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Adapted from Christa Winsloe's lesbian play, the story follows Manuela, an orphan in a boarding school for impoverished Prussian nobility. When her love for a female teacher is discovered, the oppressive principal punishes her, leading to a desperate suicide attempt.
Barbara Mennel's compelling study firmly establishes Mädchen in the Weimar cinema canon. Breaking away from the teleological and over-determined "Caligari to Hitler" approach that has dominated the field since its inception, Mennel examines the film on its own terms within its immediate historical moment. Although it was prohibited viewing for several years, having been banned by the Nazis for its lesbian subtext and anti-authoritarian message, she asserts its central role in articulating feminist film theory in the late 1970s. Analysing its themes of democracy versus tyranny, the collective versus the individual, and expressive desire versus repressive discipline, she underscores the film's timeless impact, and why it continues to resonate with contemporary audiences.
Adapted from Christa Winsloe's lesbian play, the story follows Manuela, an orphan in a boarding school for impoverished Prussian nobility. When her love for a female teacher is discovered, the oppressive principal punishes her, leading to a desperate suicide attempt.
Barbara Mennel's compelling study firmly establishes Mädchen in the Weimar cinema canon. Breaking away from the teleological and over-determined "Caligari to Hitler" approach that has dominated the field since its inception, Mennel examines the film on its own terms within its immediate historical moment. Although it was prohibited viewing for several years, having been banned by the Nazis for its lesbian subtext and anti-authoritarian message, she asserts its central role in articulating feminist film theory in the late 1970s. Analysing its themes of democracy versus tyranny, the collective versus the individual, and expressive desire versus repressive discipline, she underscores the film's timeless impact, and why it continues to resonate with contemporary audiences.
Acknowledgments
Notes about Titles
Introduction 1. Staging the Third Sex
2. Sagan Directs a Hit
3. International Success and Censorship Battles
4. The Nazi Film Industry and Routes of Exile
5. Remakes, Rediscoveries and Remixes
Conclusion
Notes
Bibliography
Credits
| Erscheinungsjahr: | 2024 |
|---|---|
| Genre: | Importe, Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Theater & Film |
| Medium: | Taschenbuch |
| Reihe: | BFI Film Classics |
| ISBN-13: | 9781839024177 |
| ISBN-10: | 1839024178 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Mennel, Barbara |
| Hersteller: |
Bloomsbury Academic
British Film Institute |
| Verantwortliche Person für die EU: | Produktsicherheitsverantwortliche/r, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 186 x 134 x 7 mm |
| Von/Mit: | Barbara Mennel |
| Erscheinungsdatum: | 02.05.2024 |
| Gewicht: | 0,178 kg |
Acknowledgments
Notes about Titles
Introduction 1. Staging the Third Sex
2. Sagan Directs a Hit
3. International Success and Censorship Battles
4. The Nazi Film Industry and Routes of Exile
5. Remakes, Rediscoveries and Remixes
Conclusion
Notes
Bibliography
Credits
| Erscheinungsjahr: | 2024 |
|---|---|
| Genre: | Importe, Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Theater & Film |
| Medium: | Taschenbuch |
| Reihe: | BFI Film Classics |
| ISBN-13: | 9781839024177 |
| ISBN-10: | 1839024178 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Mennel, Barbara |
| Hersteller: |
Bloomsbury Academic
British Film Institute |
| Verantwortliche Person für die EU: | Produktsicherheitsverantwortliche/r, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 186 x 134 x 7 mm |
| Von/Mit: | Barbara Mennel |
| Erscheinungsdatum: | 02.05.2024 |
| Gewicht: | 0,178 kg |
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