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Music, Mathematics and Language
The New Horizon of Computational Musicology Opened by Information Science
Buch von Keiji Hirata (u. a.)
Sprache: Englisch

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Beschreibung
This book presents a new approach to computational musicology in which music becomes a computational entity based on human cognition, allowing us to calculate music like numbers. Does music have semantics? Can the meaning of music be revealed using symbols and described using language? The authors seek to answer these questions in order to reveal the essence of music. Chapter 1 addresses a very fundamental point, the meaning of music, while referring to semiotics, gestalt, Schenkerian analysis and cognitive reality. Chapter 2 considers why the 12-tone equal temperament came to be prevalent. This chapter serves as an introduction to the mathematical definition of harmony, which concerns the ratios of frequency in tonic waves. Chapter 3, ¿Music and Language,¿ explains the fundamentals of grammar theory and the compositionality principle, which states that the semantics of a sentence can be composed in parallel to its syntactic structure. In turn, Chapter 4 explains the most prevalent score notation ¿ the Berklee method, which originated at the Berklee School of Music in Boston ¿ from a different point of view, namely, symbolic computation based on music theory. Chapters 5 and 6 introduce readers to two important theories, the implication-realization model and generative theory of tonal music (GTTM), and explain the essence of these theories, also from a computational standpoint. The authors seek to reinterpret these theories, aiming at their formalization and implementation on a computer. Chapter 7 presents the outcomes of this attempt, describing the framework that the authors have developed, in which music is formalized and becomes computable. Chapters 8 and 9 are devoted to GTTM analyzers and the applications of GTTM. Lastly, Chapter 10 discusses the future of music in connection with computation and artificial intelligence.

This book is intended both for general readers who are interested in music, and scientists whose research focuses onmusic information processing. In order to make the content as accessible as possible, each chapter is self-contained.
This book presents a new approach to computational musicology in which music becomes a computational entity based on human cognition, allowing us to calculate music like numbers. Does music have semantics? Can the meaning of music be revealed using symbols and described using language? The authors seek to answer these questions in order to reveal the essence of music. Chapter 1 addresses a very fundamental point, the meaning of music, while referring to semiotics, gestalt, Schenkerian analysis and cognitive reality. Chapter 2 considers why the 12-tone equal temperament came to be prevalent. This chapter serves as an introduction to the mathematical definition of harmony, which concerns the ratios of frequency in tonic waves. Chapter 3, ¿Music and Language,¿ explains the fundamentals of grammar theory and the compositionality principle, which states that the semantics of a sentence can be composed in parallel to its syntactic structure. In turn, Chapter 4 explains the most prevalent score notation ¿ the Berklee method, which originated at the Berklee School of Music in Boston ¿ from a different point of view, namely, symbolic computation based on music theory. Chapters 5 and 6 introduce readers to two important theories, the implication-realization model and generative theory of tonal music (GTTM), and explain the essence of these theories, also from a computational standpoint. The authors seek to reinterpret these theories, aiming at their formalization and implementation on a computer. Chapter 7 presents the outcomes of this attempt, describing the framework that the authors have developed, in which music is formalized and becomes computable. Chapters 8 and 9 are devoted to GTTM analyzers and the applications of GTTM. Lastly, Chapter 10 discusses the future of music in connection with computation and artificial intelligence.

This book is intended both for general readers who are interested in music, and scientists whose research focuses onmusic information processing. In order to make the content as accessible as possible, each chapter is self-contained.
Über den Autor
Keiji Hirata is a professor of music informatics at Future University Hakodate.
Satoshi Tojo is a professor in the School of Information Science at JAIST.
Masatoshi Hamanaka is the team leader of the Music Information Intelligence Team at RIKEN Center for Advanced Intelligence Project.
Zusammenfassung

¿Presents a new approach to computational musicology

Reinterprets the foundational theories in musicology

Written by the experts in music informatics and intelligent informatics

Inhaltsverzeichnis
Chapter 1: Toward the Machine Computing Semantics of Music.- Chapter 2: Mathematics of Temperament: Principle and Development.- Chapter 3: Music and Natural Language.- Chapter 4: Berklee Method.- Chapter 5: Implication-Realization Model.- Chapter 6: Generative Theory of Tonal Music and Tonal Pitch Space.- Chapter 7: Formalization of GTTM.- Chapter 8: Implementation of GTTM.- Chapter 9: Application of GTTM.- Chapter 10: Epilogue.
Details
Erscheinungsjahr: 2022
Genre: Importe, Informatik
Rubrik: Naturwissenschaften & Technik
Medium: Buch
Inhalt: xiv
257 S.
120 s/w Illustr.
29 farbige Illustr.
257 p. 149 illus.
29 illus. in color.
ISBN-13: 9789811951657
ISBN-10: 9811951659
Sprache: Englisch
Einband: Gebunden
Autor: Hirata, Keiji
Hamanaka, Masatoshi
Tojo, Satoshi
Auflage: 1st edition 2022
Hersteller: Springer Singapore
Springer Nature Singapore
Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, D-69121 Heidelberg, juergen.hartmann@springer.com
Maße: 241 x 160 x 20 mm
Von/Mit: Keiji Hirata (u. a.)
Erscheinungsdatum: 06.12.2022
Gewicht: 0,626 kg
Artikel-ID: 122043601
Über den Autor
Keiji Hirata is a professor of music informatics at Future University Hakodate.
Satoshi Tojo is a professor in the School of Information Science at JAIST.
Masatoshi Hamanaka is the team leader of the Music Information Intelligence Team at RIKEN Center for Advanced Intelligence Project.
Zusammenfassung

¿Presents a new approach to computational musicology

Reinterprets the foundational theories in musicology

Written by the experts in music informatics and intelligent informatics

Inhaltsverzeichnis
Chapter 1: Toward the Machine Computing Semantics of Music.- Chapter 2: Mathematics of Temperament: Principle and Development.- Chapter 3: Music and Natural Language.- Chapter 4: Berklee Method.- Chapter 5: Implication-Realization Model.- Chapter 6: Generative Theory of Tonal Music and Tonal Pitch Space.- Chapter 7: Formalization of GTTM.- Chapter 8: Implementation of GTTM.- Chapter 9: Application of GTTM.- Chapter 10: Epilogue.
Details
Erscheinungsjahr: 2022
Genre: Importe, Informatik
Rubrik: Naturwissenschaften & Technik
Medium: Buch
Inhalt: xiv
257 S.
120 s/w Illustr.
29 farbige Illustr.
257 p. 149 illus.
29 illus. in color.
ISBN-13: 9789811951657
ISBN-10: 9811951659
Sprache: Englisch
Einband: Gebunden
Autor: Hirata, Keiji
Hamanaka, Masatoshi
Tojo, Satoshi
Auflage: 1st edition 2022
Hersteller: Springer Singapore
Springer Nature Singapore
Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, D-69121 Heidelberg, juergen.hartmann@springer.com
Maße: 241 x 160 x 20 mm
Von/Mit: Keiji Hirata (u. a.)
Erscheinungsdatum: 06.12.2022
Gewicht: 0,626 kg
Artikel-ID: 122043601
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