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- The editors are senior faculty members who are both established authors in the fields of African studies, dress history, art history, and human geography. They also all have curatorial experience. - This reflection on sources and methods is timely given the resurgence of interest in African fashion within academia, museums, and the fashion world. - The list adds to the list in its clear and vivid exploration of a topic that resonates beyond academia and in its interdisciplinarity and international pool of contributors. - The work will appeal to scholars working in African fashion within academia, musems, the fashion world and scholars working in African studies, museum studies, fashion and design studies, African history, art history, anthropology, and cultural geography.
- The editors are senior faculty members who are both established authors in the fields of African studies, dress history, art history, and human geography. They also all have curatorial experience. - This reflection on sources and methods is timely given the resurgence of interest in African fashion within academia, museums, and the fashion world. - The list adds to the list in its clear and vivid exploration of a topic that resonates beyond academia and in its interdisciplinarity and international pool of contributors. - The work will appeal to scholars working in African fashion within academia, musems, the fashion world and scholars working in African studies, museum studies, fashion and design studies, African history, art history, anthropology, and cultural geography.
JoAnn McGregor is Professor of Human Geography, School of Global Studies, University of Sussex. She is author of Crossing the Zambezi: The Politics of Landscape on a Central African Frontier and (with Jocelyn Alexander and Terence Ranger) of Violence and Memory: One Hundred Years in the 'Dark Forests' of Matabeleland, Zimbabwe. She was part of the Fashioning Africa Collection Panel at the Brighton Museum.
Heather Akouis Associate Professor of Fashion Design and former Director of the Elizabeth Sage Historic Costume Collection in the Eskenazi School of Art, Architecture & Design at Indiana University. She is author of The Politics of Dress in Somali Culture. Her work is published in numerous journals such as Fashion Theory, Dress, and Clothing Cultures.
Nicola Stylianou is Postdoctoral Research Fellow in the School of Global Studies at the University of Sussex working on the AHRC-funded project "Making African Connections: Decolonial Futures for Colonial Collections." She received an AHRC Cultural Engagement Award for her work at the Victoria & Albert Museum, and she was part of the Fashioning Africa Collection Panel at the Brighton Museum.
1. Introduction: Creating African Fashion Histories: Politics, Museums, and Sartorial Practices, by JoAnn McGregor
Part I: Constructing African Fashion Histories2. Historicizing Fashion in Western Africa: Global Linkages, Regional Markets, and Local Tastes, 1400-1850, by Jody Benjamin
3. Finding Fashion in the Museum: (Re)Assembling a Precolonial Eastern African Fashion Moment, by Sarah Fee
4. Beloved, Ignored, and Contested: The Politics of Kente in Ghana since the 1960s, by Malika Kraamer
Part II: Transmitting and Translating African Fashion Identities5. Translocal Subjectivities, Space, and Aesthetics: The World of Nigerian Fashion, by Harriet Hughes
6. Fabric in the Fashion Photography of Omar Victor Diop, by Beth Buggenhagen
7. "There Was No Fashion in Morocco Before": (Re)Creating Contemporary Moroccan Fashion History, by M. Angela Jansen
8. Unrest and Dress: The Symbol of the Sycamore Tree in Oromo Adornment, by Peri M. Klemm
Part III: Collecting, Curating, and Displaying Africa Fashions9. Stories behind the Collections and Why They Matter: Examples from Indiana University, by Heather Akou
10. Refashioning Clothing Collections in South African Museums, by Erica de Greef
11. Fashioning Africa: Using a New Collection of Dress to Decolonize Museum Practice, by Edith Ojo, Helen Mears, and Nicola Stylianou
Bibliography
Index
| Erscheinungsjahr: | 2022 |
|---|---|
| Genre: | Importe, Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Allgemeine Kunst |
| Medium: | Taschenbuch |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9780253060129 |
| ISBN-10: | 0253060125 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Redaktion: |
Mcgregor, Joann
Akou, Heather M Stylianou, Nicola |
| Hersteller: | Indiana University Press |
| Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
| Maße: | 229 x 150 x 23 mm |
| Von/Mit: | Joann Mcgregor (u. a.) |
| Erscheinungsdatum: | 05.04.2022 |
| Gewicht: | 0,748 kg |
JoAnn McGregor is Professor of Human Geography, School of Global Studies, University of Sussex. She is author of Crossing the Zambezi: The Politics of Landscape on a Central African Frontier and (with Jocelyn Alexander and Terence Ranger) of Violence and Memory: One Hundred Years in the 'Dark Forests' of Matabeleland, Zimbabwe. She was part of the Fashioning Africa Collection Panel at the Brighton Museum.
Heather Akouis Associate Professor of Fashion Design and former Director of the Elizabeth Sage Historic Costume Collection in the Eskenazi School of Art, Architecture & Design at Indiana University. She is author of The Politics of Dress in Somali Culture. Her work is published in numerous journals such as Fashion Theory, Dress, and Clothing Cultures.
Nicola Stylianou is Postdoctoral Research Fellow in the School of Global Studies at the University of Sussex working on the AHRC-funded project "Making African Connections: Decolonial Futures for Colonial Collections." She received an AHRC Cultural Engagement Award for her work at the Victoria & Albert Museum, and she was part of the Fashioning Africa Collection Panel at the Brighton Museum.
1. Introduction: Creating African Fashion Histories: Politics, Museums, and Sartorial Practices, by JoAnn McGregor
Part I: Constructing African Fashion Histories2. Historicizing Fashion in Western Africa: Global Linkages, Regional Markets, and Local Tastes, 1400-1850, by Jody Benjamin
3. Finding Fashion in the Museum: (Re)Assembling a Precolonial Eastern African Fashion Moment, by Sarah Fee
4. Beloved, Ignored, and Contested: The Politics of Kente in Ghana since the 1960s, by Malika Kraamer
Part II: Transmitting and Translating African Fashion Identities5. Translocal Subjectivities, Space, and Aesthetics: The World of Nigerian Fashion, by Harriet Hughes
6. Fabric in the Fashion Photography of Omar Victor Diop, by Beth Buggenhagen
7. "There Was No Fashion in Morocco Before": (Re)Creating Contemporary Moroccan Fashion History, by M. Angela Jansen
8. Unrest and Dress: The Symbol of the Sycamore Tree in Oromo Adornment, by Peri M. Klemm
Part III: Collecting, Curating, and Displaying Africa Fashions9. Stories behind the Collections and Why They Matter: Examples from Indiana University, by Heather Akou
10. Refashioning Clothing Collections in South African Museums, by Erica de Greef
11. Fashioning Africa: Using a New Collection of Dress to Decolonize Museum Practice, by Edith Ojo, Helen Mears, and Nicola Stylianou
Bibliography
Index
| Erscheinungsjahr: | 2022 |
|---|---|
| Genre: | Importe, Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Allgemeine Kunst |
| Medium: | Taschenbuch |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9780253060129 |
| ISBN-10: | 0253060125 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Redaktion: |
Mcgregor, Joann
Akou, Heather M Stylianou, Nicola |
| Hersteller: | Indiana University Press |
| Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
| Maße: | 229 x 150 x 23 mm |
| Von/Mit: | Joann Mcgregor (u. a.) |
| Erscheinungsdatum: | 05.04.2022 |
| Gewicht: | 0,748 kg |
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