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Englisch
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Beschreibung
Interface Critique strives to expose the implicit agencies, conditions and contingencies of interfaces, applications and apparatuses. Interface Critique encourages comprehensive and trans-disciplinary perspectives and promotes an understanding of the interface as a dynamic cultural phenomenon.
Interface Critique is neither interested in the enhancement of usability and mere ergonomic questions of design nor in the optimization of user orientation and user experience. Interface Critique does not require a generally accepted definition of the interface. The obscurity and fuzziness of the term promises theoretical productivity and fruitful frictions among all kinds of disciplines.
Interface Critique is neither interested in the enhancement of usability and mere ergonomic questions of design nor in the optimization of user orientation and user experience. Interface Critique does not require a generally accepted definition of the interface. The obscurity and fuzziness of the term promises theoretical productivity and fruitful frictions among all kinds of disciplines.
Interface Critique strives to expose the implicit agencies, conditions and contingencies of interfaces, applications and apparatuses. Interface Critique encourages comprehensive and trans-disciplinary perspectives and promotes an understanding of the interface as a dynamic cultural phenomenon.
Interface Critique is neither interested in the enhancement of usability and mere ergonomic questions of design nor in the optimization of user orientation and user experience. Interface Critique does not require a generally accepted definition of the interface. The obscurity and fuzziness of the term promises theoretical productivity and fruitful frictions among all kinds of disciplines.
Interface Critique is neither interested in the enhancement of usability and mere ergonomic questions of design nor in the optimization of user orientation and user experience. Interface Critique does not require a generally accepted definition of the interface. The obscurity and fuzziness of the term promises theoretical productivity and fruitful frictions among all kinds of disciplines.
Details
Genre: | Kunst |
---|---|
Rubrik: | Kunst & Musik |
Medium: | Taschenbuch |
ISBN-13: | 9783946653912 |
ISBN-10: | 394665391X |
Sprache: | Englisch |
Redaktion: |
Hadler, Florian
Irrgang, Daniel Soiné, Alice |
Hersteller: | Heidelberg University Publishing |
Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
Abbildungen: | Mit Abbildungen |
Maße: | 257 x 182 x 12 mm |
Von/Mit: | Florian Hadler (u. a.) |
Gewicht: | 0,572 kg |
Details
Genre: | Kunst |
---|---|
Rubrik: | Kunst & Musik |
Medium: | Taschenbuch |
ISBN-13: | 9783946653912 |
ISBN-10: | 394665391X |
Sprache: | Englisch |
Redaktion: |
Hadler, Florian
Irrgang, Daniel Soiné, Alice |
Hersteller: | Heidelberg University Publishing |
Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
Abbildungen: | Mit Abbildungen |
Maße: | 257 x 182 x 12 mm |
Von/Mit: | Florian Hadler (u. a.) |
Gewicht: | 0,572 kg |
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