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Swan Lake was Tchaikovsky's first score for the ballet. Given its status today as arguably the best-loved and most admired of all classical ballets, it is perhaps surprising that at its premiere in 1877 Swan Lake was poorly received. It is thanks to the 1895 production by Marius Petipa and Lev Ivanov that Swan Lake has become part of not only ballet consciousness but also wider popular culture. That success is secured not only by the sublime, symphonic sweep of Tchaikovsky's score but also by the striking choreographic contrasts between Petipa's royal palace scenes and the lyric lakeside scenes created by Ivanov.
Swan Lake has had a special role in the repertory of The Royal Ballet since 1934. Since then there has been a succession of productions, the most recent of which was overseen by Anthony Dowell. The 2019 Season sees a new production with additional choreography by ROH Artist-in-Residence Liam Scarlett. Scarlett, while remaining faithful to the Petipa-Ivanov text, will bring fresh eyes to the staging of this classic ballet, in collaboration with his long-term designer John Macfarlane.
Swan Lake was Tchaikovsky's first score for the ballet. Given its status today as arguably the best-loved and most admired of all classical ballets, it is perhaps surprising that at its premiere in 1877 Swan Lake was poorly received. It is thanks to the 1895 production by Marius Petipa and Lev Ivanov that Swan Lake has become part of not only ballet consciousness but also wider popular culture. That success is secured not only by the sublime, symphonic sweep of Tchaikovsky's score but also by the striking choreographic contrasts between Petipa's royal palace scenes and the lyric lakeside scenes created by Ivanov.
Swan Lake has had a special role in the repertory of The Royal Ballet since 1934. Since then there has been a succession of productions, the most recent of which was overseen by Anthony Dowell. The 2019 Season sees a new production with additional choreography by ROH Artist-in-Residence Liam Scarlett. Scarlett, while remaining faithful to the Petipa-Ivanov text, will bring fresh eyes to the staging of this classic ballet, in collaboration with his long-term designer John Macfarlane.
Introduction by Liam Scarlett
Prologue
Act I
Act II
Act III
Act IV
Production
Afterword by John Macfarlane
2017/18 Season
Image Captions
| Erscheinungsjahr: | 2019 |
|---|---|
| Genre: | Importe, Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Theater & Film |
| Medium: | Buch |
| Inhalt: | Gebunden |
| ISBN-13: | 9781786825797 |
| ISBN-10: | 1786825791 |
| Sprache: | Englisch |
| Einband: | Gebunden |
| Autor: | Cooper, Bill |
| Hersteller: | Bloomsbury Academic |
| Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
| Maße: | 322 x 255 x 22 mm |
| Von/Mit: | Bill Cooper |
| Erscheinungsdatum: | 26.11.2019 |
| Gewicht: | 1,539 kg |
Introduction by Liam Scarlett
Prologue
Act I
Act II
Act III
Act IV
Production
Afterword by John Macfarlane
2017/18 Season
Image Captions
| Erscheinungsjahr: | 2019 |
|---|---|
| Genre: | Importe, Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Theater & Film |
| Medium: | Buch |
| Inhalt: | Gebunden |
| ISBN-13: | 9781786825797 |
| ISBN-10: | 1786825791 |
| Sprache: | Englisch |
| Einband: | Gebunden |
| Autor: | Cooper, Bill |
| Hersteller: | Bloomsbury Academic |
| Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
| Maße: | 322 x 255 x 22 mm |
| Von/Mit: | Bill Cooper |
| Erscheinungsdatum: | 26.11.2019 |
| Gewicht: | 1,539 kg |
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