Part One: From Disenchantment to an Ecopoetics of Reenchantment

Chapter One: Disenchanted, Enchanted, and Reenchanted Worldviews

Chapter Two: Toward an Ecofeminist, Ecopoetic Project of a Rational Reenchantment

Chapter Three: An Ecofeminist Remystification of Narrative: The Many Faces of Gaia in the Anthrop-o(bs)cene

Chapter Four: Sowing the Seeds of an Ecopoet(h)ics of Wonder and Enchantment: Reincorporating Language and the Human into the Flesh and Song of the World

Part Two: Ecopoetic Reenchantment via Liminal Realism

Chapter Five: Why Liminal, Rather than "Magical," "Spiritual," "Mystical," "Ontological," or "Epistemological" Realism?

Chapter Six: Postcolonial Liminality and (Re)initiation into a Multispecies World: Moving betwixt and between Human and Other-than-Human Realms in Linda Hogan's Power and Leslie Marmon Silko's Ceremony

Chapter Seven: Post-Pastoral, Non-Indigenous Thought-Experiments with Totemic and Animistic Liminality

Chapter Eight: Liminal Realism and Interspecies Thought-Experiments in Contemporary Fiction

Part Three: Writing and Dwelling Ecopoetically

Chapter Nine: Ecopoets and the Art of Anamorphosis

Chapter Ten: Postmodern Shamanism: Making Headway Toward Other-than-Human Perspectives

Chapter Eleven: Reweaving Word to World: Ecopoets as Instruments of the Sympoietic Song of the Earth

Chapter Twelve: Restor(y)ing and Rewor(l)ding: Writing in a Grounded Middle Voice

Chapter Thirteen: Translating the Song of the Earth: Reen-chanting Earthly Harmonies