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Beschreibung
The use of film and video is commonplace in contemporary theatre, viewed by some as contaminating theatre's 'liveness', by others as inevitable and desirable. After tracing the history of current approaches back to early practitioners such as Méliès, Painlévé and Piscator, Staging the Screen explores in detail recent productions by Svoboda, the Wooster Group, Forkbeard Fantasy, Forced Entertainment, Station House Opera, and Lepage. It charts the impact of developing technologies and addresses critical issues raised by multi-media and intermedia work.
The use of film and video is commonplace in contemporary theatre, viewed by some as contaminating theatre's 'liveness', by others as inevitable and desirable. After tracing the history of current approaches back to early practitioners such as Méliès, Painlévé and Piscator, Staging the Screen explores in detail recent productions by Svoboda, the Wooster Group, Forkbeard Fantasy, Forced Entertainment, Station House Opera, and Lepage. It charts the impact of developing technologies and addresses critical issues raised by multi-media and intermedia work.
Über den Autor
GREG GIESEKAM sits on the Board with Ankur Productions and was a Senior Lecturer in Theatre Studies at the University of Glasgow, UK until 2006. His publications on contemporary British theatre and contemporary performance art include A Descriptive Catalogue of the Archive of the National Review of Live Art (a reference website cataloguing over 200 performances, talks and installations from 1986-1996) and Luvvies and Rude Mechanicals? Amateur and Community Theatre in Scotland (Scottish Arts Council, 2000).
Zusammenfassung
Engages students with critical and theoretical questions about the use of multimedia in theatre practice
Inhaltsverzeichnis
List of Illustrations
General Editor's Preface
Acknowledgements
Introduction: Contamination or Remediation?
Magic to Realism: European Pioneers
Polyscenicness: Josef Svoboda and Laterna Magika
Big Screen to Small Screen
Postmodern Collage: The Wooster Group
Third-hand Photocopies: Forced Entertainment
Live Films on Stage: The Builders Association
Crossing the Celluloid Divide: Forkbeard Fantasy
Quantum Theatre: Station House Opera
Electric Campfires: Robert Lepage
Conclusion
Index.
General Editor's Preface
Acknowledgements
Introduction: Contamination or Remediation?
Magic to Realism: European Pioneers
Polyscenicness: Josef Svoboda and Laterna Magika
Big Screen to Small Screen
Postmodern Collage: The Wooster Group
Third-hand Photocopies: Forced Entertainment
Live Films on Stage: The Builders Association
Crossing the Celluloid Divide: Forkbeard Fantasy
Quantum Theatre: Station House Opera
Electric Campfires: Robert Lepage
Conclusion
Index.
Details
Erscheinungsjahr: | 2008 |
---|---|
Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Thema: | Theater & Film |
Medium: | Taschenbuch |
Inhalt: | 296 S. |
ISBN-13: | 9781403916990 |
ISBN-10: | 1403916993 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Giesekam, Greg |
Hersteller: |
Bloomsbury 3PL
Red Globe Press Macmillan Education |
Verantwortliche Person für die EU: | Springer Verlag GmbH, Tiergartenstr. 17, D-69121 Heidelberg, juergen.hartmann@springer.com |
Maße: | 216 x 140 x 16 mm |
Von/Mit: | Greg Giesekam |
Erscheinungsdatum: | 01.02.2008 |
Gewicht: | 0,371 kg |
Über den Autor
GREG GIESEKAM sits on the Board with Ankur Productions and was a Senior Lecturer in Theatre Studies at the University of Glasgow, UK until 2006. His publications on contemporary British theatre and contemporary performance art include A Descriptive Catalogue of the Archive of the National Review of Live Art (a reference website cataloguing over 200 performances, talks and installations from 1986-1996) and Luvvies and Rude Mechanicals? Amateur and Community Theatre in Scotland (Scottish Arts Council, 2000).
Zusammenfassung
Engages students with critical and theoretical questions about the use of multimedia in theatre practice
Inhaltsverzeichnis
List of Illustrations
General Editor's Preface
Acknowledgements
Introduction: Contamination or Remediation?
Magic to Realism: European Pioneers
Polyscenicness: Josef Svoboda and Laterna Magika
Big Screen to Small Screen
Postmodern Collage: The Wooster Group
Third-hand Photocopies: Forced Entertainment
Live Films on Stage: The Builders Association
Crossing the Celluloid Divide: Forkbeard Fantasy
Quantum Theatre: Station House Opera
Electric Campfires: Robert Lepage
Conclusion
Index.
General Editor's Preface
Acknowledgements
Introduction: Contamination or Remediation?
Magic to Realism: European Pioneers
Polyscenicness: Josef Svoboda and Laterna Magika
Big Screen to Small Screen
Postmodern Collage: The Wooster Group
Third-hand Photocopies: Forced Entertainment
Live Films on Stage: The Builders Association
Crossing the Celluloid Divide: Forkbeard Fantasy
Quantum Theatre: Station House Opera
Electric Campfires: Robert Lepage
Conclusion
Index.
Details
Erscheinungsjahr: | 2008 |
---|---|
Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Thema: | Theater & Film |
Medium: | Taschenbuch |
Inhalt: | 296 S. |
ISBN-13: | 9781403916990 |
ISBN-10: | 1403916993 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Giesekam, Greg |
Hersteller: |
Bloomsbury 3PL
Red Globe Press Macmillan Education |
Verantwortliche Person für die EU: | Springer Verlag GmbH, Tiergartenstr. 17, D-69121 Heidelberg, juergen.hartmann@springer.com |
Maße: | 216 x 140 x 16 mm |
Von/Mit: | Greg Giesekam |
Erscheinungsdatum: | 01.02.2008 |
Gewicht: | 0,371 kg |
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