Martin Heidegger (1889-1976) was one of the most influential philosophers of the twentieth century and the author of numerous works including Being and Time.

Part One: On the Essence of Language

The Saga

1. The Resolution

2. The Characteristics of the Decision

3. The Question of Being

4. The Question of Being (The First and the Other Inception)

5. The Two Leaps in the Attempt to Think Being

6. The Three Insights and Knowledge

7. Beyng, "Spirit," Cognition

8. The Saga

9. The Beyng-Historical Inception

10. The History of Beyng

11. "The History of Philosophy" and the History of Being

12. Beyng-Historical "Thinking"

13. Steadfastness and Thinking

14. The "Concept" - Distancing - Naysaying

15. The No of Beyng-Historical Thinking

16. Naysaying and Questioning

17. The Word

18. Beyng and Word

19. Beyng as the Appropriating Event (The Human)

20. Beyng and Attunement

21. Beyng

22. The Nothing and Beyng

23. Beyng as Nothing

24. The Nothing

25. The Event of Appropriation

26. Event of Appropriation

27. Beyng

28. Beyng, God, the Human

29. Beyng

30. Beyng is and only Beyng Is

31. Abyssal Ground

32. Beyng

33. The More Inceptual Saga

34. The Untenability of the Differentiation between "Being" and "Becoming"

35. Truth and System

36. The Attunement of the Voice Determines

37. Where is a Measure?

38. Not What "is Coming"

39. What Are "We" To Do

40. Not a "New" Philosophy

41. Where Do We Stand? Directed Toward the History of Beyng

42. A Curious Delusion of this Age

43. Steadfastness and Duty

44. The Saga

45. The Crux of the Error

46. Time-Space (cf. Contributions, Grounding)

47. The Temporalization of Time

48. Time-Space

The Word. On the Essence of Language

The Quickening Element of the Word

The Birth of Language

The Beginning

The Unique Element

Addenda

Word - Sign - Conversation - Language

I. The Word and Language

II. The Sign (Its Essence Bound to the Event)

III. The Word. Conversation and Language

IV. The Word (CF. Poetizing and Thinking)

V. The Word and Language

VI. Word and "Language"

VII. The Essential Prevailing of the Word

VIII. Image and Sound - The Sensible

IX. Language

X. Language

On Eduard Mörike's Poems "September Morning" and "At Midnight"

ADDENDA Image and Word

Part Two: On the Question of Art

On the Question of Art

Art and Space

The Work of Art and "Art History"

Reflection upon the Essence and Conduct of the Art-Historical "Science"

Editor's Afterword

Glossaries

English-German

German-English