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How does one pay homage to A Tribe Called Quest? The seminal rap group brought jazz into the genre to create masterpieces such as The Low End Theory and Midnight Marauders. Seventeen years after their last album, they resurrected themselves with an intense, socially conscious record, We Got It from Here . . . Thank You 4 Your Service, which arrived when fans needed it most, in the aftermath of the 2016 election. Hanif Abdurraqib digs into the group's history and draws from his own experience to reflect on how its distinctive sound resonated among fans like himself.
Abdurraqib traces the Tribe's creative career, from their early days as part of the Afrocentric rap collective known as the Native Tongues, through their first three classic albums, to their eventual breakup and long hiatus. Their work is placed in the context of the broader rap landscape of the 1990s, one upended by sampling laws, the East Coast-West Coast rivalry that threatened to destroy the genre, and some record labels' shift from focusing on groups to individual MCs. Throughout the narrative Abdurraqib connects the music and cultural history to their street-level impact, seeking deeper truths that are not simply heard in the head, but felt in the chest.
Abdurraqib traces the Tribe's creative career, from their early days as part of the Afrocentric rap collective known as the Native Tongues, through their first three classic albums, to their eventual breakup and long hiatus. Their work is placed in the context of the broader rap landscape of the 1990s, one upended by sampling laws, the East Coast-West Coast rivalry that threatened to destroy the genre, and some record labels' shift from focusing on groups to individual MCs. Throughout the narrative Abdurraqib connects the music and cultural history to their street-level impact, seeking deeper truths that are not simply heard in the head, but felt in the chest.
How does one pay homage to A Tribe Called Quest? The seminal rap group brought jazz into the genre to create masterpieces such as The Low End Theory and Midnight Marauders. Seventeen years after their last album, they resurrected themselves with an intense, socially conscious record, We Got It from Here . . . Thank You 4 Your Service, which arrived when fans needed it most, in the aftermath of the 2016 election. Hanif Abdurraqib digs into the group's history and draws from his own experience to reflect on how its distinctive sound resonated among fans like himself.
Abdurraqib traces the Tribe's creative career, from their early days as part of the Afrocentric rap collective known as the Native Tongues, through their first three classic albums, to their eventual breakup and long hiatus. Their work is placed in the context of the broader rap landscape of the 1990s, one upended by sampling laws, the East Coast-West Coast rivalry that threatened to destroy the genre, and some record labels' shift from focusing on groups to individual MCs. Throughout the narrative Abdurraqib connects the music and cultural history to their street-level impact, seeking deeper truths that are not simply heard in the head, but felt in the chest.
Abdurraqib traces the Tribe's creative career, from their early days as part of the Afrocentric rap collective known as the Native Tongues, through their first three classic albums, to their eventual breakup and long hiatus. Their work is placed in the context of the broader rap landscape of the 1990s, one upended by sampling laws, the East Coast-West Coast rivalry that threatened to destroy the genre, and some record labels' shift from focusing on groups to individual MCs. Throughout the narrative Abdurraqib connects the music and cultural history to their street-level impact, seeking deeper truths that are not simply heard in the head, but felt in the chest.
Über den Autor
Hanif Abdurraqib is a poet, writer, and cultural critic from Columbus, Ohio. His essays and music criticism have appeared in The New York Times, The FADER, and Pitchfork.
He is a columnist at MTV News and author of They Can't Kill Us Until They Kill Us.
He is a columnist at MTV News and author of They Can't Kill Us Until They Kill Us.
Details
Erscheinungsjahr: | 2019 |
---|---|
Genre: | Importe, Musik |
Rubrik: | Kunst & Musik |
Thema: | Allg. Handbücher & Lexika |
Medium: | Taschenbuch |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9781911545446 |
ISBN-10: | 1911545442 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Abdurraqib, Hanif |
Hersteller: | Melville House UK |
Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
Maße: | 200 x 128 x 20 mm |
Von/Mit: | Hanif Abdurraqib |
Erscheinungsdatum: | 01.08.2019 |
Gewicht: | 0,207 kg |
Über den Autor
Hanif Abdurraqib is a poet, writer, and cultural critic from Columbus, Ohio. His essays and music criticism have appeared in The New York Times, The FADER, and Pitchfork.
He is a columnist at MTV News and author of They Can't Kill Us Until They Kill Us.
He is a columnist at MTV News and author of They Can't Kill Us Until They Kill Us.
Details
Erscheinungsjahr: | 2019 |
---|---|
Genre: | Importe, Musik |
Rubrik: | Kunst & Musik |
Thema: | Allg. Handbücher & Lexika |
Medium: | Taschenbuch |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9781911545446 |
ISBN-10: | 1911545442 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Abdurraqib, Hanif |
Hersteller: | Melville House UK |
Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
Maße: | 200 x 128 x 20 mm |
Von/Mit: | Hanif Abdurraqib |
Erscheinungsdatum: | 01.08.2019 |
Gewicht: | 0,207 kg |
Sicherheitshinweis