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Beschreibung
The early twenty-first century has seen the emergence of a new style of television drama in Britain that adopts the professional practices and production values of high-end American television while remaining emphatically 'British' in content and outlook. This book analyses eight of these dramas - Spooks, Foyle's War, Hustle, Life on Mars, Ashes to Ashes, Downton Abbey, Sherlock and Broadchurch - which have all proved popular with audiences and in their different ways represent the thematic and formal paradigms of post-millennial drama.
James Chapman locates new British drama in its institutional and economic contexts, considers their critical and popular reception, and analyses their social politics in relation to their representations of class, gender and nationhood. He demonstrates how contemporary drama has mobilised both new and residual elements in re-configuring genres such as the spy series, cop show and costume drama for the cultural tastes of modern audiences. And it concludes that television drama has played an integral role in both the economic and the cultural export of 'Britishness'.
James Chapman locates new British drama in its institutional and economic contexts, considers their critical and popular reception, and analyses their social politics in relation to their representations of class, gender and nationhood. He demonstrates how contemporary drama has mobilised both new and residual elements in re-configuring genres such as the spy series, cop show and costume drama for the cultural tastes of modern audiences. And it concludes that television drama has played an integral role in both the economic and the cultural export of 'Britishness'.
The early twenty-first century has seen the emergence of a new style of television drama in Britain that adopts the professional practices and production values of high-end American television while remaining emphatically 'British' in content and outlook. This book analyses eight of these dramas - Spooks, Foyle's War, Hustle, Life on Mars, Ashes to Ashes, Downton Abbey, Sherlock and Broadchurch - which have all proved popular with audiences and in their different ways represent the thematic and formal paradigms of post-millennial drama.
James Chapman locates new British drama in its institutional and economic contexts, considers their critical and popular reception, and analyses their social politics in relation to their representations of class, gender and nationhood. He demonstrates how contemporary drama has mobilised both new and residual elements in re-configuring genres such as the spy series, cop show and costume drama for the cultural tastes of modern audiences. And it concludes that television drama has played an integral role in both the economic and the cultural export of 'Britishness'.
James Chapman locates new British drama in its institutional and economic contexts, considers their critical and popular reception, and analyses their social politics in relation to their representations of class, gender and nationhood. He demonstrates how contemporary drama has mobilised both new and residual elements in re-configuring genres such as the spy series, cop show and costume drama for the cultural tastes of modern audiences. And it concludes that television drama has played an integral role in both the economic and the cultural export of 'Britishness'.
Über den Autor
James Chapman is Professor of Film Studies at the University of Leicester, UK, and editor of the Historical Journal of Film, Radio and Television. His previous books on British popular television are Swashbucklers: The Costume Adventure series (2015), Inside the Tardis: The Worlds of 'Doctor Who' - A Cultural History (2nd edn 2013)and Saints and Avengers: British Adventure Series of the 1960s (2002).
Zusammenfassung
Author James Chapman is a well-known expert on British television and film
Inhaltsverzeichnis
Acknowledgements
Introduction
1. Spooks
2. Foyle's War
3. Hustle
4. Life on Mars
5. Ashes to Ashes
6. Downton Abbey
7. Sherlock
8. Broadchurch
Notes
Bibliography
Index
Details
Erscheinungsjahr: | 2020 |
---|---|
Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Thema: | Theater & Film |
Medium: | Taschenbuch |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9781780765235 |
ISBN-10: | 1780765231 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Chapman, James |
Hersteller: | Bloomsbury Publishing PLC |
Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
Maße: | 233 x 156 x 13 mm |
Von/Mit: | James Chapman |
Erscheinungsdatum: | 28.05.2020 |
Gewicht: | 0,32 kg |
Über den Autor
James Chapman is Professor of Film Studies at the University of Leicester, UK, and editor of the Historical Journal of Film, Radio and Television. His previous books on British popular television are Swashbucklers: The Costume Adventure series (2015), Inside the Tardis: The Worlds of 'Doctor Who' - A Cultural History (2nd edn 2013)and Saints and Avengers: British Adventure Series of the 1960s (2002).
Zusammenfassung
Author James Chapman is a well-known expert on British television and film
Inhaltsverzeichnis
Acknowledgements
Introduction
1. Spooks
2. Foyle's War
3. Hustle
4. Life on Mars
5. Ashes to Ashes
6. Downton Abbey
7. Sherlock
8. Broadchurch
Notes
Bibliography
Index
Details
Erscheinungsjahr: | 2020 |
---|---|
Genre: | Importe, Kunst |
Rubrik: | Kunst & Musik |
Thema: | Theater & Film |
Medium: | Taschenbuch |
Inhalt: | Kartoniert / Broschiert |
ISBN-13: | 9781780765235 |
ISBN-10: | 1780765231 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Autor: | Chapman, James |
Hersteller: | Bloomsbury Publishing PLC |
Verantwortliche Person für die EU: | preigu, Ansas Meyer, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
Maße: | 233 x 156 x 13 mm |
Von/Mit: | James Chapman |
Erscheinungsdatum: | 28.05.2020 |
Gewicht: | 0,32 kg |
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