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Beschreibung
From its beginnings narratology has incorporated a communicative model of literary narratives, considering these as simulations of natural, oral acts of communication. This approach, however, has had some problems with accounting for the strangeness and anomalies of modern and postmodern narratives. As many skeptics have shown, not even classical realism conforms to the standard set by oral or ¿natural¿ storytelling. Thus, an urge to confront narratology with the difficult task of reconsidering a most basic premise in its theoretical and analytical endeavors has, for some time, been undeniable.
During the 2000s, Nordic narratologists have been among the most active and insistent critics of the communicative model. They share a marked skepticism towards the idea of using ¿natural¿ narratives as a model for understanding and interpreting all kinds of narratives, and for all of them, the distinction of fiction is of vital importance.
This anthology presents a collection of new articles that deal with strange narratives, narratives of the strange, or, more generally, with the strangeness of fiction, and even with some strange aspects of narratology.
During the 2000s, Nordic narratologists have been among the most active and insistent critics of the communicative model. They share a marked skepticism towards the idea of using ¿natural¿ narratives as a model for understanding and interpreting all kinds of narratives, and for all of them, the distinction of fiction is of vital importance.
This anthology presents a collection of new articles that deal with strange narratives, narratives of the strange, or, more generally, with the strangeness of fiction, and even with some strange aspects of narratology.
From its beginnings narratology has incorporated a communicative model of literary narratives, considering these as simulations of natural, oral acts of communication. This approach, however, has had some problems with accounting for the strangeness and anomalies of modern and postmodern narratives. As many skeptics have shown, not even classical realism conforms to the standard set by oral or ¿natural¿ storytelling. Thus, an urge to confront narratology with the difficult task of reconsidering a most basic premise in its theoretical and analytical endeavors has, for some time, been undeniable.
During the 2000s, Nordic narratologists have been among the most active and insistent critics of the communicative model. They share a marked skepticism towards the idea of using ¿natural¿ narratives as a model for understanding and interpreting all kinds of narratives, and for all of them, the distinction of fiction is of vital importance.
This anthology presents a collection of new articles that deal with strange narratives, narratives of the strange, or, more generally, with the strangeness of fiction, and even with some strange aspects of narratology.
During the 2000s, Nordic narratologists have been among the most active and insistent critics of the communicative model. They share a marked skepticism towards the idea of using ¿natural¿ narratives as a model for understanding and interpreting all kinds of narratives, and for all of them, the distinction of fiction is of vital importance.
This anthology presents a collection of new articles that deal with strange narratives, narratives of the strange, or, more generally, with the strangeness of fiction, and even with some strange aspects of narratology.
Über den Autor
Per Krogh Hansen, University of Southern Denmark, Kolding, Denmark; Stefan Iversen, Henrik Skov Nielsen and Rolf Reitan, Aarhus University, Denmark.
Zusammenfassung
Exklusives Verkaufsrecht für: Gesamte Welt.
Details
Erscheinungsjahr: | 2011 |
---|---|
Genre: | Gattungen & Methoden, Geisteswissenschaften, Kunst, Musik |
Rubrik: | Literaturwissenschaft |
Medium: | Buch |
Reihe: | ISSN |
Inhalt: |
VI
268 S. |
ISBN-13: | 9783110268577 |
ISBN-10: | 3110268574 |
Sprache: | Englisch |
Ausstattung / Beilage: | HC runder Rücken kaschiert |
Einband: | Gebunden |
Redaktion: |
Hansen, Per Krogh
Reitan, Rolf Nielsen, Henrik Skov Iversen, Stefan |
Herausgeber: | Per Krogh Hansen/Stefan Iversen/Henrik Skov Nielsen et al |
Hersteller: |
De Gruyter
de Gruyter, Walter, GmbH ISSN |
Verantwortliche Person für die EU: | Books on Demand GmbH, In de Tarpen 42, D-22848 Norderstedt, info@bod.de |
Maße: | 236 x 160 x 21 mm |
Von/Mit: | Per Krogh Hansen (u. a.) |
Erscheinungsdatum: | 17.10.2011 |
Gewicht: | 0,57 kg |
Über den Autor
Per Krogh Hansen, University of Southern Denmark, Kolding, Denmark; Stefan Iversen, Henrik Skov Nielsen and Rolf Reitan, Aarhus University, Denmark.
Zusammenfassung
Exklusives Verkaufsrecht für: Gesamte Welt.
Details
Erscheinungsjahr: | 2011 |
---|---|
Genre: | Gattungen & Methoden, Geisteswissenschaften, Kunst, Musik |
Rubrik: | Literaturwissenschaft |
Medium: | Buch |
Reihe: | ISSN |
Inhalt: |
VI
268 S. |
ISBN-13: | 9783110268577 |
ISBN-10: | 3110268574 |
Sprache: | Englisch |
Ausstattung / Beilage: | HC runder Rücken kaschiert |
Einband: | Gebunden |
Redaktion: |
Hansen, Per Krogh
Reitan, Rolf Nielsen, Henrik Skov Iversen, Stefan |
Herausgeber: | Per Krogh Hansen/Stefan Iversen/Henrik Skov Nielsen et al |
Hersteller: |
De Gruyter
de Gruyter, Walter, GmbH ISSN |
Verantwortliche Person für die EU: | Books on Demand GmbH, In de Tarpen 42, D-22848 Norderstedt, info@bod.de |
Maße: | 236 x 160 x 21 mm |
Von/Mit: | Per Krogh Hansen (u. a.) |
Erscheinungsdatum: | 17.10.2011 |
Gewicht: | 0,57 kg |
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