Rebecca Weaver-Hightower is an Associate Professor of English specializing in postcolonial studies at the University of North Dakota. She is author of Empire Islands: Castaways, Cannibals and Fantasies of Conquest (2007), Frontier Fictions: Settler Sagas and the Origins of Postcolonial White Guilt (in progress), and Associate Editor of The Journal Of Commonwealth and Postcolonial Studies.

Peter Hulme is a Professor in Literature at the University of Essex and author, most recently, of Cuba's Wild East: A Literary Geography of Oriente. He is Assistant Editor of the journal Studies in Travel Writing.

Introduction: New Perspectives on Postcolonial Film Rebecca Weaver-Hightower Part I: New Readings of Twentieth Century Anti-Colonial Resistance Narratives 1. Yesterday's Mujahiddin: Gillo Pontecorvo's The Battle of Algiers (1966) Nicholas Harrison 2. The Sound of Broken Memory: Assia Djebar's The Nuba of the Women of Mount Chenoua (1977) Sarah E. Mosher 3. Approximate Others: Peter Weir's The Last Wave (1977) Jerod Ra'Del Hollyfield 4. Life as an Ocean: Hou Hsiao-hsien's The Puppetmaster (1993) Stephen Spence Part II: Millennial Tropes of NeoEmpire 5. Shifting Sands, Imaginary Space, and National Identity: Cédric Klapisch's Peut-être (1999) Jehanne-Marie Gavarini 6. No Chains on Feet or Mind: Jean-Claude Flamand Barny's Nèg Maron (2005) Meredith Robinson 7. A Cinema of Conviviality: Ray Lawrence's Jindabyne (2006) Corinn Columpar 8. Déjà vu All Over Again: Guy Maddin's My Winnipeg (2007) Cynthia Sugars Part III: New Imaginations of Neo-Postcolonialism 9. Identity and The Politics of Space: Fatih Akin's The Edge of Heaven (2007) Vuslat Demirkoparan 10. Space and Cultural Memory: Te-Shen Wei's Cape No.7 (2008) Yu-wen Fu 11. The Postcolonial Hybrid: Neill Blomkamp's District 9 (2009) Rebecca Weaver-Hightower 12. The Marginal Interventionist Cinema of Budhan Theatre: Dakxin Bajrange Chhara's The Lost Water (2008/2010) Henry Schwarz 13. Afterword: History, Empire, Resistance Ella Shohat and Robert Stam