Contents: Reading Jackson: Style, Theme, Tradition - Ralph Beliveau: Shirley Jackson and American Folk Horror: The Public Face of Private Demons - Michael T. Wilson: 'How the Dinner Revolves': Eating, Food, and Consumption in the Fiction of Shirley Jackson - Daniel T. Kasper: The Posthumous Style of Shirley Jackson - Carl H. Sederholm: Raising Her Voice: Stephen King's Literary Dialogue with Shirley Jackson - The Politics and Poetics of Space - Patrycja Antoszek: 'Intrusions from the Outside World': Shirley Jackson and the Politics and Poetics of Enclosure - Dara Downey: 'No one Can Ever Find Me': Gingerbread Houses in Shirley Jackson's Fiction - Elizabeth Mahn Nollen: The 'Terrible' House as Locus of Female Power in
We Have Always Lived in the Castle
- Michelle Kay Hansen: 'Move Your Feet, Dear. I'm Conga- ing': Drawing Circles around Domesticity in Shirley Jackson's Cartoons - Luke Reid: Romancing the Nostalgic Future: Prophecy, Planning, and Postwar Architecture in
The Sundial
- Mothers and Other Monsters - Wyatt Bonikowski: Elizabeth and Elizabeth: The Secret of the Mother's Desire in
The Bird's Nest
- Rebecca Million: Living an Aporia: Notes on Shirley Jackson's Home Books and the Impossible- Possible of Motherhood - Ibi Kaslik:
Hangsaman
: Writing the Self in Blood at the Margins - Mikaela Bobiy: Home Is Where the Heart Is(n't): The House as Mother in Jackson's House Trilogy - Outsiders and Minorities - Emily Banks: Erotic Envy and the Racial Other in 'Flower Garden' - Stephanie A. Graves: Wicked Creature(s): Delirium and Difference in
The Witchcraft of Salem Village
- Rebecca Stone Gordon: 'A Lady of Undeniable Gifts but Dubious Reputation': Reading Theodora in
The Haunting of Hill House
- Jackson on Film and Television - Will Dodson: 'Some Disturbing Obstruction':
Lizzie
from
The Bird's Nest
- Jeffrey Andrew Weinstock: Walking Alone Together: Adapting Shirley Jackson's
The Haunting of Hill House
- Kristopher Woofter:
Long Twilight
(
Hosszú Alkony
), Shirley Jackson, and the Eerie In- Between - Erin Giannini: A Good Life?: Merricat, from Tyrant to Savior in
We Have Always Lived in the Castle
and Its Film Adaptation - Darryl Hattenhauer: Afterword.