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Englisch
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Beschreibung
The catalogue traces the evolution of Posenenske's practice from early experiments with mark making to transitional aluminum wall reliefs to industrially fabricated modular sculptures, which are produced in unlimited series and assembled or arranged by consumers at will. Posenenske exhibited widely during the brief period [1956-68] that she was active as an artist, alongside peers such as Hanne Darboven, Donald Judd, and Sol LeWitt. Her work is distinguished by its radically open-ended nature: she used permutation and contingency as playful conceptual devices to oppose compositional hierarchy and invite the public to collaborate by reconfiguring her variable sculptures. Embracing reductive geometry, repetition, and industrial fabrication, she developed a form of mass-produced Minimalism that addressed the pressing socioeconomic concerns of the 1960s by circumventing the art market and rejecting established formal and cultural hierarchies. Text: Alexis Lowry, Isabelle Malz, Rita McBride, Jessica Morgan, Charlotte Posenenske, Daniel Spaulding, Catherine Wood
The catalogue traces the evolution of Posenenske's practice from early experiments with mark making to transitional aluminum wall reliefs to industrially fabricated modular sculptures, which are produced in unlimited series and assembled or arranged by consumers at will. Posenenske exhibited widely during the brief period [1956-68] that she was active as an artist, alongside peers such as Hanne Darboven, Donald Judd, and Sol LeWitt. Her work is distinguished by its radically open-ended nature: she used permutation and contingency as playful conceptual devices to oppose compositional hierarchy and invite the public to collaborate by reconfiguring her variable sculptures. Embracing reductive geometry, repetition, and industrial fabrication, she developed a form of mass-produced Minimalism that addressed the pressing socioeconomic concerns of the 1960s by circumventing the art market and rejecting established formal and cultural hierarchies. Text: Alexis Lowry, Isabelle Malz, Rita McBride, Jessica Morgan, Charlotte Posenenske, Daniel Spaulding, Catherine Wood
Details
Erscheinungsjahr: | 2019 |
---|---|
Genre: | Geisteswissenschaften, Kunst, Musik |
Rubrik: | Kunst & Musik |
Thema: | Bildende Kunst |
Medium: | Buch |
Inhalt: |
246 S.
208 Illustr. |
ISBN-13: | 9783960986300 |
ISBN-10: | 3960986300 |
Sprache: | Englisch |
Einband: | Gebunden |
Autor: | Morgan, Jessica |
Redaktion: |
Morgan, Jessica
Lowry, Alexis |
Herausgeber: | Alexis Lowry |
Hersteller: | König, Walther |
Verantwortliche Person für die EU: | Verlag der Buchhandlung Walther König, Ehrenstr. 4, D-50672 Köln, eva.moeller@buchhandlung-walther-koenig.de |
Maße: | 261 x 197 x 30 mm |
Von/Mit: | Jessica Morgan (u. a.) |
Erscheinungsdatum: | 12.07.2019 |
Gewicht: | 1,105 kg |
Details
Erscheinungsjahr: | 2019 |
---|---|
Genre: | Geisteswissenschaften, Kunst, Musik |
Rubrik: | Kunst & Musik |
Thema: | Bildende Kunst |
Medium: | Buch |
Inhalt: |
246 S.
208 Illustr. |
ISBN-13: | 9783960986300 |
ISBN-10: | 3960986300 |
Sprache: | Englisch |
Einband: | Gebunden |
Autor: | Morgan, Jessica |
Redaktion: |
Morgan, Jessica
Lowry, Alexis |
Herausgeber: | Alexis Lowry |
Hersteller: | König, Walther |
Verantwortliche Person für die EU: | Verlag der Buchhandlung Walther König, Ehrenstr. 4, D-50672 Köln, eva.moeller@buchhandlung-walther-koenig.de |
Maße: | 261 x 197 x 30 mm |
Von/Mit: | Jessica Morgan (u. a.) |
Erscheinungsdatum: | 12.07.2019 |
Gewicht: | 1,105 kg |
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