Provides students at all levels with instructive yet appealing material.||Written in a modern style but without abandoning formal structure, they are|slightly off-beat both rhythmically and harmonically.||Some of the studies are in familiar rhythms, some adopt five or seven beats|in a bar and others make use of the less common groupings to be found in|eight or nine beats to a bar.||No. 36 from Progressive Studies for Clarinet [Chris Allen]|No. 37 from Progressive Studies for Clarinet [Chris Allen]|No. 38 from Progressive Studies for Clarinet [Chris Allen]|No. 39 from Progressive Studies for Clarinet [Chris Allen]|No. 40 from Progressive Studies for Clarinet [Chris Allen]|No. 42 from Progressive Studies for Clarinet [Chris Allen]|No. 43 from Progressive Studies for Clarinet [Chris Allen]|No. 44 from Progressive Studies for Clarinet [Chris Allen]|No. 45 from Progressive Studies for Clarinet [Chris Allen]|No. 46 from Progressive Studies for Clarinet [Chris Allen]|No. 47 from Progressive Studies for Clarinet [Chris Allen]|No. 48 from Progressive Studies for Clarinet [Chris Allen]|No. 49 from Progressive Studies for Clarinet [Chris Allen]|No. 50 from Progressive Studies for Clarinet [Chris Allen]|No. 51 from Progressive Studies for Clarinet [Chris Allen]|No. 52 from Progressive Studies for Clarinet [Chris Allen]|No. 53 from Progressive Studies for Clarinet [Chris Allen]|No. 54 from Progressive Studies for Clarinet [Chris Allen]|No. 55 from Progressive Studies for Clarinet [Chris Allen]|No. 56 from Progressive Studies for Clarinet [Chris Allen]|No. 57 from Progressive Studies for Clarinet [Chris Allen]|No. 58 from Progressive Studies for Clarinet [Chris Allen]|No. 59 from Progressive Studies for Clarinet [Chris Allen]|No. 60 from Progressive Studies for Clarinet [Chris Allen]||RECORDINGS|| No. 41 from Progressive Studies for Clarinet [Chris Allen]