Margaret Pikes is a founding member of the Roy Hart Theatre who trained with Roy Hart and participated in all of the Roy Hart Theatre's early experimental performances. She has been teachingthe Wolfsohn-Hart approach to vocal expression internationally for more than 50 years and regularly leads workshops in the UK, France and Germany.

Patrick Campbell is Senior Lecturer in Drama and Contemporary Performance at Manchester Metropolitan University. He is a core member of Cross Pollination, an expanded, nomadic laboratory for the dialogue in-between practices, and is Associate Editor of the Brazilian Journal on Presence Studies.

Introduction; Part 1: Why 'Owning Our Voices?'; Feminist Approaches to Autobiography - A Preface to Part 1; Chapter 1: Early Life; Chapter 2: A Conscious Family: Voice Work at The Studio and Abraxas Club with Roy Hart; Chapter 3: The Private Becomes Public; Chapter 4: Life after Death: Malérargues; Chapter 5: Leaving Malérargues and Growing Independence; Chapter 6: Some Reflections; Part 2: Methodology; Preface to Methodology; The Pre-Verbal Voice - A Preface; Chapter 7: The Pre-Verbal Voice; Freeing the Voice - A Preface; Chapter 8: Freeing the Voice; The Role of the Teacher - A Preface; Chapter 9: The Role of the Teacher; Connecting Head to Body - A Preface; Chapter 10: Connecting Head to Body - the Importance of Movement; Group Work - A Preface; Chapter 11: Group Work; Working with Song - A Preface; Chapter 12: Working with Song; Conclusion: Owning Our Voices - A Pluriphony