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Englisch
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Beschreibung
Early Modern Women Poets represents a complete reexamination of the field, based on extensive archival research in manuscripts and early modern printed books. While it contains lavish selections from important poets such as Aphra Behn, Katherine Philips, and Aemilia Lanyer, almost half of the
material included is previously unpublished and uncollected. It aims to introduce the reader to a conspectus of the verse written by women from c.1520 to 1700, at all social levels from the verse of court elite to working-class women's aphorisms, libels, and charms. All genres of verse used by early
modern women are represented; as are all languages in which women's verse survives: Classical Greek and Latin, French, Italian, English, Scots, Scottish Gaelic, Welsh, and Irish. Each woman's work is accompanied by a headnote which combines biographic information with some guidance as to the
context, intended audience, and genre of her work. The collection is organized chronologically. It should be possible, as never before, to see what early modern women wrote, how they wrote it, who they wrote for, and what they said.
material included is previously unpublished and uncollected. It aims to introduce the reader to a conspectus of the verse written by women from c.1520 to 1700, at all social levels from the verse of court elite to working-class women's aphorisms, libels, and charms. All genres of verse used by early
modern women are represented; as are all languages in which women's verse survives: Classical Greek and Latin, French, Italian, English, Scots, Scottish Gaelic, Welsh, and Irish. Each woman's work is accompanied by a headnote which combines biographic information with some guidance as to the
context, intended audience, and genre of her work. The collection is organized chronologically. It should be possible, as never before, to see what early modern women wrote, how they wrote it, who they wrote for, and what they said.
Early Modern Women Poets represents a complete reexamination of the field, based on extensive archival research in manuscripts and early modern printed books. While it contains lavish selections from important poets such as Aphra Behn, Katherine Philips, and Aemilia Lanyer, almost half of the
material included is previously unpublished and uncollected. It aims to introduce the reader to a conspectus of the verse written by women from c.1520 to 1700, at all social levels from the verse of court elite to working-class women's aphorisms, libels, and charms. All genres of verse used by early
modern women are represented; as are all languages in which women's verse survives: Classical Greek and Latin, French, Italian, English, Scots, Scottish Gaelic, Welsh, and Irish. Each woman's work is accompanied by a headnote which combines biographic information with some guidance as to the
context, intended audience, and genre of her work. The collection is organized chronologically. It should be possible, as never before, to see what early modern women wrote, how they wrote it, who they wrote for, and what they said.
material included is previously unpublished and uncollected. It aims to introduce the reader to a conspectus of the verse written by women from c.1520 to 1700, at all social levels from the verse of court elite to working-class women's aphorisms, libels, and charms. All genres of verse used by early
modern women are represented; as are all languages in which women's verse survives: Classical Greek and Latin, French, Italian, English, Scots, Scottish Gaelic, Welsh, and Irish. Each woman's work is accompanied by a headnote which combines biographic information with some guidance as to the
context, intended audience, and genre of her work. The collection is organized chronologically. It should be possible, as never before, to see what early modern women wrote, how they wrote it, who they wrote for, and what they said.
Über den Autor
Jane Stevenson is Senior Lecturer, Centre for British and Comparative Cultural Studies, University of Warwick
Peter Davidson is Reader, Department of English and Comparative Literary Studies, University of Warwick
Peter Davidson is Reader, Department of English and Comparative Literary Studies, University of Warwick
Details
Erscheinungsjahr: | 2001 |
---|---|
Genre: | Importe, Lyrik & Dramatik |
Rubrik: | Belletristik |
Medium: | Taschenbuch |
ISBN-13: | 9780199242573 |
ISBN-10: | 0199242577 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Redaktion: |
Davidson, Peter
Stevenson, Jane |
Hersteller: | OUP Oxford |
Verantwortliche Person für die EU: | Produktsicherheitsverantwortliche/r, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 216 x 140 x 37 mm |
Von/Mit: | Peter Davidson (u. a.) |
Erscheinungsdatum: | 01.03.2001 |
Gewicht: | 0,89 kg |
Über den Autor
Jane Stevenson is Senior Lecturer, Centre for British and Comparative Cultural Studies, University of Warwick
Peter Davidson is Reader, Department of English and Comparative Literary Studies, University of Warwick
Peter Davidson is Reader, Department of English and Comparative Literary Studies, University of Warwick
Details
Erscheinungsjahr: | 2001 |
---|---|
Genre: | Importe, Lyrik & Dramatik |
Rubrik: | Belletristik |
Medium: | Taschenbuch |
ISBN-13: | 9780199242573 |
ISBN-10: | 0199242577 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Redaktion: |
Davidson, Peter
Stevenson, Jane |
Hersteller: | OUP Oxford |
Verantwortliche Person für die EU: | Produktsicherheitsverantwortliche/r, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
Maße: | 216 x 140 x 37 mm |
Von/Mit: | Peter Davidson (u. a.) |
Erscheinungsdatum: | 01.03.2001 |
Gewicht: | 0,89 kg |
Sicherheitshinweis