Zur Startseite gehen
0,00 €*
Cover: 9781839760808 | Capitalism and the Camera | Essays on Photography and Extraction
Dekorationsartikel gehören nicht zum Leistungsumfang.
Capitalism and the Camera: Essays on Photography and Extraction
Taschenbuch von Kevin Coleman (u. a.)
Sprache: Englisch

34,90 €*

inkl. MwSt.

Versandkostenfrei per Post / DHL

Lieferzeit 1-2 Wochen

Kategorien:
Beschreibung
Photography was invented between the publication of Adam Smith's The Wealth of Nations and Karl Marx and Frederick Engels's The Communist Manifesto. Taking the intertwined development of capitalism and the camera as their starting point, the essays in Capitalism and the Camera investigate the relationship between capitalist accumulation and the photographic image, and ask whether photography might allow us to refuse capitalism's violence?and if so, how?

Drawn together in productive disagreement, the essays in this collection explore the relationship of photography to resource extraction and capital accumulation, from 1492 to the postcolonial; the camera's potential to make visible critical understandings of capitalist production and society, especially economies of class and desire; and propose ways that the camera and the image can be used to build cultural and political counterpublics from which a democratic struggle against capitalism might emerge.

With essays by Ariella Aïsha Azoulay, Siobhan Angus, Kajri Jain, Walter Benn Michaels, T. J. Clark, John Paul Ricco, Blake Stimson, Chris Stolarski, Tong Lam, and Jacob Emery.
Photography was invented between the publication of Adam Smith's The Wealth of Nations and Karl Marx and Frederick Engels's The Communist Manifesto. Taking the intertwined development of capitalism and the camera as their starting point, the essays in Capitalism and the Camera investigate the relationship between capitalist accumulation and the photographic image, and ask whether photography might allow us to refuse capitalism's violence?and if so, how?

Drawn together in productive disagreement, the essays in this collection explore the relationship of photography to resource extraction and capital accumulation, from 1492 to the postcolonial; the camera's potential to make visible critical understandings of capitalist production and society, especially economies of class and desire; and propose ways that the camera and the image can be used to build cultural and political counterpublics from which a democratic struggle against capitalism might emerge.

With essays by Ariella Aïsha Azoulay, Siobhan Angus, Kajri Jain, Walter Benn Michaels, T. J. Clark, John Paul Ricco, Blake Stimson, Chris Stolarski, Tong Lam, and Jacob Emery.
Über den Autor
Kevin Coleman is an Associate Professor of History at the University of Toronto, and author of A Camera in the Garden of Eden: The Self-Forging of the Banana Republic. His research has been funded by the Andrew W. Mellon Foundation and the American Council of Learned Societies; the Social Sciences and Humanities Research Council of Canada; and the Fulbright-Hayes. He is currently working on a documentary film, The Photos We Don’t Get to See, on photographs from the 1928 massacre of banana workers in Colombia.
Details
Erscheinungsjahr: 2021
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Fotografie
Medium: Taschenbuch
Inhalt: Kartoniert / Broschiert
ISBN-13: 9781839760808
ISBN-10: 183976080X
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Coleman, Kevin
James, Daniel
Hersteller: Verso
Verantwortliche Person für die EU: Produktsicherheitsverantwortliche/r, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 230 x 149 x 24 mm
Von/Mit: Kevin Coleman (u. a.)
Erscheinungsdatum: 11.05.2021
Gewicht: 0,398 kg
Artikel-ID: 118929675
Über den Autor
Kevin Coleman is an Associate Professor of History at the University of Toronto, and author of A Camera in the Garden of Eden: The Self-Forging of the Banana Republic. His research has been funded by the Andrew W. Mellon Foundation and the American Council of Learned Societies; the Social Sciences and Humanities Research Council of Canada; and the Fulbright-Hayes. He is currently working on a documentary film, The Photos We Don’t Get to See, on photographs from the 1928 massacre of banana workers in Colombia.
Details
Erscheinungsjahr: 2021
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Fotografie
Medium: Taschenbuch
Inhalt: Kartoniert / Broschiert
ISBN-13: 9781839760808
ISBN-10: 183976080X
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Coleman, Kevin
James, Daniel
Hersteller: Verso
Verantwortliche Person für die EU: Produktsicherheitsverantwortliche/r, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 230 x 149 x 24 mm
Von/Mit: Kevin Coleman (u. a.)
Erscheinungsdatum: 11.05.2021
Gewicht: 0,398 kg
Artikel-ID: 118929675
Sicherheitshinweis

Ähnliche Produkte

Diese Website verwendet Cookies, um eine bestmögliche Erfahrung bieten zu können. Mehr Informationen ...