Dekorationsartikel gehören nicht zum Leistungsumfang.
Sprache:
Englisch
45,45 €*
Versandkostenfrei per Post / DHL
Lieferzeit 1-2 Wochen
Kategorien:
Beschreibung
Who changed Bob Marley¿s famous peace-and-love anthem into ¿Come to Jamaica and feel all right¿?
When did the Rastafarian fighting white colonial power become the smiling Rastafarian spreading beach towels for American tourists?
Drawing on research in social movement theory and protest music, Reggae, Rastafari, and the Rhetoric of Social Control traces the history and rise of reggae and the story of how an island nation commandeered the music to fashion an image and entice tourists.
Visitors to Jamaica are often unaware that reggae was a revolutionary music rooted in the suffering of Jamaicäs poor. Rastafarians were once the target of police harassment and public condemnation. Now the music is a marketing tool, and the Rastafarians are no longer a violent counterculture, but an important symbol of Jamaicäs new cultural heritage.
This book attempts to explain how the Jamaican establishment¿s strategies of social control influenced the evolutionary direction of both t
When did the Rastafarian fighting white colonial power become the smiling Rastafarian spreading beach towels for American tourists?
Drawing on research in social movement theory and protest music, Reggae, Rastafari, and the Rhetoric of Social Control traces the history and rise of reggae and the story of how an island nation commandeered the music to fashion an image and entice tourists.
Visitors to Jamaica are often unaware that reggae was a revolutionary music rooted in the suffering of Jamaicäs poor. Rastafarians were once the target of police harassment and public condemnation. Now the music is a marketing tool, and the Rastafarians are no longer a violent counterculture, but an important symbol of Jamaicäs new cultural heritage.
This book attempts to explain how the Jamaican establishment¿s strategies of social control influenced the evolutionary direction of both t
Who changed Bob Marley¿s famous peace-and-love anthem into ¿Come to Jamaica and feel all right¿?
When did the Rastafarian fighting white colonial power become the smiling Rastafarian spreading beach towels for American tourists?
Drawing on research in social movement theory and protest music, Reggae, Rastafari, and the Rhetoric of Social Control traces the history and rise of reggae and the story of how an island nation commandeered the music to fashion an image and entice tourists.
Visitors to Jamaica are often unaware that reggae was a revolutionary music rooted in the suffering of Jamaicäs poor. Rastafarians were once the target of police harassment and public condemnation. Now the music is a marketing tool, and the Rastafarians are no longer a violent counterculture, but an important symbol of Jamaicäs new cultural heritage.
This book attempts to explain how the Jamaican establishment¿s strategies of social control influenced the evolutionary direction of both t
When did the Rastafarian fighting white colonial power become the smiling Rastafarian spreading beach towels for American tourists?
Drawing on research in social movement theory and protest music, Reggae, Rastafari, and the Rhetoric of Social Control traces the history and rise of reggae and the story of how an island nation commandeered the music to fashion an image and entice tourists.
Visitors to Jamaica are often unaware that reggae was a revolutionary music rooted in the suffering of Jamaicäs poor. Rastafarians were once the target of police harassment and public condemnation. Now the music is a marketing tool, and the Rastafarians are no longer a violent counterculture, but an important symbol of Jamaicäs new cultural heritage.
This book attempts to explain how the Jamaican establishment¿s strategies of social control influenced the evolutionary direction of both t
Über den Autor
Stephen A. King is chairperson and professor of communication at St. Edward's University in Austin, Texas. He has written extensively about rhetoric, public memory, and cultural tourism and is author of Reggae, Rastafari, and the Rhetoric of Social Control and I'm Feeling the Blues Right Now: Blues Tourism and the Mississippi Delta and coauthor (with Roger Davis Gatchet) of Terror and Truth: Civil Rights Tourism and the Mississippi Movement, all published by University Press of Mississippi.
Details
Erscheinungsjahr: | 2002 |
---|---|
Genre: | Importe, Musik |
Rubrik: | Kunst & Musik |
Thema: | Allg. Handbücher & Lexika |
Medium: | Taschenbuch |
ISBN-13: | 9781604730036 |
ISBN-10: | 160473003X |
Sprache: | Englisch |
Ausstattung / Beilage: | Paperback |
Einband: | Kartoniert / Broschiert |
Autor: | King, Stephen A. |
Hersteller: | University Press of Mississippi |
Verantwortliche Person für die EU: | Books on Demand GmbH, In de Tarpen 42, D-22848 Norderstedt, info@bod.de |
Maße: | 229 x 152 x 11 mm |
Von/Mit: | Stephen A. King |
Erscheinungsdatum: | 15.11.2002 |
Gewicht: | 0,298 kg |
Über den Autor
Stephen A. King is chairperson and professor of communication at St. Edward's University in Austin, Texas. He has written extensively about rhetoric, public memory, and cultural tourism and is author of Reggae, Rastafari, and the Rhetoric of Social Control and I'm Feeling the Blues Right Now: Blues Tourism and the Mississippi Delta and coauthor (with Roger Davis Gatchet) of Terror and Truth: Civil Rights Tourism and the Mississippi Movement, all published by University Press of Mississippi.
Details
Erscheinungsjahr: | 2002 |
---|---|
Genre: | Importe, Musik |
Rubrik: | Kunst & Musik |
Thema: | Allg. Handbücher & Lexika |
Medium: | Taschenbuch |
ISBN-13: | 9781604730036 |
ISBN-10: | 160473003X |
Sprache: | Englisch |
Ausstattung / Beilage: | Paperback |
Einband: | Kartoniert / Broschiert |
Autor: | King, Stephen A. |
Hersteller: | University Press of Mississippi |
Verantwortliche Person für die EU: | Books on Demand GmbH, In de Tarpen 42, D-22848 Norderstedt, info@bod.de |
Maße: | 229 x 152 x 11 mm |
Von/Mit: | Stephen A. King |
Erscheinungsdatum: | 15.11.2002 |
Gewicht: | 0,298 kg |
Sicherheitshinweis