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Refocus: the Films of Budd Boetticher
Taschenbuch von Gary D Rhodes
Sprache: Englisch

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Please change name order to Rhodes & Singer. This series produces new critical volumes from an interdisciplinary perspective, bringing influential, yet neglected, American directors to the attention of a new audience of scholars and students in both Film Studies and American Studies. ReFocus: The Films of Budd Boetticher 'Rigorous, tightly focused, lucid and forceful - Budd Boetticher's films lend their own distinctive attributes to this outstanding and long-overdue collection of critical essays on the great Hollywood director. While his celebrated Westerns rightly take centre stage, an impressive posse of scholars does full justice to the entirety of Boetticher's varied oeuvre. An indispensable contribution.' Barry Langford, Royal Holloway, University of London One of the most important yet overlooked of Hollywood auteurs, Budd Boetticher was responsible for a number of classic films, including his famous 'Ranown' series of westerns starring Randolph Scott. With Martin Scorsese and Clint Eastwood among influential figures acknowledging Boetticher's influence, and with growing academic interest in his work, Gary D. Rhodes and Robert Singer present a vital collection of essays on the director's long career, from a range of international scholars. Looking at acclaimed films like Buchanan Rides Alone (1958) and Comanche Station (1960), as well as at lesser-known works such as Escape in the Fog (1945) and Behind Locked Doors (1948), this book also addresses Boetticher's influential television work on the James Garner series Maverick, and Boetticher's continuing aesthetic influence on contemporary TV classics like Breaking Bad. Gary D. Rhodes currently serves as Postgraduate Director for Film Studies at Queen's University in Belfast, Northern Ireland. Robert Singer is a Professor of Liberal Studies at the CUNY Graduate Center. Cover image: Comanche Station, 1960, Budd Boetticher (c) Columbia/The Kobal Collection Cover design: [EUP logo] [...] ISBN 978-1-4744-1903-1 Barcode
Please change name order to Rhodes & Singer. This series produces new critical volumes from an interdisciplinary perspective, bringing influential, yet neglected, American directors to the attention of a new audience of scholars and students in both Film Studies and American Studies. ReFocus: The Films of Budd Boetticher 'Rigorous, tightly focused, lucid and forceful - Budd Boetticher's films lend their own distinctive attributes to this outstanding and long-overdue collection of critical essays on the great Hollywood director. While his celebrated Westerns rightly take centre stage, an impressive posse of scholars does full justice to the entirety of Boetticher's varied oeuvre. An indispensable contribution.' Barry Langford, Royal Holloway, University of London One of the most important yet overlooked of Hollywood auteurs, Budd Boetticher was responsible for a number of classic films, including his famous 'Ranown' series of westerns starring Randolph Scott. With Martin Scorsese and Clint Eastwood among influential figures acknowledging Boetticher's influence, and with growing academic interest in his work, Gary D. Rhodes and Robert Singer present a vital collection of essays on the director's long career, from a range of international scholars. Looking at acclaimed films like Buchanan Rides Alone (1958) and Comanche Station (1960), as well as at lesser-known works such as Escape in the Fog (1945) and Behind Locked Doors (1948), this book also addresses Boetticher's influential television work on the James Garner series Maverick, and Boetticher's continuing aesthetic influence on contemporary TV classics like Breaking Bad. Gary D. Rhodes currently serves as Postgraduate Director for Film Studies at Queen's University in Belfast, Northern Ireland. Robert Singer is a Professor of Liberal Studies at the CUNY Graduate Center. Cover image: Comanche Station, 1960, Budd Boetticher (c) Columbia/The Kobal Collection Cover design: [EUP logo] [...] ISBN 978-1-4744-1903-1 Barcode
Über den Autor

Gary D. Rhodes is Professor of Media, Oklahoma Baptist University. He is the author of Emerald Illusions: The Irish in Early American Cinema (2012), The Perils of Moviegoing in America (2012), and The Birth of the American Horror Film (2018). He is a founding editor of Horror Studies: An Interdisciplinary Journal. Rhodes is also the writer-director of the documentary films Lugosi: Hollywood's Dracula (1997) and Banned in Oklahoma (2004).

Robert Singer, Professor of Liberal Studies, CUNY Graduate Center [ret]. He received a Ph.D. from New York University in Comparative Literature. His areas of expertise include literary and film interrelations, interdisciplinary research in film history and aesthetics, and comparative studies. He is the ReFocus: American and International Film series co-editor for Edinburgh University Press. He has written and directed several independent short films and co-produced the animated film, Ulalume (2022). Among his more recent publications are Consuming Images: Film Art and the Television Commercial (EUP, 2020), co-authored with Gary Rhodes, and "A View from the Boardwalk: The W.P.A. New York City Guide and Coney Island Hypertext," in Rewriting America: New Essays on the Federal Writers' Project, ed. Sara Rutkowski, (2022).

Inhaltsverzeichnis
Dedication
Introduction
Section 1 introduction

Chapter 1: "I never did think he was crazy": Mystery and Criminality in Boetticher's Psychological Noirs, by Marlisa Santos
Chapter 2: On ethics and style in Bullfighter and the Lady (1951), by Fredrik Gustafsson
Chapter 3: Domestic Tension and Male Hysteria: The Killer is Loose (1956), by Tony Williams
Chapter 4: The Killer is Loose (1956) and the Televisual Dissolution of Film Noir, by Hugh S. Manon
Chapter 5: Adventures on the Small Screen: Boetticher, Warner Bros., and Maverick, by David J. Hogan
Chapter 6: The Signifying Heel: Boetticher's The Rise and Fall of Legs Diamond (1960), by Robert Singer
Section 2 introduction
Chapter 7: The Ranown Cycle: Budd Boetticher's "New Look" Western Programmers in 1950s Hollywood, by Zoe Wallin and Karina Aveyard
Chapter 8: Framings, Motifs and Floating Poker Games in Seven Men from Now (1956), by Steve Neale
Chapter 9: The Ranown Style: Mapping Textual Echoes, by Lucy Fife Donaldson
Chapter 10: You Were Married, But You Never Had a Wife: The Use of Space in the Westerns of Budd Boetticher, by Christopher Minz
Chapter 11: Ideology and Boetticher's Westerns from the late 1950s, by John White
Chapter 12: Outlaws Without a Cause: Generational Conflict in Budd Boetticher's Ranown Cycle, by Brooks E. Hefner
Chapter 13: The Box in the Desert: Budd Boetticher, Breaking Bad, and the 21st Century Western, by Robert Guffey
Author Biographies
Details
Erscheinungsjahr: 2018
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Theater & Film
Medium: Taschenbuch
Inhalt: Kartoniert / Broschiert
ISBN-13: 9781474437530
ISBN-10: 1474437532
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Rhodes, Gary D
Redaktion: Singer, Robert
Hersteller: Edinburgh University Press
Verantwortliche Person für die EU: preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de
Maße: 233 x 156 x 22 mm
Von/Mit: Gary D Rhodes
Erscheinungsdatum: 31.08.2018
Gewicht: 0,399 kg
Artikel-ID: 111471134
Über den Autor

Gary D. Rhodes is Professor of Media, Oklahoma Baptist University. He is the author of Emerald Illusions: The Irish in Early American Cinema (2012), The Perils of Moviegoing in America (2012), and The Birth of the American Horror Film (2018). He is a founding editor of Horror Studies: An Interdisciplinary Journal. Rhodes is also the writer-director of the documentary films Lugosi: Hollywood's Dracula (1997) and Banned in Oklahoma (2004).

Robert Singer, Professor of Liberal Studies, CUNY Graduate Center [ret]. He received a Ph.D. from New York University in Comparative Literature. His areas of expertise include literary and film interrelations, interdisciplinary research in film history and aesthetics, and comparative studies. He is the ReFocus: American and International Film series co-editor for Edinburgh University Press. He has written and directed several independent short films and co-produced the animated film, Ulalume (2022). Among his more recent publications are Consuming Images: Film Art and the Television Commercial (EUP, 2020), co-authored with Gary Rhodes, and "A View from the Boardwalk: The W.P.A. New York City Guide and Coney Island Hypertext," in Rewriting America: New Essays on the Federal Writers' Project, ed. Sara Rutkowski, (2022).

Inhaltsverzeichnis
Dedication
Introduction
Section 1 introduction

Chapter 1: "I never did think he was crazy": Mystery and Criminality in Boetticher's Psychological Noirs, by Marlisa Santos
Chapter 2: On ethics and style in Bullfighter and the Lady (1951), by Fredrik Gustafsson
Chapter 3: Domestic Tension and Male Hysteria: The Killer is Loose (1956), by Tony Williams
Chapter 4: The Killer is Loose (1956) and the Televisual Dissolution of Film Noir, by Hugh S. Manon
Chapter 5: Adventures on the Small Screen: Boetticher, Warner Bros., and Maverick, by David J. Hogan
Chapter 6: The Signifying Heel: Boetticher's The Rise and Fall of Legs Diamond (1960), by Robert Singer
Section 2 introduction
Chapter 7: The Ranown Cycle: Budd Boetticher's "New Look" Western Programmers in 1950s Hollywood, by Zoe Wallin and Karina Aveyard
Chapter 8: Framings, Motifs and Floating Poker Games in Seven Men from Now (1956), by Steve Neale
Chapter 9: The Ranown Style: Mapping Textual Echoes, by Lucy Fife Donaldson
Chapter 10: You Were Married, But You Never Had a Wife: The Use of Space in the Westerns of Budd Boetticher, by Christopher Minz
Chapter 11: Ideology and Boetticher's Westerns from the late 1950s, by John White
Chapter 12: Outlaws Without a Cause: Generational Conflict in Budd Boetticher's Ranown Cycle, by Brooks E. Hefner
Chapter 13: The Box in the Desert: Budd Boetticher, Breaking Bad, and the 21st Century Western, by Robert Guffey
Author Biographies
Details
Erscheinungsjahr: 2018
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Theater & Film
Medium: Taschenbuch
Inhalt: Kartoniert / Broschiert
ISBN-13: 9781474437530
ISBN-10: 1474437532
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Rhodes, Gary D
Redaktion: Singer, Robert
Hersteller: Edinburgh University Press
Verantwortliche Person für die EU: preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de
Maße: 233 x 156 x 22 mm
Von/Mit: Gary D Rhodes
Erscheinungsdatum: 31.08.2018
Gewicht: 0,399 kg
Artikel-ID: 111471134
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