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Claudio Monteverdi's Venetian Operas
Sources, Performance, Interpretation
Taschenbuch von Ellen Rosand
Sprache: Englisch

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Beschreibung
Claudio Monteverdi's Venetian Operas features chapters by a group of scholars and performers of varied backgrounds and specialties, who confront the various questions raised by Monteverdi's late operas from an interdisciplinary perspective.
Claudio Monteverdi's Venetian Operas features chapters by a group of scholars and performers of varied backgrounds and specialties, who confront the various questions raised by Monteverdi's late operas from an interdisciplinary perspective.
Über den Autor

Ellen Rosand, George A. Saden Professor of Music Emerita at Yale (1992-2014), is the author of Opera in Seventeenth-Century Venice: The Creation of a Genre (1991), and Monteverdi's Last Operas: A Venetian Trilogy (2007). She also edited Readying Cavalli's Operas for the Stage (2013), is General Editor of Cavalli Opere, a critical edition of the operas of Francesco Cavalli, and founded the Yale Baroque Opera Project, an undergraduate opera company, in 2006, with the support of a Distinguished Achievement Award from the Andrew W. Mellon Foundation

Stefano La Via is Professor of "Storia della Poesia per musica" and "Storia della Canzone d'autore" at the University of Pavia, Department of Musicology and Cultural Heritage (Cremona). Educated at the Universities of Rome and Princeton, he has published essays on the relationship between poetry and music in various historical periods, with particular reference to 16th-century Madrigal, 17th-/18th-century Opera, Auteur Song in Europe and the Americas.

Inhaltsverzeichnis

PART I: Context and Sources

1. Mario Infelise. Libertinism and Politics: Notes for an Incognito Reading of L'Incoronazione di Poppea

2. Jean-Francois Lattarico. L'incoronazione di Poppea within the Context of Le ore ociose (1656).

3. Merita Martino. Busenello and Monteverd: Toward les liasons des scenes

4. Hendrik Schulze. Editing Poppea: Source Provenance, Performance Practice, and Authorship

5. Stefano LaVia Monteverdi the Aristotelian Dramatist. The "Cheerful Reversal" of il ritorno d'Ulisse in patria.

6. Nicola Usula Notes on the manuscript of il ritorno d'Ulisse in patria in the Music Collection of Leopoldo I in Vienna. 9 IMAGES

PART II: Performance and Interpretation

7. Wendy Heller "Una lingua sciolta": Listening to the Voice of Anna Renzi

8. Guillaume Bernardi. Reciting Monteverdi. Sources, Practices, and Hurdles.

9. Magnus Schneider. Heavenly Masquerades. On Doubling in Il ritorno d'Ulisse.

10. Anna Tedesco. Monteverdi in the Garden. Poppea in Fascist Florence.

11. Mauro Calcagno. Otho's Perspective, Seneca's Lesson: On Recent Stagings of L'incoronazione di Poppea.

12. Jane Glover. Conducting Monteverdi's Venetian Operas.

Details
Erscheinungsjahr: 2024
Genre: Importe, Musik
Rubrik: Kunst & Musik
Thema: Allg. Handbücher & Lexika
Medium: Taschenbuch
ISBN-13: 9781032291925
ISBN-10: 1032291923
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Redaktion: Rosand, Ellen
Hersteller: Routledge
Verantwortliche Person für die EU: Produktsicherheitsverantwortliche/r, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 234 x 156 x 16 mm
Von/Mit: Ellen Rosand
Erscheinungsdatum: 29.01.2024
Gewicht: 0,456 kg
Artikel-ID: 128298204
Über den Autor

Ellen Rosand, George A. Saden Professor of Music Emerita at Yale (1992-2014), is the author of Opera in Seventeenth-Century Venice: The Creation of a Genre (1991), and Monteverdi's Last Operas: A Venetian Trilogy (2007). She also edited Readying Cavalli's Operas for the Stage (2013), is General Editor of Cavalli Opere, a critical edition of the operas of Francesco Cavalli, and founded the Yale Baroque Opera Project, an undergraduate opera company, in 2006, with the support of a Distinguished Achievement Award from the Andrew W. Mellon Foundation

Stefano La Via is Professor of "Storia della Poesia per musica" and "Storia della Canzone d'autore" at the University of Pavia, Department of Musicology and Cultural Heritage (Cremona). Educated at the Universities of Rome and Princeton, he has published essays on the relationship between poetry and music in various historical periods, with particular reference to 16th-century Madrigal, 17th-/18th-century Opera, Auteur Song in Europe and the Americas.

Inhaltsverzeichnis

PART I: Context and Sources

1. Mario Infelise. Libertinism and Politics: Notes for an Incognito Reading of L'Incoronazione di Poppea

2. Jean-Francois Lattarico. L'incoronazione di Poppea within the Context of Le ore ociose (1656).

3. Merita Martino. Busenello and Monteverd: Toward les liasons des scenes

4. Hendrik Schulze. Editing Poppea: Source Provenance, Performance Practice, and Authorship

5. Stefano LaVia Monteverdi the Aristotelian Dramatist. The "Cheerful Reversal" of il ritorno d'Ulisse in patria.

6. Nicola Usula Notes on the manuscript of il ritorno d'Ulisse in patria in the Music Collection of Leopoldo I in Vienna. 9 IMAGES

PART II: Performance and Interpretation

7. Wendy Heller "Una lingua sciolta": Listening to the Voice of Anna Renzi

8. Guillaume Bernardi. Reciting Monteverdi. Sources, Practices, and Hurdles.

9. Magnus Schneider. Heavenly Masquerades. On Doubling in Il ritorno d'Ulisse.

10. Anna Tedesco. Monteverdi in the Garden. Poppea in Fascist Florence.

11. Mauro Calcagno. Otho's Perspective, Seneca's Lesson: On Recent Stagings of L'incoronazione di Poppea.

12. Jane Glover. Conducting Monteverdi's Venetian Operas.

Details
Erscheinungsjahr: 2024
Genre: Importe, Musik
Rubrik: Kunst & Musik
Thema: Allg. Handbücher & Lexika
Medium: Taschenbuch
ISBN-13: 9781032291925
ISBN-10: 1032291923
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Redaktion: Rosand, Ellen
Hersteller: Routledge
Verantwortliche Person für die EU: Produktsicherheitsverantwortliche/r, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 234 x 156 x 16 mm
Von/Mit: Ellen Rosand
Erscheinungsdatum: 29.01.2024
Gewicht: 0,456 kg
Artikel-ID: 128298204
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