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Isa Genzken
Fuck the Bauhaus
Taschenbuch von Andre Rottman
Sprache: Englisch

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Beschreibung
A strikingly original analysis of Isa Genzken’s move towards merging sculptural and architectural morphologies into a trailblazing practice of contemporary assemblage.

Fuck the Bauhaus, a series of audacious architectural models for future high-rise buildings in Manhattan, marks a poetic and provocative shift in Isa Genzken’s artistic oeuvre. Made in the year 2000, out of quotidian objects and cheap materials foraged in the streets and stores of New York, these sculptural assemblages depart from the German artist’s ‘post-Minimalist’ works begun in the 1970s. The earlier works conjured the haunting spectres of catastrophe, destruction and failed utopia, as well as the potential for freedom amidst the ruins of post-War reconstruction culture.

Analysing Genken’s post–2000 penchant for appropriation, collage and montage, André Rottmann draws on the writings of Deleuze and Guattari, Bruno Latour and other theorists of "assemblage," to show how her ‘late style’ is not a return to (neo-)avant-garde traditions but a powerful reimagining of them for the contemporary moment.
A strikingly original analysis of Isa Genzken’s move towards merging sculptural and architectural morphologies into a trailblazing practice of contemporary assemblage.

Fuck the Bauhaus, a series of audacious architectural models for future high-rise buildings in Manhattan, marks a poetic and provocative shift in Isa Genzken’s artistic oeuvre. Made in the year 2000, out of quotidian objects and cheap materials foraged in the streets and stores of New York, these sculptural assemblages depart from the German artist’s ‘post-Minimalist’ works begun in the 1970s. The earlier works conjured the haunting spectres of catastrophe, destruction and failed utopia, as well as the potential for freedom amidst the ruins of post-War reconstruction culture.

Analysing Genken’s post–2000 penchant for appropriation, collage and montage, André Rottmann draws on the writings of Deleuze and Guattari, Bruno Latour and other theorists of "assemblage," to show how her ‘late style’ is not a return to (neo-)avant-garde traditions but a powerful reimagining of them for the contemporary moment.
Über den Autor
André Rottmann is an Assistant Professor for Art and Media Theory at the European University Viadrina Frankfurt (Oder), Germany, and the editor of the October Files volume John Knight.
Details
Erscheinungsjahr: 2024
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Bildende Kunst
Medium: Taschenbuch
Reihe: Afterall Books / One Work
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9781846382536
ISBN-10: 184638253X
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Rottman, Andre
Zusammengestellt: Rottman, Andre
Hersteller: The MIT Press
Verantwortliche Person für die EU: Produktsicherheitsverantwortliche/r, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Abbildungen: 32 color illustrations
Maße: 207 x 145 x 8 mm
Von/Mit: Andre Rottman
Erscheinungsdatum: 14.05.2024
Gewicht: 0,198 kg
Artikel-ID: 120183654
Über den Autor
André Rottmann is an Assistant Professor for Art and Media Theory at the European University Viadrina Frankfurt (Oder), Germany, and the editor of the October Files volume John Knight.
Details
Erscheinungsjahr: 2024
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Bildende Kunst
Medium: Taschenbuch
Reihe: Afterall Books / One Work
Inhalt: Einband - flex.(Paperback)
ISBN-13: 9781846382536
ISBN-10: 184638253X
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Rottman, Andre
Zusammengestellt: Rottman, Andre
Hersteller: The MIT Press
Verantwortliche Person für die EU: Produktsicherheitsverantwortliche/r, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Abbildungen: 32 color illustrations
Maße: 207 x 145 x 8 mm
Von/Mit: Andre Rottman
Erscheinungsdatum: 14.05.2024
Gewicht: 0,198 kg
Artikel-ID: 120183654
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