Zum Hauptinhalt springen
Dekorationsartikel gehören nicht zum Leistungsumfang.
Gallery of Clouds
Buch von Rachel Eisendrath
Sprache: Englisch

25,55 €*

inkl. MwSt.

Versandkostenfrei per Post / DHL

Lieferzeit 1-2 Wochen

Kategorien:
Beschreibung
A personal and critical work that celebrates the pleasure of books and reading.

Largely unknown to readers today, Sir Philip Sidney's sixteenth-century pastoral romance Arcadia was long considered one of the finest works of prose fiction in the English language. Shakespeare borrowed an episode from it for King Lear; Virginia Woolf saw it as "some luminous globe" wherein "all the seeds of English fiction lie latent." In Gallery of Clouds, Renaissance scholar Rachel Eisendrath has written an extraordinary homage to Arcadia in the form of a book-length essay divided into passing clouds: "The clouds in my Arcadia, the one I found and the one I made, hold light and color. They take on the forms of other things: a cat, the sea, my grandmother, the gesture of a teacher I loved, a friend, a girlfriend, a ship at proud sail, my mother. These clouds stay still only as long as I look at them, and then they change."

Gallery of Clouds opens in New York City with a dream, or a vision, of meeting Virginia Woolf in the afterlife. She holds out her manuscript to her--an infinite moment passes--and Woolf takes it and begins to read. From here, in this act of magical reading, the book scrolls out in a series of reflective pieces connected through an association of metaphors and ideas. Golden threadlines tie each part to the next: a rupture of time in a Pisanello painting; Montaigne's practice of revision in his essays; a segue through Vivian Gordon Harsh, the first African-American librarian in the Chicago public library system; a fragment of Spenser; a brief history of prose style; a meditation on the active versus the contemplative life; the story of Sarapion, a fifth-century monk; the persistence of the pastoral; image-making and thought; reading Willa Cather to her grandmother in her Chicago apartment; the deviations of Benjamin's "scholarly romance" The Arcades. Eisendrath's wondrously woven hybrid work extols the materiality of reading, its pleasures and delights, with wild leaps and bounding grace.
A personal and critical work that celebrates the pleasure of books and reading.

Largely unknown to readers today, Sir Philip Sidney's sixteenth-century pastoral romance Arcadia was long considered one of the finest works of prose fiction in the English language. Shakespeare borrowed an episode from it for King Lear; Virginia Woolf saw it as "some luminous globe" wherein "all the seeds of English fiction lie latent." In Gallery of Clouds, Renaissance scholar Rachel Eisendrath has written an extraordinary homage to Arcadia in the form of a book-length essay divided into passing clouds: "The clouds in my Arcadia, the one I found and the one I made, hold light and color. They take on the forms of other things: a cat, the sea, my grandmother, the gesture of a teacher I loved, a friend, a girlfriend, a ship at proud sail, my mother. These clouds stay still only as long as I look at them, and then they change."

Gallery of Clouds opens in New York City with a dream, or a vision, of meeting Virginia Woolf in the afterlife. She holds out her manuscript to her--an infinite moment passes--and Woolf takes it and begins to read. From here, in this act of magical reading, the book scrolls out in a series of reflective pieces connected through an association of metaphors and ideas. Golden threadlines tie each part to the next: a rupture of time in a Pisanello painting; Montaigne's practice of revision in his essays; a segue through Vivian Gordon Harsh, the first African-American librarian in the Chicago public library system; a fragment of Spenser; a brief history of prose style; a meditation on the active versus the contemplative life; the story of Sarapion, a fifth-century monk; the persistence of the pastoral; image-making and thought; reading Willa Cather to her grandmother in her Chicago apartment; the deviations of Benjamin's "scholarly romance" The Arcades. Eisendrath's wondrously woven hybrid work extols the materiality of reading, its pleasures and delights, with wild leaps and bounding grace.
Über den Autor
Rachel Eisendrath is a critic and scholar who specializes in English Renaissance poetry. The author of Poetry in a World of Things (winner of the 2019 Elizabeth Dietz Award), she is the Tow Associate Professor of English and director of the Medieval and Renaissance Studies Program at Barnard College in New York City.
Details
Erscheinungsjahr: 2021
Genre: Biographien, Importe
Rubrik: Belletristik
Medium: Buch
Inhalt: Einband - fest (Hardcover)
ISBN-13: 9781681375434
ISBN-10: 1681375435
Sprache: Englisch
Einband: Gebunden
Autor: Eisendrath, Rachel
Hersteller: New York Review of Books
Verantwortliche Person für die EU: preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de
Maße: 182 x 132 x 21 mm
Von/Mit: Rachel Eisendrath
Erscheinungsdatum: 11.05.2021
Gewicht: 0,268 kg
Artikel-ID: 118900866
Über den Autor
Rachel Eisendrath is a critic and scholar who specializes in English Renaissance poetry. The author of Poetry in a World of Things (winner of the 2019 Elizabeth Dietz Award), she is the Tow Associate Professor of English and director of the Medieval and Renaissance Studies Program at Barnard College in New York City.
Details
Erscheinungsjahr: 2021
Genre: Biographien, Importe
Rubrik: Belletristik
Medium: Buch
Inhalt: Einband - fest (Hardcover)
ISBN-13: 9781681375434
ISBN-10: 1681375435
Sprache: Englisch
Einband: Gebunden
Autor: Eisendrath, Rachel
Hersteller: New York Review of Books
Verantwortliche Person für die EU: preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de
Maße: 182 x 132 x 21 mm
Von/Mit: Rachel Eisendrath
Erscheinungsdatum: 11.05.2021
Gewicht: 0,268 kg
Artikel-ID: 118900866
Sicherheitshinweis