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Over the last twenty years, reenactment has been appropriated by both contemporary artistic production and art-theoretical discourse, becoming a distinctive strategy to engage with history and memory. As a critical act of repetition, which is never neutral in reactualizing the past, it has established unconventional modes of historicization and narration. Collecting work by artists, scholars, curators, and museum administrators, the volume investigates reenactment's potential for a (re)activation of layered temporal experiences, and its value as an ongoing interpretative and political gesture performed in the present with an eye to the future. Its contributions discuss the mobilization of archives in the struggle for inclusiveness and cultural revisionism; the role of the body in the presentification and rehabilitation of past events and (impermanent) objects; the question of authenticity and originality in artistic practice, art history, as well as in museum collections and conservation practices.
Over the last twenty years, reenactment has been appropriated by both contemporary artistic production and art-theoretical discourse, becoming a distinctive strategy to engage with history and memory. As a critical act of repetition, which is never neutral in reactualizing the past, it has established unconventional modes of historicization and narration. Collecting work by artists, scholars, curators, and museum administrators, the volume investigates reenactment's potential for a (re)activation of layered temporal experiences, and its value as an ongoing interpretative and political gesture performed in the present with an eye to the future. Its contributions discuss the mobilization of archives in the struggle for inclusiveness and cultural revisionism; the role of the body in the presentification and rehabilitation of past events and (impermanent) objects; the question of authenticity and originality in artistic practice, art history, as well as in museum collections and conservation practices.
Inhaltsverzeichnis
The Reactivation of Time / Cristina Baldacci, Clio Nicastro, Arianna Sforzini
From Re- to Pre- and Back Again / Sven Lütticken
The Reenacted Double / Arianna Sforzini
'The Reconstruction of the Past is the Task of Historians and not Agents' / Kata Krasznahorkai
The Collection of Jane Ryan & William Saunders / Pio Abad
Resounding Difficult Histories / Juliana Hodkinson
'Interrupting the Present' / Katja Gentric
Archival Diffractions / Giulia Damiani
Archival Reenactement and the Role of Fiction / Roberta Agnese
Unintentional Reenactments / Clio Nicastro
Everyday Aesthetics and the Practice of Historical Reenactment / Ulrike Wagner
Speculative Writing / Pablo Gonçalo
Reenactment in Theatre / Daniela Sacco
Re-search, Re-enactment, Re-design, Re-programmed Art / Serena Cangiano, Davide Fornari, Azalea Seratoni
In the Beginning There Is an End / Malin Arnell
Performance Art in the 1990s and the Generation Gap / Pierre Saurisse
Re-Presenting Art History / Cristina Baldacci
Reconciling Authenticity and Reenactment / Amy Brost
UNFOLD / Gaby Wijers
Unfold Nan Hoover / Vera Sofia Mota, Fransien van der Putt
Living Simulacrum / Joanna Kiliszek
'Repetition: Summer Display 1983' at Van Abbemuseum / Michela Alessandrini
'Political-Timing-Specific' Performance Art in the Realm of the Museum / Hélia Marçal, Daniela Salazar
'We Are Gathering Experience' / Alethea Rockwell
From Re- to Pre- and Back Again / Sven Lütticken
The Reenacted Double / Arianna Sforzini
'The Reconstruction of the Past is the Task of Historians and not Agents' / Kata Krasznahorkai
The Collection of Jane Ryan & William Saunders / Pio Abad
Resounding Difficult Histories / Juliana Hodkinson
'Interrupting the Present' / Katja Gentric
Archival Diffractions / Giulia Damiani
Archival Reenactement and the Role of Fiction / Roberta Agnese
Unintentional Reenactments / Clio Nicastro
Everyday Aesthetics and the Practice of Historical Reenactment / Ulrike Wagner
Speculative Writing / Pablo Gonçalo
Reenactment in Theatre / Daniela Sacco
Re-search, Re-enactment, Re-design, Re-programmed Art / Serena Cangiano, Davide Fornari, Azalea Seratoni
In the Beginning There Is an End / Malin Arnell
Performance Art in the 1990s and the Generation Gap / Pierre Saurisse
Re-Presenting Art History / Cristina Baldacci
Reconciling Authenticity and Reenactment / Amy Brost
UNFOLD / Gaby Wijers
Unfold Nan Hoover / Vera Sofia Mota, Fransien van der Putt
Living Simulacrum / Joanna Kiliszek
'Repetition: Summer Display 1983' at Van Abbemuseum / Michela Alessandrini
'Political-Timing-Specific' Performance Art in the Realm of the Museum / Hélia Marçal, Daniela Salazar
'We Are Gathering Experience' / Alethea Rockwell
Details
| Erscheinungsjahr: | 2022 |
|---|---|
| Genre: | Geisteswissenschaften, Kunst, Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Kunstgeschichte |
| Medium: | Taschenbuch |
| Reihe: | Cultural Inquiry |
| Inhalt: |
XII
301 S. |
| ISBN-13: | 9783965580282 |
| ISBN-10: | 3965580280 |
| Sprache: | Englisch |
| Ausstattung / Beilage: | Paperback |
| Einband: | Kartoniert / Broschiert |
| Redaktion: | Sforzini, Arianna |
| Herausgeber: | Cristina Baldacci/Clio Nicastro/Arianna Sforzini |
| Hersteller: |
ICI Berlin GmbH
ICI Berlin Press Cultural Inquiry |
| Verantwortliche Person für die EU: | Books on Demand GmbH, In de Tarpen 42, D-22848 Norderstedt, info@bod.de |
| Maße: | 229 x 152 x 18 mm |
| Von/Mit: | Arianna Sforzini |
| Erscheinungsdatum: | 04.01.2022 |
| Gewicht: | 0,457 kg |
Inhaltsverzeichnis
The Reactivation of Time / Cristina Baldacci, Clio Nicastro, Arianna Sforzini
From Re- to Pre- and Back Again / Sven Lütticken
The Reenacted Double / Arianna Sforzini
'The Reconstruction of the Past is the Task of Historians and not Agents' / Kata Krasznahorkai
The Collection of Jane Ryan & William Saunders / Pio Abad
Resounding Difficult Histories / Juliana Hodkinson
'Interrupting the Present' / Katja Gentric
Archival Diffractions / Giulia Damiani
Archival Reenactement and the Role of Fiction / Roberta Agnese
Unintentional Reenactments / Clio Nicastro
Everyday Aesthetics and the Practice of Historical Reenactment / Ulrike Wagner
Speculative Writing / Pablo Gonçalo
Reenactment in Theatre / Daniela Sacco
Re-search, Re-enactment, Re-design, Re-programmed Art / Serena Cangiano, Davide Fornari, Azalea Seratoni
In the Beginning There Is an End / Malin Arnell
Performance Art in the 1990s and the Generation Gap / Pierre Saurisse
Re-Presenting Art History / Cristina Baldacci
Reconciling Authenticity and Reenactment / Amy Brost
UNFOLD / Gaby Wijers
Unfold Nan Hoover / Vera Sofia Mota, Fransien van der Putt
Living Simulacrum / Joanna Kiliszek
'Repetition: Summer Display 1983' at Van Abbemuseum / Michela Alessandrini
'Political-Timing-Specific' Performance Art in the Realm of the Museum / Hélia Marçal, Daniela Salazar
'We Are Gathering Experience' / Alethea Rockwell
From Re- to Pre- and Back Again / Sven Lütticken
The Reenacted Double / Arianna Sforzini
'The Reconstruction of the Past is the Task of Historians and not Agents' / Kata Krasznahorkai
The Collection of Jane Ryan & William Saunders / Pio Abad
Resounding Difficult Histories / Juliana Hodkinson
'Interrupting the Present' / Katja Gentric
Archival Diffractions / Giulia Damiani
Archival Reenactement and the Role of Fiction / Roberta Agnese
Unintentional Reenactments / Clio Nicastro
Everyday Aesthetics and the Practice of Historical Reenactment / Ulrike Wagner
Speculative Writing / Pablo Gonçalo
Reenactment in Theatre / Daniela Sacco
Re-search, Re-enactment, Re-design, Re-programmed Art / Serena Cangiano, Davide Fornari, Azalea Seratoni
In the Beginning There Is an End / Malin Arnell
Performance Art in the 1990s and the Generation Gap / Pierre Saurisse
Re-Presenting Art History / Cristina Baldacci
Reconciling Authenticity and Reenactment / Amy Brost
UNFOLD / Gaby Wijers
Unfold Nan Hoover / Vera Sofia Mota, Fransien van der Putt
Living Simulacrum / Joanna Kiliszek
'Repetition: Summer Display 1983' at Van Abbemuseum / Michela Alessandrini
'Political-Timing-Specific' Performance Art in the Realm of the Museum / Hélia Marçal, Daniela Salazar
'We Are Gathering Experience' / Alethea Rockwell
Details
| Erscheinungsjahr: | 2022 |
|---|---|
| Genre: | Geisteswissenschaften, Kunst, Musik |
| Rubrik: | Kunst & Musik |
| Thema: | Kunstgeschichte |
| Medium: | Taschenbuch |
| Reihe: | Cultural Inquiry |
| Inhalt: |
XII
301 S. |
| ISBN-13: | 9783965580282 |
| ISBN-10: | 3965580280 |
| Sprache: | Englisch |
| Ausstattung / Beilage: | Paperback |
| Einband: | Kartoniert / Broschiert |
| Redaktion: | Sforzini, Arianna |
| Herausgeber: | Cristina Baldacci/Clio Nicastro/Arianna Sforzini |
| Hersteller: |
ICI Berlin GmbH
ICI Berlin Press Cultural Inquiry |
| Verantwortliche Person für die EU: | Books on Demand GmbH, In de Tarpen 42, D-22848 Norderstedt, info@bod.de |
| Maße: | 229 x 152 x 18 mm |
| Von/Mit: | Arianna Sforzini |
| Erscheinungsdatum: | 04.01.2022 |
| Gewicht: | 0,457 kg |
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