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"Roger Benjamin is an art historian and field researcher in the very best sense. Thanks to his intense study of sources in archives, libraries, and museums, he counts among the most profound experts on the material in his field. Benjamin's work not only provides us with a wealth of new knowledge but also helps us better understand the significance that Islamic culture and art held in the paintings of Kandinsky and Klee."--Michael Baumgartner, Head of Collection/Exhibitions/Research, Zentrum Paul Klee, Bern "Roger Benjamin's study makes us examine again--indeed, in many cases, for the first time--not just those works specific to Kandinsky's and Klee's respective journeys to Tunisia but the lessons of those experiences and cultural encounters for modernist aesthetics as a whole."--Luke Gartlan, Lecturer in Art History, University of St Andrews, Scotland "Benjamin's work is fascinating for an anthropologist of the Maghreb because his modest task (one carried out with prodigious erudition) is to gather the sum total of evidence on the conditions under which these excursions to Tunisia took place. His novel kind of postcolonial fieldwork, enriched with photographic documents, presents a persuasive new vision of art history."--François Pouillon, Ecole des Hautes Etudes en Sciences Sociales, Paris
"Roger Benjamin is an art historian and field researcher in the very best sense. Thanks to his intense study of sources in archives, libraries, and museums, he counts among the most profound experts on the material in his field. Benjamin's work not only provides us with a wealth of new knowledge but also helps us better understand the significance that Islamic culture and art held in the paintings of Kandinsky and Klee."--Michael Baumgartner, Head of Collection/Exhibitions/Research, Zentrum Paul Klee, Bern "Roger Benjamin's study makes us examine again--indeed, in many cases, for the first time--not just those works specific to Kandinsky's and Klee's respective journeys to Tunisia but the lessons of those experiences and cultural encounters for modernist aesthetics as a whole."--Luke Gartlan, Lecturer in Art History, University of St Andrews, Scotland "Benjamin's work is fascinating for an anthropologist of the Maghreb because his modest task (one carried out with prodigious erudition) is to gather the sum total of evidence on the conditions under which these excursions to Tunisia took place. His novel kind of postcolonial fieldwork, enriched with photographic documents, presents a persuasive new vision of art history."--François Pouillon, Ecole des Hautes Etudes en Sciences Sociales, Paris
Über den Autor
Roger Benjamin is Professor of Art History at the University of Sydney. His notable publications include the prize-winning Orientalist Aesthetics: Art, Colonialism, and French North Africa, 1880-1930. In 1995 he co-curated Matisse for the Queensland Art Gallery, and in 1997 his exhibition Orientalism: Delacroix to Klee was held at the Art Gallery of New South Wales. He is former Director of the Power Institute at the University of Sydney. Cristina Ashjian is an independent scholar based in New England, where she is chair of the Moultonborough Heritage Commission. She earned her MA in the History of Art at the Courtauld Institute, London, and as German Chancellor Fellow at the University of Munich in 1995-96 she researched her doctoral dissertation, "Representing 'scènes et types' Wassily Kandinsky in Tunisia, 1904-1905." She has collaborated on the research for Kandinsky and Klee in Tunisia.
Details
Erscheinungsjahr: | 2015 |
---|---|
Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Thema: | Kunstgeschichte |
Medium: | Buch |
Inhalt: | Gebunden |
ISBN-13: | 9780520283657 |
ISBN-10: | 0520283651 |
Sprache: | Englisch |
Einband: | Gebunden |
Autor: |
Ashjian, Cristina
Benjamin, Roger |
Hersteller: | University of California Press |
Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
Maße: | 261 x 182 x 22 mm |
Von/Mit: | Cristina Ashjian (u. a.) |
Erscheinungsdatum: | 18.08.2015 |
Gewicht: | 0,82 kg |
Über den Autor
Roger Benjamin is Professor of Art History at the University of Sydney. His notable publications include the prize-winning Orientalist Aesthetics: Art, Colonialism, and French North Africa, 1880-1930. In 1995 he co-curated Matisse for the Queensland Art Gallery, and in 1997 his exhibition Orientalism: Delacroix to Klee was held at the Art Gallery of New South Wales. He is former Director of the Power Institute at the University of Sydney. Cristina Ashjian is an independent scholar based in New England, where she is chair of the Moultonborough Heritage Commission. She earned her MA in the History of Art at the Courtauld Institute, London, and as German Chancellor Fellow at the University of Munich in 1995-96 she researched her doctoral dissertation, "Representing 'scènes et types' Wassily Kandinsky in Tunisia, 1904-1905." She has collaborated on the research for Kandinsky and Klee in Tunisia.
Details
Erscheinungsjahr: | 2015 |
---|---|
Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Thema: | Kunstgeschichte |
Medium: | Buch |
Inhalt: | Gebunden |
ISBN-13: | 9780520283657 |
ISBN-10: | 0520283651 |
Sprache: | Englisch |
Einband: | Gebunden |
Autor: |
Ashjian, Cristina
Benjamin, Roger |
Hersteller: | University of California Press |
Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
Maße: | 261 x 182 x 22 mm |
Von/Mit: | Cristina Ashjian (u. a.) |
Erscheinungsdatum: | 18.08.2015 |
Gewicht: | 0,82 kg |
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