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Dali Wu is pursuing a doctorate in the "Study and practice of the Arts" at the University of Quebec in Montreal. She completed her masters degree in fine arts (M.F.A) from Haute école des arts du Rhin, France. Her focus has always been on the interdisciplinary aspects of art and their relation to the human condition and reality at large. She also focuses on the psychologico-cognitive aspects of the Digital Art. She combines visual art with tangible models and installations, to situate and simulate the real-world complexity from an (phenomenological) artistic angle, and regularly collaborates with artists, musicians and scientists in this context. Apart from the various international awards that she has received, she has presented her art work in a number of exhibitions, art festivals and public spaces and published papers in influential academic journals. She writes a column introducing international art institutions in the academic monthly "Fine Arts in China".
Highly interdisciplinary treatment of a topic at the heart of intellectual endeavour
Articles authored by leading thinkers and academicians
Presented in a style accessible to the nonspecialist and educated layperson
Introduction by Judith Wechsler.- Science as an Artistic Endeavour by James W. McAllister.- Art and Science: Historical Confluences and Modern Dialectics by Nader El-Bizri.- Art, Science, and the Nature of the Meritorious by Mark Daniel Cohen.- Aesthetic Agency: Why Art Might Matter to Philosophy by Charles F. Altieri.- The birth of Modernism: How the science of Aesthetics created one of the most popular periods of art by Barbara Larson.- Panofsky as Epistemologist by Nathalie Heinich.- Art and Science in the Thinking of Rudolf Arnheim by Ian Verstegen.- Interpreting Scientific Images:Aesthetic Considerations at Work by Otávio Bueno.- Complexity and Chaos theory in Art by Jay Kappraff.- The view through glass: Painters' Science, Mathematicians' Art, and the Magic of Shadows by Annarita Angelini, Rossella Lupacchini.- Finally Fresh Air: Towards a Quantum Paradigm for Artists and other Observers by Julian Voss-Andreae and George Weissmann.- Of Barrels and Pipes: Representation-As in Art and Science by Roman Frigg and James Nguyen.- Novel scenarios for art and science encounters by Mónica Bello.- A psychohistorical philosophy for the science of the arts by Nicolas Bullot.- Lines and Boxes: The Geometry of Thought by Barbara Tversky.- Some Ecological Thoughts about Artworks and Perception by William P. Seeley.- Popular Art, Bad Art, and the Data of Philosophical Aesthetics by Jonathan Robson.- Figurines and the Origin of Art by Nancy E. Aiken.- Mathematics and Art Connections Expressed in Artworks by South African Students by Kristóf Fenyvesi, Christopher Brownell, Pamela Burnard, Pallawi Sinha, Werner Olivier, Catherina Steyn, Zsolt Lavicza.- The Sinai Light Show: Using Science to Tune Fractal Aesthetics by B. VanDusen, B.C. Scannell, M.E. Sereno, B. Spehar, R.P. Taylor.- Art as an Aid to Resolve Tension by Raghunath Ghosh.- Afterword by Sir Martin Rees.
| Erscheinungsjahr: | 2019 |
|---|---|
| Fachbereich: | Astronomie |
| Genre: | Mathematik, Medizin, Naturwissenschaften, Physik, Technik |
| Rubrik: | Naturwissenschaften & Technik |
| Thema: | Lexika |
| Medium: | Buch |
| Reihe: | The Frontiers Collection |
| Inhalt: |
xviii
353 S. 53 s/w Illustr. 34 farbige Illustr. 353 p. 87 illus. 34 illus. in color. |
| ISBN-13: | 9783030275761 |
| ISBN-10: | 3030275760 |
| Sprache: | Englisch |
| Ausstattung / Beilage: | HC runder Rücken kaschiert |
| Einband: | Gebunden |
| Redaktion: |
Wu, Dali
Wuppuluri, Shyam |
| Herausgeber: | Shyam Wuppuluri/Dali Wu |
| Auflage: | 1st ed. 2019 |
| Hersteller: |
Springer International Publishing
The Frontiers Collection |
| Verantwortliche Person für die EU: | Books on Demand GmbH, In de Tarpen 42, D-22848 Norderstedt, info@bod.de |
| Maße: | 241 x 160 x 25 mm |
| Von/Mit: | Dali Wu (u. a.) |
| Erscheinungsdatum: | 14.11.2019 |
| Gewicht: | 0,79 kg |
Dali Wu is pursuing a doctorate in the "Study and practice of the Arts" at the University of Quebec in Montreal. She completed her masters degree in fine arts (M.F.A) from Haute école des arts du Rhin, France. Her focus has always been on the interdisciplinary aspects of art and their relation to the human condition and reality at large. She also focuses on the psychologico-cognitive aspects of the Digital Art. She combines visual art with tangible models and installations, to situate and simulate the real-world complexity from an (phenomenological) artistic angle, and regularly collaborates with artists, musicians and scientists in this context. Apart from the various international awards that she has received, she has presented her art work in a number of exhibitions, art festivals and public spaces and published papers in influential academic journals. She writes a column introducing international art institutions in the academic monthly "Fine Arts in China".
Highly interdisciplinary treatment of a topic at the heart of intellectual endeavour
Articles authored by leading thinkers and academicians
Presented in a style accessible to the nonspecialist and educated layperson
Introduction by Judith Wechsler.- Science as an Artistic Endeavour by James W. McAllister.- Art and Science: Historical Confluences and Modern Dialectics by Nader El-Bizri.- Art, Science, and the Nature of the Meritorious by Mark Daniel Cohen.- Aesthetic Agency: Why Art Might Matter to Philosophy by Charles F. Altieri.- The birth of Modernism: How the science of Aesthetics created one of the most popular periods of art by Barbara Larson.- Panofsky as Epistemologist by Nathalie Heinich.- Art and Science in the Thinking of Rudolf Arnheim by Ian Verstegen.- Interpreting Scientific Images:Aesthetic Considerations at Work by Otávio Bueno.- Complexity and Chaos theory in Art by Jay Kappraff.- The view through glass: Painters' Science, Mathematicians' Art, and the Magic of Shadows by Annarita Angelini, Rossella Lupacchini.- Finally Fresh Air: Towards a Quantum Paradigm for Artists and other Observers by Julian Voss-Andreae and George Weissmann.- Of Barrels and Pipes: Representation-As in Art and Science by Roman Frigg and James Nguyen.- Novel scenarios for art and science encounters by Mónica Bello.- A psychohistorical philosophy for the science of the arts by Nicolas Bullot.- Lines and Boxes: The Geometry of Thought by Barbara Tversky.- Some Ecological Thoughts about Artworks and Perception by William P. Seeley.- Popular Art, Bad Art, and the Data of Philosophical Aesthetics by Jonathan Robson.- Figurines and the Origin of Art by Nancy E. Aiken.- Mathematics and Art Connections Expressed in Artworks by South African Students by Kristóf Fenyvesi, Christopher Brownell, Pamela Burnard, Pallawi Sinha, Werner Olivier, Catherina Steyn, Zsolt Lavicza.- The Sinai Light Show: Using Science to Tune Fractal Aesthetics by B. VanDusen, B.C. Scannell, M.E. Sereno, B. Spehar, R.P. Taylor.- Art as an Aid to Resolve Tension by Raghunath Ghosh.- Afterword by Sir Martin Rees.
| Erscheinungsjahr: | 2019 |
|---|---|
| Fachbereich: | Astronomie |
| Genre: | Mathematik, Medizin, Naturwissenschaften, Physik, Technik |
| Rubrik: | Naturwissenschaften & Technik |
| Thema: | Lexika |
| Medium: | Buch |
| Reihe: | The Frontiers Collection |
| Inhalt: |
xviii
353 S. 53 s/w Illustr. 34 farbige Illustr. 353 p. 87 illus. 34 illus. in color. |
| ISBN-13: | 9783030275761 |
| ISBN-10: | 3030275760 |
| Sprache: | Englisch |
| Ausstattung / Beilage: | HC runder Rücken kaschiert |
| Einband: | Gebunden |
| Redaktion: |
Wu, Dali
Wuppuluri, Shyam |
| Herausgeber: | Shyam Wuppuluri/Dali Wu |
| Auflage: | 1st ed. 2019 |
| Hersteller: |
Springer International Publishing
The Frontiers Collection |
| Verantwortliche Person für die EU: | Books on Demand GmbH, In de Tarpen 42, D-22848 Norderstedt, info@bod.de |
| Maße: | 241 x 160 x 25 mm |
| Von/Mit: | Dali Wu (u. a.) |
| Erscheinungsdatum: | 14.11.2019 |
| Gewicht: | 0,79 kg |
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