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Beschreibung
Safia Elhillo¿is a Cave Canem fellow and poetry editor at Kinfolks Quarterly. Her work has appeared in several journals and anthologies including The BreakBeat Poets: New American Poetry in the Age of Hip-Hop. She is the author of The Life and Times of Susie Knuckles.
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Safia Elhillo¿is a Cave Canem fellow and poetry editor at Kinfolks Quarterly. Her work has appeared in several journals and anthologies including The BreakBeat Poets: New American Poetry in the Age of Hip-Hop. She is the author of The Life and Times of Susie Knuckles.
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Über den Autor
Safia Elhillo is a Cave Canem fellow and poetry editor at Kinfolks Quarterly. Her work has appeared in several journals and anthologies including The BreakBeat Poets: New American Poetry in the Age of Hip-Hop. She is the author of The Life and Times of Susie Knuckles.
Inhaltsverzeichnis
Foreword by Kwame Dawes
Acknowledgments
asmarani makes prayer
vocabulary
Sudan Today. Nairobi: University of Africa, 1971. Print.
to make use of water
[did our mothers invent loneliness or . . . ]
while being escorted from the abdelhalim hafez concert
application for the position of abdelhalim hafez’s girl
abdelhalim hafez asks for references
talking with an accent about home
origin stories
a brief history of silence
the last time marvin gaye was heard in the sudan
first interview for the position of abdelhalim hafez’s girl
the lovers
talking with an accent about home
first adornment
callback interview for the position of abdelhalim hafez’s girl
bride price
old wives’ tales
date night with abdelhalim hafez
first quarantine with abdelhalim hafez
self-portrait with dirty hair
watching arab idol with abdelhalim hafez
self-portrait with the question of race
second date
abdelhalim hafez wants to see other people
red moon night
self-portrait with yellow dress
others
alternate ending
[& what is a country but the drawing . . . .]
late-night phone call with abdelhalim hafez
republic of the sudan / ministry of interior / passport & immigration general directorate / alien from sudanese origin passcard
talking with an accent about home
talking with an accent about home (second take)
second quarantine with abdelhalim hafez
portrait with asylum
talking to boys about abdelhalim hafez at parties
biopic containing lies about abdelhalim hafez
asmarani does psychogeography
why abdelhalim
self-portrait with lake nasser
abdelhalim hafez asks who the sudanese are
the part i keep forgetting
talking with an accent about home (reprise)
third quarantine with abdelhalim hafez
final interview for the position of abdelhalim hafez’s girl
self-portrait as abdelhalim hafez’s girl
portrait with abdelhalim hafez with the question of race
lovers’ quarrel with abdelhalim hafez
portrait of abdelhalim hafez as orpheus
glossary
everything i know about abdelhalim hafez
notes
Acknowledgments
asmarani makes prayer
vocabulary
Sudan Today. Nairobi: University of Africa, 1971. Print.
to make use of water
[did our mothers invent loneliness or . . . ]
while being escorted from the abdelhalim hafez concert
application for the position of abdelhalim hafez’s girl
abdelhalim hafez asks for references
talking with an accent about home
origin stories
a brief history of silence
the last time marvin gaye was heard in the sudan
first interview for the position of abdelhalim hafez’s girl
the lovers
talking with an accent about home
first adornment
callback interview for the position of abdelhalim hafez’s girl
bride price
old wives’ tales
date night with abdelhalim hafez
first quarantine with abdelhalim hafez
self-portrait with dirty hair
watching arab idol with abdelhalim hafez
self-portrait with the question of race
second date
abdelhalim hafez wants to see other people
red moon night
self-portrait with yellow dress
others
alternate ending
[& what is a country but the drawing . . . .]
late-night phone call with abdelhalim hafez
republic of the sudan / ministry of interior / passport & immigration general directorate / alien from sudanese origin passcard
talking with an accent about home
talking with an accent about home (second take)
second quarantine with abdelhalim hafez
portrait with asylum
talking to boys about abdelhalim hafez at parties
biopic containing lies about abdelhalim hafez
asmarani does psychogeography
why abdelhalim
self-portrait with lake nasser
abdelhalim hafez asks who the sudanese are
the part i keep forgetting
talking with an accent about home (reprise)
third quarantine with abdelhalim hafez
final interview for the position of abdelhalim hafez’s girl
self-portrait as abdelhalim hafez’s girl
portrait with abdelhalim hafez with the question of race
lovers’ quarrel with abdelhalim hafez
portrait of abdelhalim hafez as orpheus
glossary
everything i know about abdelhalim hafez
notes
Details
Erscheinungsjahr: | 2017 |
---|---|
Genre: | Importe, Lyrik & Dramatik |
Rubrik: | Belletristik |
Medium: | Taschenbuch |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9780803295988 |
ISBN-10: | 0803295987 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Elhillo, Safia |
Hersteller: | Nebraska |
Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
Maße: | 228 x 151 x 12 mm |
Von/Mit: | Safia Elhillo |
Erscheinungsdatum: | 01.03.2017 |
Gewicht: | 0,132 kg |
Über den Autor
Safia Elhillo is a Cave Canem fellow and poetry editor at Kinfolks Quarterly. Her work has appeared in several journals and anthologies including The BreakBeat Poets: New American Poetry in the Age of Hip-Hop. She is the author of The Life and Times of Susie Knuckles.
Inhaltsverzeichnis
Foreword by Kwame Dawes
Acknowledgments
asmarani makes prayer
vocabulary
Sudan Today. Nairobi: University of Africa, 1971. Print.
to make use of water
[did our mothers invent loneliness or . . . ]
while being escorted from the abdelhalim hafez concert
application for the position of abdelhalim hafez’s girl
abdelhalim hafez asks for references
talking with an accent about home
origin stories
a brief history of silence
the last time marvin gaye was heard in the sudan
first interview for the position of abdelhalim hafez’s girl
the lovers
talking with an accent about home
first adornment
callback interview for the position of abdelhalim hafez’s girl
bride price
old wives’ tales
date night with abdelhalim hafez
first quarantine with abdelhalim hafez
self-portrait with dirty hair
watching arab idol with abdelhalim hafez
self-portrait with the question of race
second date
abdelhalim hafez wants to see other people
red moon night
self-portrait with yellow dress
others
alternate ending
[& what is a country but the drawing . . . .]
late-night phone call with abdelhalim hafez
republic of the sudan / ministry of interior / passport & immigration general directorate / alien from sudanese origin passcard
talking with an accent about home
talking with an accent about home (second take)
second quarantine with abdelhalim hafez
portrait with asylum
talking to boys about abdelhalim hafez at parties
biopic containing lies about abdelhalim hafez
asmarani does psychogeography
why abdelhalim
self-portrait with lake nasser
abdelhalim hafez asks who the sudanese are
the part i keep forgetting
talking with an accent about home (reprise)
third quarantine with abdelhalim hafez
final interview for the position of abdelhalim hafez’s girl
self-portrait as abdelhalim hafez’s girl
portrait with abdelhalim hafez with the question of race
lovers’ quarrel with abdelhalim hafez
portrait of abdelhalim hafez as orpheus
glossary
everything i know about abdelhalim hafez
notes
Acknowledgments
asmarani makes prayer
vocabulary
Sudan Today. Nairobi: University of Africa, 1971. Print.
to make use of water
[did our mothers invent loneliness or . . . ]
while being escorted from the abdelhalim hafez concert
application for the position of abdelhalim hafez’s girl
abdelhalim hafez asks for references
talking with an accent about home
origin stories
a brief history of silence
the last time marvin gaye was heard in the sudan
first interview for the position of abdelhalim hafez’s girl
the lovers
talking with an accent about home
first adornment
callback interview for the position of abdelhalim hafez’s girl
bride price
old wives’ tales
date night with abdelhalim hafez
first quarantine with abdelhalim hafez
self-portrait with dirty hair
watching arab idol with abdelhalim hafez
self-portrait with the question of race
second date
abdelhalim hafez wants to see other people
red moon night
self-portrait with yellow dress
others
alternate ending
[& what is a country but the drawing . . . .]
late-night phone call with abdelhalim hafez
republic of the sudan / ministry of interior / passport & immigration general directorate / alien from sudanese origin passcard
talking with an accent about home
talking with an accent about home (second take)
second quarantine with abdelhalim hafez
portrait with asylum
talking to boys about abdelhalim hafez at parties
biopic containing lies about abdelhalim hafez
asmarani does psychogeography
why abdelhalim
self-portrait with lake nasser
abdelhalim hafez asks who the sudanese are
the part i keep forgetting
talking with an accent about home (reprise)
third quarantine with abdelhalim hafez
final interview for the position of abdelhalim hafez’s girl
self-portrait as abdelhalim hafez’s girl
portrait with abdelhalim hafez with the question of race
lovers’ quarrel with abdelhalim hafez
portrait of abdelhalim hafez as orpheus
glossary
everything i know about abdelhalim hafez
notes
Details
Erscheinungsjahr: | 2017 |
---|---|
Genre: | Importe, Lyrik & Dramatik |
Rubrik: | Belletristik |
Medium: | Taschenbuch |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9780803295988 |
ISBN-10: | 0803295987 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Elhillo, Safia |
Hersteller: | Nebraska |
Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
Maße: | 228 x 151 x 12 mm |
Von/Mit: | Safia Elhillo |
Erscheinungsdatum: | 01.03.2017 |
Gewicht: | 0,132 kg |
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