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Englisch
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Beschreibung
Presents new methodologies to explore medieval processes of musical and poetic creation, from plainchant and vernacular French songs to organa, motets and clausulae. Engages with questions of text-music relationships, liturgy, and the development of notational technologies, exploring authorship, originality, practices of quotation and reworking.
Presents new methodologies to explore medieval processes of musical and poetic creation, from plainchant and vernacular French songs to organa, motets and clausulae. Engages with questions of text-music relationships, liturgy, and the development of notational technologies, exploring authorship, originality, practices of quotation and reworking.
Über den Autor
Catherine A. Bradley is Associate Professor at the Universitetet i Oslo. She has published widely on the earliest motets in journals including Speculum, the Journal of Musicology, Music Analysis, and Early Music History.
Inhaltsverzeichnis
List of figures; List of tables; List of musical examples; Acknowledgements; Manuscript sigla; Abbreviations; A note on transcriptions and numbering systems; Introduction; 1. Plainchant in polyphony: the gradual Propter Veritatem in organa, clausulae and motets; 2. Mini clausulae and the Magnus Liber Organi; 3. Texting clausulae: repetition and regularity on the Regnat tenor; 4. Transcribing motets: vernacular refrain melodies in Magnus Liber clausulae; 5. Framing motets: quoting and crafting refrains against plainchant tenors; 6. Intertextuality, song and female voices in motets on a Saint Elizabeth of Hungary tenor; 7. From Florence to Fauvel: re-reading musical paradigms through a long-lived Iohanne motet; 8. Conclusions; Bibliography; Index.
Details
Erscheinungsjahr: | 2020 |
---|---|
Genre: | Importe, Musik |
Rubrik: | Kunst & Musik |
Thema: | Musikgeschichte |
Medium: | Taschenbuch |
ISBN-13: | 9781108407571 |
ISBN-10: | 1108407579 |
Sprache: | Englisch |
Ausstattung / Beilage: | Paperback |
Einband: | Kartoniert / Broschiert |
Autor: | Bradley, Catherine A. |
Hersteller: | Cambridge University Press |
Verantwortliche Person für die EU: | Books on Demand GmbH, In de Tarpen 42, D-22848 Norderstedt, info@bod.de |
Maße: | 244 x 170 x 17 mm |
Von/Mit: | Catherine A. Bradley |
Erscheinungsdatum: | 23.01.2020 |
Gewicht: | 0,522 kg |
Über den Autor
Catherine A. Bradley is Associate Professor at the Universitetet i Oslo. She has published widely on the earliest motets in journals including Speculum, the Journal of Musicology, Music Analysis, and Early Music History.
Inhaltsverzeichnis
List of figures; List of tables; List of musical examples; Acknowledgements; Manuscript sigla; Abbreviations; A note on transcriptions and numbering systems; Introduction; 1. Plainchant in polyphony: the gradual Propter Veritatem in organa, clausulae and motets; 2. Mini clausulae and the Magnus Liber Organi; 3. Texting clausulae: repetition and regularity on the Regnat tenor; 4. Transcribing motets: vernacular refrain melodies in Magnus Liber clausulae; 5. Framing motets: quoting and crafting refrains against plainchant tenors; 6. Intertextuality, song and female voices in motets on a Saint Elizabeth of Hungary tenor; 7. From Florence to Fauvel: re-reading musical paradigms through a long-lived Iohanne motet; 8. Conclusions; Bibliography; Index.
Details
Erscheinungsjahr: | 2020 |
---|---|
Genre: | Importe, Musik |
Rubrik: | Kunst & Musik |
Thema: | Musikgeschichte |
Medium: | Taschenbuch |
ISBN-13: | 9781108407571 |
ISBN-10: | 1108407579 |
Sprache: | Englisch |
Ausstattung / Beilage: | Paperback |
Einband: | Kartoniert / Broschiert |
Autor: | Bradley, Catherine A. |
Hersteller: | Cambridge University Press |
Verantwortliche Person für die EU: | Books on Demand GmbH, In de Tarpen 42, D-22848 Norderstedt, info@bod.de |
Maße: | 244 x 170 x 17 mm |
Von/Mit: | Catherine A. Bradley |
Erscheinungsdatum: | 23.01.2020 |
Gewicht: | 0,522 kg |
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