erscheinungsdatum: | 17.11.2021 |
Gewicht: | 0,277 kg |
Über den Autor
Born in Congo-Brazzaville (1929-1976). Between 1950 and 1960, he took part in Congolese literary movements, notably in Liaison (magazine of AEF cultural circles) which he directed in its last year. He co-founded the Institute of Congolese Studies (1960) and the Congolese Theatre Centre (1964). He was responsible for the cultural service of Brazzaville City until 1976.
Details
Erscheinungsjahr: | 2021 |
---|---|
Genre: | Importe, Märchen & Sagen |
Rubrik: | Belletristik |
Medium: | Taschenbuch |
Reihe: | Tales and Legends Kôngo |
ISBN-13: | 9782322400928 |
ISBN-10: | 2322400920 |
Sprache: | Englisch |
Ausstattung / Beilage: | Paperback |
Einband: | Kartoniert / Broschiert |
Autor: | Lhoni, Patrice Joseph |
Hersteller: |
Books on Demand GmbH
BoD - Books on Demand Tales and Legends Kôngo |
Verantwortliche Person für die EU: | Books on Demand GmbH, In de Tarpen 42, D-22848 Norderstedt, info@bod.de |
Maße: | 220 x 155 x 11 mm |
Von/Mit: | Patrice Joseph Lhoni |
Erscheinungsdatum: | 17.11.2021 |
Gewicht: | 0,277 kg |
Sicherheitshinweis