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Beschreibung
Photographs are an integral part of our daily lives, from sensationalist images in tabloid papers, to personal family snapshots, to the art photography displayed in galleries and sold through international art markets. In this thought-provoking exploration of the subject, Steve Edwards provides a clear, lively, and imaginative approach to the definition, importance, and meaning of photography. He combines a sense of its historical development with an analysis of its purpose and meaning within a wider cultural context. Edwards also discusses both well-known and more unusual photos, from the highly controversial Cottingley Fairies to Ansel Adams landscapes, and from the shocking and influential Eddie Adams image of a Vietcong suspect being executed to the portrait/performance art work of Cindy Sherman. Edwards interrogates the way we look and think about photographs, and considers such issues as truth and recording, objectivity and fine art, identity and memory.
Photographs are an integral part of our daily lives, from sensationalist images in tabloid papers, to personal family snapshots, to the art photography displayed in galleries and sold through international art markets. In this thought-provoking exploration of the subject, Steve Edwards provides a clear, lively, and imaginative approach to the definition, importance, and meaning of photography. He combines a sense of its historical development with an analysis of its purpose and meaning within a wider cultural context. Edwards also discusses both well-known and more unusual photos, from the highly controversial Cottingley Fairies to Ansel Adams landscapes, and from the shocking and influential Eddie Adams image of a Vietcong suspect being executed to the portrait/performance art work of Cindy Sherman. Edwards interrogates the way we look and think about photographs, and considers such issues as truth and recording, objectivity and fine art, identity and memory.
Über den Autor
Dr Steve Edwards is Research Lecturer in Art History at the Open University. Publications include the successful Art and its Histories (Yale, 1999), as Editor.
Inhaltsverzeichnis
- 1: Forgetting Photography
- 2: Documents
- 3: Pictures
- 4: What is a photograph?
- 5: The apparatus and its image
- 6: Fantasy and remembrance
- Afterword: Digital photography
- Further reading
Details
Erscheinungsjahr: | 2006 |
---|---|
Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Thema: | Fotografie |
Medium: | Taschenbuch |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9780192801647 |
ISBN-10: | 0192801643 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Edwards, Steve |
Hersteller: | Oxford University Press |
Verantwortliche Person für die EU: | Deutsche Bibelgesellschaft, Postfach:81 03 40, D-70567 Stuttgart, vertrieb@dbg.de |
Maße: | 175 x 111 x 14 mm |
Von/Mit: | Steve Edwards |
Erscheinungsdatum: | 24.08.2006 |
Gewicht: | 0,142 kg |
Über den Autor
Dr Steve Edwards is Research Lecturer in Art History at the Open University. Publications include the successful Art and its Histories (Yale, 1999), as Editor.
Inhaltsverzeichnis
- 1: Forgetting Photography
- 2: Documents
- 3: Pictures
- 4: What is a photograph?
- 5: The apparatus and its image
- 6: Fantasy and remembrance
- Afterword: Digital photography
- Further reading
Details
Erscheinungsjahr: | 2006 |
---|---|
Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Thema: | Fotografie |
Medium: | Taschenbuch |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9780192801647 |
ISBN-10: | 0192801643 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Edwards, Steve |
Hersteller: | Oxford University Press |
Verantwortliche Person für die EU: | Deutsche Bibelgesellschaft, Postfach:81 03 40, D-70567 Stuttgart, vertrieb@dbg.de |
Maße: | 175 x 111 x 14 mm |
Von/Mit: | Steve Edwards |
Erscheinungsdatum: | 24.08.2006 |
Gewicht: | 0,142 kg |
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